Daniel Arzola, a digital artist and activist originally from Maracay, Venezuela, began his series, 'No Soy Tu Chiste' ('I Am Not A Joke') in 2013 intent on combating the stereotypes and cruelty so often facing LGBT identifiers; youth in particular. The project went viral in 2014, around the same time it teamed up with the It Gets Better Project based in the United States.
This piece is about multiple layered “creative activism”. There is art, activism, and community building.
According to the Merriam Webster dictionary, a zine is a “noncommercial often homemade or online publication usually devoted to specialized and often unconventional subject matter.”
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
The AIDS pandemic began in the early 1980s and brought with it a surge of emotions from the public: they were afraid, angry, fearful and defiant. The arrival of AIDS also brought with it a condemnation of the LGBT community. These emotions, along with the view on the LGBT community, paved the way for a new generation of artists.
“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work.
When Jonathan D. Chang visits the 626, he often wears a black hoodie emblazoned with a colorful print of Guangong on the back. A military general from the Three Kingdoms era turned Taoist guardian deity, Guangong, or Guan Yu, is known throughout China and parts of Vietnam as a symbol of wealth and protection. Chang’s hoodie features his own design of the deity, which he drew in classic chibi fashion with a big head and smaller limbs.
It can be important to reflect on the artistic recounts of activists experiences under state imprisonment. In a revealing interview with Artspace, Chinese artist and dissident Ai Weiwei reflects on his 81-day secret detention in 2011 and the psychological strategies used to dismantle identity and autonomy.
A town in northwestern Syria has become the creative center of the revolt against President Bashar al-Assad. Since the beginning of the uprising, the residents of Kafr Anbel have drawn signs that skewer the Assad regime and express outrage that the world has not done more to stop the killing in Syria.
The Protest Banner Lending Library is a space for people to gain skills to learn to make their own banners, a communal sewing space where we support each other’s voices, and a place where people can check out handmade banners to use in protests.
In April, 2011, Food and Water Watch partnered with Yes Lab to raise questions regarding drinking water around New York City. Yes Lab, an organization that collaborates with activist groups, aims to create successful media-related creative actions that help raise awareness regarding pertinent causes and create desirable action, often by staging interventions for the existing status quo by imitation and alteration.
On a damp and rainy Sunday in October of 1935, Munro Leaf sat down to write a story. He had been eager to work with his friend – the illustrator Robert Lawson – for some time and so he decided to pen a book which he felt might suit the illustrator’s skills. Lawson was a master at drawing animals but horses, dogs, cats, rabbits and mice had all been done a thousand times already.
Spanish organization the ANAR Foundation (Aid to Children and Adolescents at Risk) releases a campaign that takes advantage of the process of lenticular printing to send an offer of help to abused children without alerting their abusers, even if they’re walking together.
Lenticular printing is a process that allows for different photos to be seen depending on the angle the image is viewed from.
Come across a poster like the two above on your commute recently? Laid out in classic MTA style, but adorned with Orwellian imagery and an appropriately ambiguous hashtag, they warn of two possible hazards to your health: an upcoming “airborne non-toxic test” in which the NYPD will disperse “harmless, colorless gas” around the five boroughs, and an at-risk nuclear reactor that’s just 28 miles from NYC.
Decades of institutional corruption, elitist exploitation, and social abuses have been sewn into the political fabric of Iran’s dictatorial Islamic republic and have moulded Kermanshah-born fine art painter Nicky Nodoumi’s satirical motifs.
If, like me, you spent the days after Trump’s election in a depressed stupor wondering what – if anything – would change, look no further than Good Trouble. Set up by former Dazed editor Rod Stanley, it’s a new collective arts platform dedicated to celebrating the culture of resistance and grassroots activists promoting positive change.
It is exceedingly difficult to organize peaceful protests in Russia. Since the Kremlin’s “Special Operation” began on Feb. 24, police have detained nearly 15,000 people across the country in connection with peaceful demonstrations. On March 4, the Kremlin expanded the scope of illegal activity with two laws that criminalize war reporting and antiwar protest. As of March 15, 180 charges have been lodged against protesters.
While adult coloring books are hitting a high note right now in 2016, this isn't the first time this has happened. Back in the 1960s, coloring books were so popular that one of them even made it to the New York Times bestseller list.
However, while modern adult coloring books are very geometric and abstract, intended to help adults destress and relax, adult coloring books from the 1960s were much more political.
Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members, all artists - but action, not art, was the aim of the collective. Gran Fury member Loring McAlpin described the collective's mass-market ambition to “...fight for attention as hard as Coca-Cola fights for attention.”
In Drones We Trust, 2014 - Joseph DeLappe
Crowd Sourced, Participatory Rubber Stamp Currency Intervention
FOR FULL PROJECT DOCUMENTATION VISIT: http://indroneswetrust.tumblr.com/
Join other families in reimagining sports team mascots and logos that misrepresent Native American communities. Design a campaign for alternative names with the help of artists Sam Durant and Elisa Harkins, taking inspiration from the exhibition Jimmie Durham: At the Center of the World.
Pop-Up Studio
Families explore art and create together in lively workshops led by artists. These drop-in programs are designed for ages 5 and up.