Just 15 months after President Donald Trump was inaugurated, AU has seen a dramatic increase in activism, according to student leaders interviewed by The Eagle about the state of activism on campus. However, other students say the level of political polarization on campus has eclipsed those activism efforts.
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
A wall will go up in Washington Square Park on Sept. 7, but come down by the end of the day.
Called “Muro,” this wall will be the artist Bosco Sodi’s first public installation in New York, in partnership with Paul Kasmin Gallery. It will be more than 6 feet high and about 26 feet long, made with 1,600 clay timbers fired in Oaxaca, Mexico.
Pink seesaws were installed along the United States/Mexico border. The project, created by two professors sought to unite both sides of the fence by creating an activity that required a participant on either side. The seesaws were installed so there is one seat in El Paso, Texas and one in Ciudad Juárez, Mexico with the border fence acting as the fulcrum.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Alzayer put cages around Boston's "Make Way for Ducklngs" statues, separating the baby duckling statues from the mother. The original statues were created in 1987 by Nancy Schon and the mallard family is based on the children's book by Robert McCloskey.
Nicoll Hernandez-Polanco, a Guatamalen transgender woman, came to the United States in October 2014 after surviving hate based harassment and violence in her home country. When she presented her case to the border patrol she was detained by Immigration and Customs Enforcement officers for past US deportations that occurred when she was an unaccompanied minor.
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
A group of organizers came together Sunday afternoon at the Howard County Detention Center to protest the detention of immigrants charged with civil infractions, along with all nonviolent offenders, who they say are at greater risk of contracting the coronavirus inside the facility.
The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.
Artist and social activist Favianna Rodriguez collaborated with musician Pharrell Williams to create a documentary series focusing on migrants in America. The documentary consists of 3 episodes that focus on the role of artists in the political realm. The goal of the documentary is to change the perception of immigrant workers in America.
The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.
Caucus-goers in Des Moines will arrive to a disturbing sight on Monday, with dozens of chain-link cages appearing to hold migrant children cropping up across the city overnight.
"One morning, when JR awoke, an image lingered from his dreams: The wall along the U.S.-Mexico border, and above it a young kid peering curiously over. A child just 1 year old, who has "no idea that's a wall that divides people — he has no idea of the political context," JR imagined.
At least nine protesters were arrested during a protest Tuesday at Geo Group headquarters — a Florida-based private prison company that operates facilities nationwide.
April 19th, 2020
Taylor, TX – On April 19th at 4 pm, around 70 human rights defenders in cars circled the T. Don Hutto Residential Center operated by CoreCivic in Taylor, honking and displaying signs urging ICE and local officials to release people from cages before COVID-19 turns prisons into death camps. This comes after news of the first detained immigrants in Texas testing positive for the novel coronavirus on Monday.
Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
CultureStrike in partnership with Mariposas Sin Fronteras , End Family Detention and 15 artists from across the country, brings you Visions From The Inside, a visual art project inspired by letters penned by detained migrants.
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Chinese artist and activist Ai Weiwei has recreated the image of drowned infant Alan Kurdi that in 2015 became the defining symbol of the plight of Syria’s refugees.
For the recreation, Ai lay on a pebbled beach on the Greek island of Lesbos. His pose was similar to that of Kurdi’s lifeless body, which washed up on a beach near the Turkish town of Bodrum and was captured in a September 2015 photo.
The project responds to the urgency that many asylum seekers and refugees have as soon as they touch a new country's soil: working and learning the language. The project, located in the former army barracks 'Caserma Piave' in Treviso, started as a grassroots initiative.