Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
This diagram of the 'Brookes' slave ship is probably the most widely copied and powerful image used by the abolitionist campaigners. It depicts the ship loaded to its full capacity - 454 people crammed into the hold.The 'Brookes' sailed the passage from Liverpool via the Gold Coast in Africa to Jamaica in the West Indies.
The young Chinese feminists shaved their heads to protest inequality in higher education and stormed men’s restrooms to highlight the indignities women face in their prolonged waits at public toilets.
HIV is still among the top 10 leading causes of death in the world, ranking sixth with around 1.5 million deaths each year. Around 35 million people are currently infected with HIV, and cases are worryingly on the rise—it is far from old news. Determined to change this, a magazine has embarked on a bold new campaign in which 3,000 copies will be printed using ink mixed with HIV-infected blood.
"Operation Paydirt is a multidisciplinary, artist-driven project advancing a solution to the devastating problem of lead (Pb) contaminated soil that puts thousands of children at risk for severe learning disabilities and behavioral problems. The goals of the project are to raise awareness of the issues of lead and to create a model for making cities lead-safe across the United States.
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
A giant leak of more than 11.5 million financial and legal records exposes a system that enables crime, corruption and wrongdoing, hidden by secretive offshore companies.
"Street corners are used to maximum effect by British youth homelessness charity Depaul UK in a new campaign created by Publicis London.
The idea is to show another side to homelessness to raise awareness of Depaul’s Nightstop–a service which provides emergency accommodation to homeless 16-to-25-year-olds–to recruit new volunteers.
From Time Magazine:
It's not a dress—it's a cape
We’ve all seen the woman in the triangle dress that marks women’s bathrooms. But what if that triangle silhouette isn’t really a dress?
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
Design4Peace is a collection of political posters created by Leslie Dwyer. Images speak to issues of war and peace, prisons, solidarity and movement, immigration, economy and class, violence against women, ecology, agriculture, racism, and gender. Leslie works with movement and educational organizations, such as Veterans for Peace and Teaching for Change to support their work visually.
Following in the strong tradition of using graphic novels to explore social ills, DC Comics is releasing two new politically activist issues in their "New 52" series.
The first is called "The Movement" and is written by Gail Simone. Simone describes that "The Movement is an idea I’ve had for some time. It’s a book about power–who owns it, who uses it, who suffers from its abuse."
Namo Nazi
Namo Nazi is a group which is dedicated to the cause of spreading awareness about fascism. They create anti-fascist T-Shirts and say this about themselves:
Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
Zaria’s ultra-realistic drawings explore moments of raw beauty, peace in the landscape, power in the ice and transition that allow the viewers to emotionally connect with places they may never see in real life.
Peggy Digg’s The Domestic Violence Milk Carton Project consisted of an image printed by Tuscan Dairy Farms on over one million milk cartons, which were distributed during January and February of 1992 throughout New York, New Jersey, Connecticut, Maryland, Delaware, and Pennsylvania. This wide-reaching project sought to both raise awareness of domestic violence and distribute a helpline.
Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.
Racist adverts promoting hatred against Muslims are currently being run on buses in San Francisco - but someone has started covering them up with anti-hatred messages from Marvel's première Muslim superhero, Ms. Marvel.
Born in Nigeria in 1975, Péju Alatise, is a multimedia artist focusing on the experience of women and girls, particularly in her native country but with resonance across the world.
Carlos Hernández Chávez is a Mexican-American muralist who brings the spirit of 20th-century Mexican muralism into modern New England. Chávez’s murals address key social justice themes, including immigration, workers’ rights, and cultural identity, challenging viewers to acknowledge and reflect on pressing societal issues.
Taken from the website:
Dyke Action Machine! (DAM!) is a two-person public art project founded in 1991 by artist Carrie Moyer and photographer Sue Schaffner. Between 1991 and 2004 DAM! blitzed the streets of New York City with public art projects that combined Madison Avenue savvy with Situationist tactics.
An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.