On the afternoon of September 11th, nearly a hundred people hugged each other to feel the beauty of the hug on the Paris Square in front of the Brandenburg Gate in Berlin, under the leadership of the Chinese artist Gao Brothers. At the beginning of the event, the Germans have not yet adapted to the behavior of embracing strangers, but encouraged by Gao brothers, people have opened their arms and gave the strangers around them a warm hug.
The Iranian filmmaker Mohsen Makhmalbaf opens “The Gardener” with the declaration: “I am an agnostic filmmaker.” From anyone else, this might seem like a simple statement, but not from the complex Mr. Makhmalbaf. In 1974, when he was 17, religious and involved in a guerrilla group, he stabbed a policeman, for which he received a bullet to the stomach and a prison sentence.
The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
In 2005, Rebar, a design studio in San Francisco, transformed a single metered parking space into a temporary public park. The area where this two-hour park took place was one that lacked public open space. This was the first Park(ing) Day project.
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
A Centro Social Okupado Autogestionado (Self-Managed Occupied Social Center) or CSOA is an occupied building dedicated to the development of social and cultural activities. They are part of the “movimiento okupa” (“squatter movement”), a label created and circulated by the mainstream press.
#SaveNYC is a grassroots, crowd-sourced, DIY movement
to protect and preserve the diversity and uniqueness
of the urban fabric in New York City.
As our vibrant streetscapes and neighborhoods are turned into bland, suburban-style shopping malls, filled with chain stores and glossy luxury retail, #SaveNYC is fighting for small businesses and cultural institutions to remain in place.
A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.
São Paulo went through a process of privatization of the public spaces. The local government implemented several rules that beneficiated the real state speculation, the city is expensive, and it's not for the poor.
Besides that, in october the elections were a hard game for the progressive party, PT, since two conservative candidates had big shares.
With the intention of recognizing the work of the Latin American carreteros (garbage pickers) that collect recyclable materials in wheel carts, and increase environmental consciousness, artist Mundano created “Pimp My Carroça"
There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984.
Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.
The “Wearable/Portable Architecture project” discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It is structured to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment.
The city of Douala in Cameroon had a huge problem associated with malfunctioning water drainage systems. This is due the fact that in many illegally constructed areas of the town, the sewers are without cover, and after heavy rainfall, this would generally lead to floods and related threats to public health.
A technological feat has emerged amid the Chilean protests. A video of protestors bringing down a police drone has gone viral on social media sites. These protestors didn't use any physical or gun force to bring the drone down. Instead, they used another form of technology: lasers. A lot of bright green laser beams were pointed in unison at the drone, which can be seen moving erratically, before quickly falling down to Earth.
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
What would a chemical attack on NYC look like? How would poisonous gases spread, through the lines of the subway and above ground? These are some of the questions the NYPD and a team of researchers hope to answer this July, when they’ll disperse colorless, odorless, and apparently harmless gases called perflourocarbons around the city and track their movement.
"This area will be photographed" is a public performance of implied photographic consent, inspired by Google's street view and satellite surveillance. Posted signs and handbills alerted the public present in Union Square, New York, NY that a photograph would be taken of the area at a precise time.
Troy, Michigan couldn't afford to keep its library open, so it scheduled a vote for a tax increase. A strong anti-tax group waged a dominating campaign against it. Posing as a political group, we posted signs around town that said, "Vote to close Troy library Aug 2, book burning party Aug 5." We invited everyone to our Facebook page, adding Twitter, Foursquare, want ads, flyers and more to drive engagement.
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.