Projects tagged "Arts & Culture"

La Fiera en Sevilla
Practitioner:
Isaías Griñolo
Date:
Jan 1 2016
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
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The Sacred Art of Ori
Practitioner:
Laolu Senbanjo
Date:
Apr 27 2017
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
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Oxycontin Protest at the Met
Practitioner:
Nan Goldin and Prescription Addiction Intervention Now (PAIN)
Date:
Mar 10 2018
The US artist Nan Goldin has staged her first public protest since she launched her activist group PAIN (Prescription Addiction Intervention Now), shaming members of the Sackler family who have profited from the sale of Oxycontin and institutions that have accepted their philanthropy.
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Underrepresentation of Marginalized Women in Spain
Practitioner:
Cristina Gracia Rodero
Date:
Jan 1 1989
The artist I chose to focus on personally is the photographer Cristina Garcia Rodero. I used photos from her photography essay España Oculta, in which Rodero traveled to small villages in Spain to document the resident’s lives. Our group's main focus is on gender issues, and I personally wanted to focus on activism involving women and representation. Rodero uses photos of rituals and activities among those outside of the majority population.
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Sixth Annual NYC Feminist Zinefest
Practitioner:
Barnard
Date:
Mar 25 2018
“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work.
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Art Not Oil: Ending Oil Industry Sponsorship of the Arts
Practitioner:
Art Not Oil UK
Date:
Apr 3 2016
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
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Ai Weiwei’s Colored Vases: Clever Artwork Or Vandalism?
Practitioner:
Ai Weiwei
Date:
Jan 1 2006
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint. Why did Ai Weiwei do it?
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The Peterloo Memorial: A monument to discrimination
Practitioner:
The Peterloo Memorial: A monument to discrimination
Date:
Jun 6 2019
Disabled people gathered to protest at the site where a memorial to the Peterloo massacre in 1819 is being built. We are keen to have a memorial to Peterloo, but we want one we can be proud of, rather than the one under construction, which will be inaccessible to many disabled people.
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Depression Quest
Practitioner:
Zoe Quinn
Date:
Aug 11 2014
Earlier this month, an anonymous message was posted to the discussion-board Web site 4chan. In it, the author threatened to hurt the video-game developer Zoe Quinn: “Next time she shows up at a conference we … give her a crippling injury that’s never going to fully heal … a good solid injury to the knees. I’d say a brain damage, but we don’t want to make it so she ends up too retarded to fear us.”
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Now What?
Practitioner:
The pirARTes
Date:
Apr 25 2021
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery. With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
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Shoddy, a disability arts exhibition
Practitioner:
Gill Crawshaw; Uk disabled artists
Date:
Apr 7 2016
A disability / textile arts project, challenging assumptions about disabled artists & highlighting shoddy treatment of disabled people by current government:https://shoddyexhibition.wordpress.com/
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Las Carpetas
Practitioner:
CHRISTOPHER GREGORY-RIVERA
Date:
Jan 14 2021
"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.
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Parió Paula
Practitioner:
Parió Paula
Date:
Jan 15 2009
Parió Paula is an all women’s percussion group based in Lima, Peru. These women are truly artistic renegades defying the social norms of Lima’s predominantly male music scene. With a bold message on emphasizing female expression, these ladies have transformed their countless styles of drumming into something effective for their city. (see full article and short documentary at link below)
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Iconography
Practitioner:
Dmitry Borshch, Regina Khidekel
Date:
May 27 2017
"Iconography" 1235 Ocean Parkway Brooklyn, NY 11230 May 27, 11 am – June 24, 7 pm Tuesday – Saturday, 11 am – 7 pm Please write to racc.ny@mail.ru or call (347) 662 1456 The artist is available for interviews
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Social Reintegration of Prisoners in Spain
Practitioner:
Jhafis Quintero
Date:
Oct 5 2006
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
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Embassy Of Iran in Jerusalem
Practitioner:
Hamabul collective
Date:
Sep 21 2015
There is no embassy of Iran in Jerusalem. We ask why. We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments. The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
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FIRST proposed U.S. Anti-Slavery Monument
Practitioner:
U.N. AWARD WINNING ARTIST Peace Walkway
Date:
Jan 5 2017
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer. Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
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Gramsci Monument
Practitioner:
Thomas Hirschhorn
Date:
Aug 1 2013
A Summer Place in the South Bronx
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The Role of Graphic Novels in Social Activism
Practitioner:
Marjane Satrapi, Art Spiegelman, others
Date:
Feb 20 2017
By Jessie Blaeser
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Santa Claus Army
Practitioner:
Solvognen
Date:
Dec 25 1974
In the early 1970s, Denmark was hit by the energy crisis sweeping the globe. A rise in the price of oil led by the nations of OPEC (Organisation of Petroleum Exporting Countries) led to a global economic slow-down, especially in industrialised nations.
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Land Minds: spreading internet freedom and privacy
Practitioner:
Minds.com
Date:
Jan 27 2016
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
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Bread and Puppet Theater Founder Peter Schumann on 50 Years of Art and Resistance
Practitioner:
Bread and Puppet
Date:
Dec 26 2013
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
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The vital work of women street photographers
Practitioner:
Gulnara Samoilova
Date:
Mar 16 2021
In 2016, photojournalist Gulnara Samoilova was running a successful wedding photography business. Her diverse portfolio of work spans two decades — with images in the permanent collections of The New York Public Library, 9/11 Memorial Museum and Houston Museum of Fine Arts — but weddings had become her staple business. By the year's end, she'd decided to pack it in.
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John Luther Adams: Inuksuit - A Border-Crossing Presentation
Practitioner:
San Diego Symphony Orchestra
Date:
Jan 27 2018
The San Diego Symphony performs John Luther Adams piece "Inuksuit" at the U.S.-Mexico border.
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‘Memorial’
Practitioner:
Cheril Linnett and woman activists
Date:
Mar 8 2020
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
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