Projects tagged "Print & Design"

Speaking Volumes: Transforming Hate
Practitioner:
Katie Knight
Date:
Feb 14 2008
The Creativity Movement (formerly known as the World Church of the Creater) is a self proclaimed white supremacist organization with factions across the United States. In 2004, a high ranking leader of the Montana based faction defected from the group, but not before donating over 4,000 of the group's bibles called the 'RAHOWA' (acronym for racial holy war) to the Montana Human Rights Network.
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Chinese Feminist Act Against Sexual Harassment on Subway
Practitioner:
Zheng Xi
Date:
Dec 1 2017
Zheng Xi 郑熹, a Ph.D. candidate with a focus on gender studies at Zhejiang University in Hangzhou. Zheng has launched a campaign asking city governments around China to display anti-sexual-harassment logos, complete with a groper’s “salty-pig hand” visual (etymological context here), alongside other commonly displayed public safety logos on places like subway trains and buses.
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The Guerrilla Girls and the "HORROR ON THE NATIONAL MALL!"
Practitioner:
Guerrilla Girls
Date:
Apr 22 2007
“The Washington Post” asked the Guerrilla Girls to create a full page for their section on feminism and art, which was published on April 22, 2007. The Guerrilla Girls’ page contains an image of a fake tabloid, called “NOT OK! The Guerrilla Girls’ Scandal Rag,”. The tabloid’s cover features a sensational headline and some statistics, which highlight the fact that national museums rarely feature female artists and artists of color.
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John Heartfield's Anti-Nazi Photomontages
Practitioner:
John Heartfield
Date:
May 13 1935
John Heartfield began to make photomontages as a member of the Berlin branch of international Dada around 1920. Schooled in graphic arts and having worked briefly in animated film, Heartfield (who had anglicized his given name, Helmut Herzfeld, in 1917 as a protest against wartime nationalism) subsequently developed a cinematic effect in montages that he made for book illustration.
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Drawing with gunpowder ink: Interview with Carlos Latuff
Practitioner:
Ana Barata (interviewer), Carlos Latuff (interviewed activist artist)
Date:
Oct 10 2012
In the context of the PhD research “Consciousness-raising: Activism in Digital Art” (by Ana Barata, Faculdade de Ciências Sociais e Humanas da UNL, Lisbon, Portugal) Carlos Latuff was interviewed concerning his political graphical work that focuses on present conflicts and issues.
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Myanmar coup: How citizens are protesting through art
Practitioner:
Myanmar's citizens
Date:
Feb 7 2021
"An atmosphere of fear and anger spread across Myanmar this week as millions of people awoke to find out the military had taken control, ousting the elected government. But how do you fight back in a country where protests have been violently suppressed before? For some, it has meant putting pen to paper and taking the battle online.
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Andrea Bowers: Art for Social Justice
Practitioner:
Andrea Bowers
Date:
Jul 13 2023
“Artist Andrea Bowers creates powerful works addressing immigration, gender violence, and environmental justice. Her large-scale drawing ‘No Olvidado’ memorializes migrants who died crossing the U.S.-Mexico border, calling attention to the human cost of border policies.”
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In Drones We Trust
Practitioner:
Joseph DeLappe
Date:
Nov 13 2014
In Drones We Trust, 2014 - Joseph DeLappe Crowd Sourced, Participatory Rubber Stamp Currency Intervention FOR FULL PROJECT DOCUMENTATION VISIT: http://indroneswetrust.tumblr.com/
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Game of Floods
Practitioner:
Marin County Government
Date:
Apr 26 2017
Marin County’s “Game of Floods” teaches citizens how to make tough decisions for the future.
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Activism by Duplication: "Untitled" (Death by Gun) (1990)
Practitioner:
Felix Gonzalez-Torres
Date:
Jan 1 1991
Activism through print media is often done through duplication: posters, flyers, magazines, manifestos. But with these media, each individual duplicate holds the same, political message. In Felix Gonzalez-Torres's "Untitled" (Death by Gun) (1990), a stack of posters are placed in the gallery space for people to take with them. As the pile is depleted, more posters are printed.
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On The Artistic Activism of Emory Douglas
Practitioner:
Emory Douglas, Black Panther Party
Date:
Feb 1 1960
“The solidarity came in the artwork—it spoke a language that transcended borders.” Emory Douglas
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Missing Faces for Missing Girls
Practitioner:
Peju Alatise
Date:
Jul 1 2014
Born in Nigeria in 1975, Péju Alatise, is a multimedia artist focusing on the experience of women and girls, particularly in her native country but with resonance across the world.
