Projects tagged "East Asia"

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Television Commercial for Communism: https://vimeo.com/129592556

On January 17, 2011, Hong Yuping (洪玉萍), from Fujian Province, contacted Yu Jianrong (于建嵘), at the Chinese Academy of Social Sciences (CASS), about her family’s plight and requested assistance: In June 2009, their son, Yang Weixin (杨伟鑫), then age six, was abducted from their hometown, Quanzhou, and they had been searching for him ever since.1 In early 2010, Hong had recognized Yang Weixin in a photo of three children begging outside a Xiamen train statio

“I performed at Tiananmen Square in 1989, 15 days before the crackdown. I sang A Piece of Red Cloth (一块红布), a tune about alienation. I covered my eyes with a red cloth to symbolize my feelings. The students were heroes. They needed me, and I needed them. After Tiananmen, however, authorities banned concerts. We performed instead at “parties,” unofficial shows in hotels and restaurants”.

Nanjing, a picturesque city lying by the Yangtze River, owes its fame to its favorable geographic position, galaxy of talents and profound historical background. Having served as the capital of ten dynasties in ancient China, its splendour has remained and even enlarged with an extended population up to 600,000 when the government of the Republic of China set up its capital there in 1927.

"Why should I play a celebrity and live in Beijing for 21 days without spending money?" From May 1st to May 21st, 2021, I spent 21 days in Beijing without spending money, and I was as elegant as a celebrity. I recorded this behavior through video. Video "Instant Ownership" 28-minute graduation exhibition version of the Central Academy of Fine Arts (click to watch)

They are disparaged as “free-willed” women, “stubborn,” “picky,” “incomplete.” But a video by an East Asian beauty brand that went viral over the past week has upended the conversation on China’s sheng nu, which translates literally into “leftover women” — those who happen to be over 27 and unmarried. “People think that in Chinese society an unmarried woman is incomplete. You feel like an outsider,” says one young woman.

In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History. The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.

For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception. Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.

In 2016, Zhou Zhenfeng, who was a student at a college in Hebei at the time, discovered that there were a lot of waste tires in the streets and alleys. Zhou Zhenfeng learned that tires are made of infusible or refractory polymer elastic materials. It takes hundreds of years for these materials to decompose in the soil to the extent that they do not affect the growth of plants.

These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.

In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.

“Everything is art. Everything is politics.” Globally renowned artist Ai Weiwei (Chinese, b. 1957) is celebrated as a disruptor of artistic canons and a champion of free expression. In his work—ranging across performance, photography, sculpture, video, and installation—he deploys humor and provocation, calling upon his viewers to examine history, society, and culture.