A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.
A collective resistance movement dedicated to reasserting communal ownership of common spaces, Reclaim the Streets staged its first action on Camden High Street in 1995, when activists closed the road to vehicle traffic to make way for a street party. Combining the tactics of non-violent direct action with 90's UK rave culture, organizers kept the location secret until the last moment to preempt police interception.
A Centro Social Okupado Autogestionado (Self-Managed Occupied Social Center) or CSOA is an occupied building dedicated to the development of social and cultural activities. They are part of the “movimiento okupa” (“squatter movement”), a label created and circulated by the mainstream press.
Artist Luke Jerram created a genderless sleeping figure made of glass lying on a piece of cardboard and exhibited in the streets of London. The artist said in an interview "For every person you see sleeping on the streets, there are many others sleeping in hostels, squats and other forms of unsatisfactory and insecure accommodation.
In São Paulo, just like in many other metropolitan regions, public transport is not as effective as it could be. Buses and trains usually run overcrowded, late and on limited hours, so that owning a car increases a lot one’s comfort. But not everybody can afford to have one, so a clear and recurrent class distinction occurs: public transport is mostly used by poor people.
Puerto Rico doesn’t know what’s going on here, and if they do, they’re ignoring us.” So opens Gabriel Miranda’s documentary Vietnam, Puerto Rico. Focused on the coastal community of Vietnam, which is located in the Guaynabo, the doc tells the story of a disenfranchised population being displaced over the past two decades to make room for a glitzy new waterfront development.
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011.
Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.
By Rebecca Davis and Meena Hart Duerson
Those who believed the Occupy Wall Street movement was all but dead after its dramatic removal from Zuccotti Park last fall may have been surprised to see the group pop up again in the days after Hurricane Sandy.
But this time, they weren’t organizing protests – they were calling on their large network to come to the aid of those hit hardest by the storm.
Vacated reverse engineers Google Street View to highlight the changing landscape of various neighborhoods throughout Manhattan and Brooklyn. The project finds buildings constructed in the past four years using the NYC Department of City Planning's PLUTO dataset, and it leverages Google Street View's cache to visualize absent lots just before new buildings were constructed.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
What would a chemical attack on NYC look like? How would poisonous gases spread, through the lines of the subway and above ground? These are some of the questions the NYPD and a team of researchers hope to answer this July, when they’ll disperse colorless, odorless, and apparently harmless gases called perflourocarbons around the city and track their movement.
#SaveNYC is a grassroots, crowd-sourced, DIY movement
to protect and preserve the diversity and uniqueness
of the urban fabric in New York City.
As our vibrant streetscapes and neighborhoods are turned into bland, suburban-style shopping malls, filled with chain stores and glossy luxury retail, #SaveNYC is fighting for small businesses and cultural institutions to remain in place.
The Brooklyn Anti-Gentrification Network is a grassroots movement and campaign to prevent the displacement of low-to-middle income people, elders, families and mom-and-pop businesses from Brooklyn. They say, “Not 1 more person displaced! Not 1 more luxury development, until we have affordable housing for all!”
Oakland Wiki (oaklandwiki.org) is a free website about Oakland that anyone can edit. It's a wiki that can house any kind of information about Oakland, from historic figures to native plants to City Council meeting notes to your favorite leafy walk.
For three days, Ruben Santiago installed, without any official authorization, a hydro-massage shower in a public bathroom in the Gothic Quarter of Barcelona. The installation also made available to users bath gel, shampoo and towels that were regularly replaced.
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
In April, 2011, Food and Water Watch partnered with Yes Lab to raise questions regarding drinking water around New York City. Yes Lab, an organization that collaborates with activist groups, aims to create successful media-related creative actions that help raise awareness regarding pertinent causes and create desirable action, often by staging interventions for the existing status quo by imitation and alteration.
A feminist group in France has been transforming the streets of Paris after noting that just 2.6 per cent are named after notable women.
Tourists on the Ile de la Cité got a surprise when they found that almost all of the street signs in central Paris had been changed overnight.
A group of unidentified guerrilla activists staged a unique pro recycling flashmob in a Quebec mall in July 2015. An actor 'forgot' an empty water bottle on the ground in a food court a couple of feet from a recycling receptacle. Numerous people walked past the bottle and did nothing. Finally a woman walking past it reached down and recycled the bottle. She was then given a standing ovation and thunderous applause from the entire food court.
Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
Circus Amok is a New York City based circus-theater company whose mission is to provide free public art addressing contemporary issues of social justice to the people of New York City.
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.
Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
"This project took aim at a public relations campaign produced by The Union Square Partnership, a local Business Improvement District (BID) attempting to privatize the north end of NYC’s Union Square park and install a high-end celebrity chef restaurant. They hosted historical walking tours of the park for decision-makers, as a means of getting buy-in for their development initiative.
Los Angeles is at a critical moment when it comes to art. Not because it's "underappreciated as a world art center" as The New York Times informed us in 2011. Or because it's a "burgeoning art capital" as The New York Times revised in 2014. No, it's because L.A. has actually moved past the "up-and-coming" stage into a fully integrated part of the art world.