El Estudiante Militante is a giant puppet built by the members of Papel Machete and students of the University of Puerto Rico during the first three days of the 2010 student strike at a cultural camp established by the theater group in solidarity with the striking students. The puppet was built with materials inside the campus of the University.
The New Life Foundation is a Colombian organization located in Bogota, whose aim consists of offering vulnerable women alternatives to quit prostitution and rehabilitate from its surrounding dangers (crime, drug addiction, AIDS, etc.) One of its remarkable projects was based on theater as a method to overcome a past of shame and grief building a more dignant present in which they co-construct with their communities.
Colombian ad agency Lowe SSP3 is starting a Christmas-themed campaign to entice guerrilla fighters out of the jungle to turn themselves in. The agency may have created an advertising-to-guerrillas award category after winning a gold Cannes Lion in the outdoor category and half a dozen Grand Prix awards at other shows this year for its first holiday effort, last December.
During 2011, students around Colombia decided to create a National Student organization that would organize thousands of them to reject a harmful educational reform (Reforma a la ley 30). Before this year, student organizations were characterized by their segmentarity and old fashion yet violent ways to protest.
Contra-Tiempo’s first Miami dance performance will bring Ana Maria Alvarez back to her roots. Her father’s family settled in Miami after leaving Cuba in the early ’60s. Most of them, including his four siblings and their spouses and children, still live here, and Alvarez expects much of the clan to attend her show.
Parió Paula is an all women’s percussion group based in Lima, Peru. These women are truly artistic renegades defying the social norms of Lima’s predominantly male music scene. With a bold message on emphasizing female expression, these ladies have transformed their countless styles of drumming into something effective for their city.
(see full article and short documentary at link below)
Promoted as a DIY festival with no corporate sponsorship, the 2015 Latino Punk festival in Brooklyn, NY featured bands from all over the Americas. With an emphasis on local bands supporting each other and nurturing local scenes, this festival functions in reference to the ideals of the punk and Riot Grrrl movements in the 1990s.
HAVANA — It’s the latest challenge for computer gamers, in Cuba at least:
Fight your way through mangrove swamps shoulder-to-shoulder with bearded guerrillas clad in the olive green of Fidel Castro and Ernesto “Che” Guevara. Your mission: Topple 1950s dictator Fulgencio Batista.
The Shifting View on Anthropofagia
Tarsila is closely associated with the establishment of the Brazilian art movement known as cultural “cannibalism,” or “Anthropofagia”: the then-radical idea that a truly Brazilian art would emerge by ingesting all the different cultures that intermingled within the country, rather than simply copying European styles.
From this article: https://www.bbc.com/news/magazine-27632527
A campaign by one of Brazil's biggest football clubs to encourage fans to become organ donors has led to a massive rise in the number of life-changing transplants and reduced waiting lists for organs in the area almost to zero.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
A troupe of approximately thirty women and men of various ages, sizes, ethnicities and performance backgrounds marched through the performance art space of SESC-Vila Mariana in Sao Paulo and then through the streets of downtown Sao Paulo, silent, blind folded, dressed in business attire, and covered completely with a gray mud. The performances walked slowly in unison at turtle's pace.
Migratón México es un proyecto satírico que se creó colaborativamente en 2017 a partir de un Laboratorio de Artivismo y Humor que organizó el Hemi en San Cristóbal de las Casas, Chiapas, México, con un un grupo de más de 30 artistas y activistas de México, Guatemala, El Salvador, Honduras, Nicaragua y Estados Unidos.
A group of young adults under the name of "Love Tijuana" (Amemos Tijuana) celebrated the one year "Birthday" of a pothole located at the Via Rapida (Tijuana's Freeway) with balloons, banners, and even hats.
Spanish organization the ANAR Foundation (Aid to Children and Adolescents at Risk) releases a campaign that takes advantage of the process of lenticular printing to send an offer of help to abused children without alerting their abusers, even if they’re walking together.
Lenticular printing is a process that allows for different photos to be seen depending on the angle the image is viewed from.
New York Times
January 28, 2012
By SIMON ROMERO
SÃO PAULO, Brazil — This mega-city’s authorities have waged war for years against what they call “visual pollution,” banning billboard advertising, demolishing abandoned skyscrapers and planning to raze concrete eyesores like the elevated highway known as the Big Worm.
This is an organization and online platform that registers cases of street harassment in Peru and disseminates information about the subject. People can report cases and get in touch with the organization to talk or learn more about what to do when being sexually harassed.
Visual artist Alexandre Orion removes soot in an artful manner to produce skulls in the tunnels of the polluted city of Sao Paulo. Orion does so in an attempt to create intervention, raise awarenes, and decrease pollution. "From the ocular cavities of so many dead, his work looks out on the living and interrogates people passing by; it quietly criticizes our omission, our comfortable acceptance of pollution." ( Jose De Souza Martins)