Siempre Unidas is a feminist collective in the state of Quintana Roo (Mexico) that works partly through street art. In 2021, in response to the femicide of Victoria Salazar – a refugee from El Salvador who died in police custody – the collective began an anti-femicide mural project called RestaurAmoras.
During the public vacation of May Day, also called International Workers’ Day, “For People, Food is the First Necessity: Qiu Zhijie’s Writing in a Market” was launched at the crowded Sanyuanli market in Beijing.
Liao Guohe’s solo exhibition ----“Satisfaction Guaranteed”, the first-time all-round summary of his paintings in last 10 years, is held from November 14, 2014 to March 14, 2015 at Sifang Art Museum in Nanjing, China.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
Linha Vermelha was created in 2016 by the non-profit organization Academia Cidadã (Citizenship Academy). At that time there were fifteen active contracts for oil and gas drilling and we were inspired by the “Red Line Action” in Paris, during COP21 and decided to create this campaign.
Notice Nature was a public engagement action undertaken by participants in the Erasmus+ funded training 'Creativity and Change: Empathy 2 Action - nurturing response-able global citizens' which took place in Cork from 8th - 13th April 2017. The team members were Marie-Michele Tessier, Aoife Dare, Ann Foulds, Zsofi Toth and Claire Faithorn.
For the past five years, we’ve screened SIMA juried films in communities and classrooms across six continents and witnessed an increasing demand to use the inspirational force of documentary filmmaking to build a global digital community around today’s most pressing issues.
A grey minivan rattled through São Paulo’s hilly suburbs, loaded with spray cans, paint rollers, buckets and a ladder as five street artists drove to the Atibainha river, rap lyrics blaring from their speakers.
On the sweltering afternoon of 26 February, they painted colourful protest murals on the legs of a bridge that crosses one of São Paulo’s most important water sources, nestled in the Serra da Cantareira mountain range.
Over the course of 3 years, from 2006 until 2009, the production team behind the film Wasteland (2010), also known as "Lixo Extraordinário" followed Brazilian, Brooklyn-based mixed-media artist, Vik Muniz, as he traveled back to Brazil to create self portraits with the catadores (tr. garbage pickers) of Jardim Gramacho, one of the largest city dumps in the Americas.
Ever get to thinking about how a food desert can pop up in the middle of a major city? One major reason is corporate fast food and manufactured goods. Food deserts are defined as urban neighborhoods and rural towns without ready access to fresh, healthy, and affordable food.
A toothless garbageman who once wandered Hong Kong’s streets with dingy bags of ink and brushes tied to his crutches is now the subject of a major retrospective. About 300 calligraphic works by the late Tsang Tsou-choi — who is best known by his self-dubbed title, the King of Kowloon — are showing at the ArtisTree art space in a high glass tower.
Stephanie H. Shih is a Brooklyn-based ceramist who explores Asian American identity through clay interpretations of grocery items. The ceramicist has created life-size painted clay Sriracha bottles, Pocky cartons, soy sauce gallons, and instant ramen as part of a series Shih conceived in 2018 called Oriental Grocery, to explore nostalgic foods of the Chinese American diaspora.
The Norman Rockwell Museum is very unique. It attracts people of all ages from all around the world to visit. I’ve heard adults saying “I remember selling that copy of The Post door to door!” or seen children’s excited faces when they find something on the scavenger hunt list. The Rockwell Museum has something for everyone, and this summer I was lucky enough to receive an internship there.
As the cold air bit our faces, and we hid deeper into our layer of sweaters, my family and I continued to wander around Manhattan, seeking a place which would provide warmth and food. And there it was, dimly lit: the Michelin-starred ramen restaurant, Tonchin. We ordered the highly-sought after ramen bowl, Tonkotsu, and awaited our meal. Out of the kitchen, the steam arose from a bowl of a warm, salty pork broth.
When President Trump announced the US departure from the Paris Climate Accord on 1 June 2017, his enjoyment at walking over the efforts of national delegations and hundreds of pressure groups across the world who fought for that deal was palpable. I was in Paris in December 2015 during the negotiations, when the possibility of a global agreement was merely that, a fragile potential.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
Kheris Rogers, an 11-year-old entrepreneur from Los Angeles, has made history at New York Fashion Week as the youngest fashion designer ever to present. Kheris became an internet sensation earlier this year after her sister posted photos of her promoting her unapologetic Flexin' in My Complexion apparel line.
A young Black boy, wearing deep red livery with gold trimming, a gold earring, and red-and-white turban secured with a jeweled brooch, stares out at the viewer. Standing before a ship at sea, he hands a letter, addressed to “Monsieur le chevalier de Rohan, captain of the King’s ships at Rochefort,” to an older white man, dressed in regal-looking steel armor.
In July and August 2013, O Teatrão, a Coimbra based theatre company, presented the project Arruinados, comprising three theatre performances in three abandoned spaces (‘ruins’), one in each of three cities in the Centre region of Portugal located along the Mondego River:Coimbra, Montemoro Velho, and Figueira da Foz.
Jenny Hozler has mined declassified U.S. government documents for the series Redaction Paintings meticulously silk-screened works that depict blacked-out handprints of American soldiers accused of committing crimes in Iraq.
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
You might think that pictures of dicks (usually unsolicited) aren’t particularly hard to come by on the internet. And most of those dick pics aren’t particularly expertly composed. But that’s not the case for Penile Papers, a new collection of phallic art curated by London-based artist Dominic Myatt.
In a massive act of ‘brand vandalism’ just two days before the launch of the UN COP21 Climate Conference, 600 anti-advertisement posters have been installed in outdoor media spaces throughout the streets of Paris. The posters display artwork from over 80 artists from 19 different countries, including big names such as Banksy-collaborator Paul Insect, Alex One, Know Hope, Escif, Cleon Peterson, Hyuro, Jimmy Cauty, Ron English and many others.
O artista norte-americano Shepard Fairey inaugura esta sexta-feira, em Lisboa, “Printed Matters”, exposição que mostra sobretudo peças impressas, técnica que crê “não ter os dias contados”, e cujo conteúdo activista gostava de ver mais vezes nas Artes Visuais.