Projects tagged "Print & Design"

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Two reflective stickers in a bathroom stall. When you sit down you can see your face in the bottom one. When you stand you can see your face in the top one, your groin in the bottom one. The top one says "Public", the bottom one says "Private". Or maybe the top one says "Private", and the bottom one says "Public". Which one is correct?

Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.

The Partnership for Drug-Free Kids, a national nonprofit dedicated to reducing substance abuse among adolescents, launched a new multimedia campaign for teens that uses emojis to communicate the challenges of negative influences, empowering them to live Above the Influence.

LOS ANGELES--(BUSINESS WIRE)--Activist and Academy-Award winning actress Susan Sarandon and Grammy, Emmy, and Tony Award-winning and Academy-Award nominated actress Cynthia Erivo starred in a new public service announcement (PSA) during the Oscars titled “Power to the Patients” which focuses on increasing awareness that hospital prices are now a patient’s right prior to receiving care.

At Souvenir Stands, Selling Tourists on Ending Stop-and-Search By COREY KILGANNON New York Times, City Blog, August 27, 2012 Last week, a 37-year-old artist from Oakland, Calif., named Aaron Gach joined the crowds of tourists swarming the sidewalk souvenir stands set up around the perimeter of Battery Park in Lower Manhattan.

Institute of psychology in Shenyang, a major city of China, recently reveals 6 most frequently used utterances in verbal abuse of children among local parents: “Garbage”, “You know nothing but eating”, “Pig head”, “Shame on you”, “Why don’t you die”, “No one else is lamer than you”.

Thelma Golden, curator at the Studio Museum in Harlem, talks through three recent shows that explore how art examines and redefines culture. The "post-black" artists she works with are using their art to provoke a new dialogue about race and culture -- and about the meaning of art itself.

The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.

Visions from the Inside is a project enlisting 15 artists from across the country to create a piece of art based off letters from women in detention. The initiative, a collaboration between CultureStrike, Mariposas Sin Fronteras and End Family Detention, illuminates the horrific realities of life inside some for-profit detention facilities in the U.S., as well as the resilient spirit that keeps the inmates going.

The initiators collaborated with the Street Vendor Project (SVP) of the Urban Justice Center to campaign against New York City Council Member Jessica Lappin’s 2010 law project. The bill, intended to revoke permits issued to street vendor trucks if they got parking tickets, was so restrictive that it threatened to put most food trucks out of business.

The artist in close collaboration with AMI (Assembly of Indigenous Migrants of Mexico City) has created a series of monographs made by students, through ‘tequio’: a communal system of organisation expressed in collaborative practices, mandatory and unpaid work. The goal of the project is to offer information about the lifestyle and culture of these indigenous communities, which live in Mexico City.