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No Humans Involved: After Sylvia Wynter
Practitioner:
Alexandra Bell
Date:
Dec 1 2018
In this series featured in the 2019 Whitney Biennial, artist Alexandra Bell edited headline pages from the New York Daily News in 1989 concerning the case of the Central Park 5. Through redaction, highlighting, and censoring, Bell shows how the teens accused of this crime were painted as a pack of animals by the media.
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A Presidential Parody
Practitioner:
A Presidential Parody, Maia Lorian, Abe Lincoln Jr.
Date:
Nov 19 2018
NEW YORK, Ny., Nov 19, 2018 - Two artists, Actress/Creator/Native New Yorker Maia Lorian and collaborator veteran NYC Street Artist Abe Lincoln Jr. bring to you “A Presidential Parody.” In a nation that seems to place higher value on the American dollar over the American life, the artists felt it was time to release an ad campaign that reflects Trump’s “all American” values.
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Inside Out Project
Practitioner:
JR
Date:
Jan 28 2010
JR called for the creation of a global art project - the Inside Out Project - inspired by his large‐format street “pastings.” The concept of the project is to give everyone the opportunity to share their portrait and a statement of what they stand for, with the world. IOP provides individuals and groups from all corners of the globe with a vehicle to make a statement.
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Grandmas resignifying public space
Practitioner:
Corpovisionarios por Colombia, Health Ministry of Colombia, OIM
Date:
May 6 2014
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
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Shining a spotlight on domestic violence – the Women’s House (Sunglasses) project
Practitioner:
Sanja Iveković
Date:
Jun 28 1998
Croatian artist Sanja Iveković started Women’s House (Sunglasses) in 1998 in collaboration with a women’s shelter in Zagreb and later with women’s shelters elsewhere in Europe and Asia. Iveković organised workshops with women in these shelters to produce plaster casts of their faces, as well as to give them the space to write their life stories.
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Pop-Up Studio: Kids’ Campaign to Correct History
Practitioner:
Sam Durant and Elisa Harkins, UCLA
Date:
Mar 26 2017
Join other families in reimagining sports team mascots and logos that misrepresent Native American communities. Design a campaign for alternative names with the help of artists Sam Durant and Elisa Harkins, taking inspiration from the exhibition Jimmie Durham: At the Center of the World. Pop-Up Studio Families explore art and create together in lively workshops led by artists. These drop-in programs are designed for ages 5 and up.
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I HAVE A DREAM - Roman Subway Map
Practitioner:
Tic Edizioni
Date:
Jun 1 2013
Tic Edizioni, Roman publishing house, has created "I Have a Dream", a fake map of the Rome subway.
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This Is Not Your Body
Practitioner:
This Is Not Your Body
Date:
Nov 25 2014
Two reflective stickers in a bathroom stall. When you sit down you can see your face in the bottom one. When you stand you can see your face in the top one, your groin in the bottom one. The top one says "Public", the bottom one says "Private". Or maybe the top one says "Private", and the bottom one says "Public". Which one is correct?
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Most Likely Safe
Practitioner:
Yes Lab, Food and Water Watch
Date:
Apr 29 2011
In April, 2011, Food and Water Watch partnered with Yes Lab to raise questions regarding drinking water around New York City. Yes Lab, an organization that collaborates with activist groups, aims to create successful media-related creative actions that help raise awareness regarding pertinent causes and create desirable action, often by staging interventions for the existing status quo by imitation and alteration.
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'Wolf Warrior artist' strives to use new art to spread truth and inspire patriotism
Practitioner:
Wuheqilin
Date:
Jun 18 2020
With delicate composition, striking details and strong emotion, five editorial posters drawn by Wuheqilin have attracted some half million followers to his account on Sina Weibo, China's Twitter-like social media platform. His political views expressed in his art have led to some netizens dubbing him the "Wolf Worrier artist."
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MTA Posters
Practitioner:
Anonymous
Date:
May 1 2013
Come across a poster like the two above on your commute recently? Laid out in classic MTA style, but adorned with Orwellian imagery and an appropriately ambiguous hashtag, they warn of two possible hazards to your health: an upcoming “airborne non-toxic test” in which the NYPD will disperse “harmless, colorless gas” around the five boroughs, and an at-risk nuclear reactor that’s just 28 miles from NYC.
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Mexican Feminists make an artistic intervention on "national heroes" portraits
Practitioner:
Mexican feminists
Date:
Sep 6 2020
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
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WHY WE VOTE: An Installation of Signs
Practitioner:
Patricia Dahlman and Michael Dal Cerro
Date:
Oct 11 2026
WHY WE VOTE: An Installation of Signs Located at Index Art Center Window Activation @73 Market Street in Newark, New Jersey This exhibit is on display through the windows of the the gallery, 24 hours a day from Sunday, October 11 thru November 6, 2026. On Sunday, October 11 from 1-5pm, in conjunction with Newark Open Studios, the gallery will be open for closer viewing.
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