The artist has assembled a set of 300 installations around New York City, based around the concept of fences and borders, to showcase the ‘narrow-minded’ attempts used to ‘create some kind of hatred between people’
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
In a bid to fight the spread of COVID-19, the EU Delegation to Ghana on Wednesday 27 May joined the International Organisation for Migration (IOM), the Accra Metropolitan Assembly (AMA) and artists from the Ghana Graffiti Collective, to launch an initiative to use street art and graffiti to create awareness about coronavirus and migration.
The artwork created by the Ghana Graffiti collective speak about hope, tolerance, love and solidarity.
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
The Stanford Daily:
There is no word short of “spectacular” that better describes the experience of examining “Pan American Unity,” Diego Rivera’s 1940 mural, housed since 2021 at the San Francisco Museum of Modern Art (SFMOMA). The piece is the crux of SFMOMA’s soon-closing exhibition, “Diego Rivera’s America,” curated by James Oles and Maria Castro.
In 2013, Ghana ThinkTank received a Creative Capital Award for Emerging Fields, enabling them to begin the multi-year ThinkTank at the Border project. In this project, they are collecting problems from civilian border patrols like the Minutemen, "Patriot" groups, and Nativist organizations, and bringing them to be solved by think tanks of undocumented workers in San Diego and recently deported immigrants in Tijuana.
About: Hundreds of people came out to attend a decolonization tour of one of New York’s most popular museums.
Written by Elena Goukassian on October 10, 2017
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
Trampoline House is a user-driven refugee justice community center located in the center of Copenhagen, where refugees, asylum seekers, and migrants can meet with Danish citizens and other residents of Denmark and share experiences, learn from one another, and work to create a more just and sustainable refugee and asylum policy.
❗❗PRIDE REQUIRES ACTION❗❗
Celebrating Pride?
What better way to uplift LGBTQ people’s lives than by joining our campaign to #EndTransDetention?
Honor the legacy of Pride by taking action until all of us are free.
Sign here & share with 3 friends:
https://www.endtransdetentions.org/petition
Festival “WakEUp!” (organized by “Heartefact”) happened at several locations, and included film and exhibition program. Festival originated from the need for a reaction to the present moment refugee crisis and the situation in the world, began on the 7 th of December at Gallery “G12 Hub” in Belgrade with two days performance that was dedicated to the current problem of refugees and their historical destinies.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
Sewing and textiles have always been a part of the artist Aram Han Sifuentes’ life. Her South Korean immigrant parents operated a dry cleaning business, and she mended her own clothing from a young age.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
Deportation Class is a satirical project by European anti-deportation activists protesting European airlines who agreed to cooperate with deportation agendas. Together, these airlines are referred to as the Deportation Alliance. The activists designed a faux luxury offering on behalf of each airline, showcasing the attractive perks of flying "deportation class."
Shackles. Cotton. The Big House.
Americans tend to think of slavery in terms of chattel slavery. Plantation Slavery. Slavery where human beings are bought, sold, and owned. The kind outlawed in the United States by the Emancipation Proclamation in 1863.
Slavery as a relic of the 19th Century.
“Six of us lived, worked, slept in a 10-by-10 (foot) room without a bed, bathroom, or clean water,” Nasreen Sheikh remembers.
The No Hate Speech campaign has come to its fourth anniversary this week, because it was on the 18th of March 2013 when the Spanish Institute for Youth IMG_9707(INJUVE) officially launched the campaign in Spain, to commemorate the 21st of March, declared by the UN as Day for the Elimination of Racial Discrimination of that year.
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
Tania Bruguera, in partnership with the Queens Museum of Art, began a long term art project in form of an artist initiated socio-political movement. Immigrant Movement International is an organization headquartered in the multinational neighborhood of Corona, Queens. The organization engages local, national and international audiences and focuses on the issues of immigration reform.
Zhuang Huan invited more than 40 men - laborers, fishermen, construction workers––who had recently migrated to Beijing from other areas of China to participate. Zhang Huan said, “In order to find these workers, I visited many of the shacks where they live.”
ZERO1 is thrilled to commission artist Chico MacMurtrie/Amorphic Robot Works(ARW) Border Crosser during the week leading up to SB50. Rising 40 feet from the ground and arching across an imaginary border before forming a bridge and touching down on the “other side,” Border Crosser is the first of a series of large-scale inflatable robotic sculptures that poetically explore the notion of borders by artist Chico MacMurtrie/ARW.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
For Nicholas Galanin, a Tlingit and Unangax̂ artist and musician, memory and land are inevitably entwined. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development.
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.