Se sacuden la desconfianza y entran al camión. En él no hay frutas, ni verduras, ni carnes. El piso, igual que el techo y las paredes están inmaculadas y pintadas de blanco. Solo ellos y algunos compañeros inmortalizados en fotos llenan el espacio.
When the last detention facility in Guantanamo Bay was officially decommissioned in 2010, an international team of artists, curators and architects began planning and designing a museum that would take the place of the detention facility - a little less than two years later, their work became reality.
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
During 2011, students around Colombia decided to create a National Student organization that would organize thousands of them to reject a harmful educational reform (Reforma a la ley 30). Before this year, student organizations were characterized by their segmentarity and old fashion yet violent ways to protest.
Five hundred volunteers with shovels gathered at a huge sand dune on the outskirts of Lima, Peru, and over the course of a day moved it by several inches. Alÿs developed the idea after first visiting Lima in October 2000. The political context was inescapable: “This was during the last months of the Fujimori dictatorship. Lima was in turmoil with clashes on the streets, obvious social tension and an emerging movement of resistance.
A new exhibition at The Shed in New York is a colour-soaked, eye-opening look into Yanomami life – an Indigenous culture in the heart of the Amazon rainforest
FEBRUARY 13, 2023
TEXT: Violet Conroy
If you're a bibliophile you'll get a kick out of the car-turned-library that can be found in Buenos Aires, Argentina. Artist Raul Lemesoff took an old 1979 Ford Falcon, a popular mode of transport amongst the military forces of its time, and transformed it into a mobile library shaped like a tank.
Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
Buenos Aires in Argentina is the only city in the world where streets named Palestine and Israel intersect on the city grid. Taking advantage of this situation, The Errorist Movement decided to protest against the conflict in Gaza in that location in Buenos Aires.
On the 5th of May 2021, the subway's 12-line partially collapsed, killing 24 people and injuring more than 70. Onboard, were children, young women and men, and the elderly. The accident also killed a man and injured a woman who was driving a car, upon which the train fell.
The poorly conditions of the subway structure had been repeatedly reported by neighbors living nearby. No institutional response was given.
FloodNet was a conceptual artwork and a tool for online collective action.
Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.
Art has the power to move our imaginations and bodies, transforming the emotional and physical spaces we share. It has the power to build and transform social relations and to bring about equity and justice.
Aníbal López, also known by his government identification number A-153167, is a pioneer of performance art in Central America. ArtBus describes his work as, "Generally aimed at immersing viewers into the region’s social and political tensions, his works combine the dry language of 1960/1970s conceptual art with the revolutionary ethos of a Latin American guerrillero.
Through his environmental, social justice organization, Instituto-E, Dr. Oskar Metsavaht, the creative director behind ethical fashion brand, Osklen, joined forces with Rainer Nolvak, founder of international civic sanitation movement, Let's Do it and Umer Pter, head of External Relations and Estonian delegate at the Rio+20 U.N.
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
Over the course of 3 years, from 2006 until 2009, the production team behind the film Wasteland (2010), also known as "Lixo Extraordinário" followed Brazilian, Brooklyn-based mixed-media artist, Vik Muniz, as he traveled back to Brazil to create self portraits with the catadores (tr. garbage pickers) of Jardim Gramacho, one of the largest city dumps in the Americas.
As part of USAID's "My Comunidad-Mi Agua" program in Peru, "Pamparadio" was a radio show run by two adolescents from the community of Iquitos, a jungle province. Armed with a gigantic speaker on the top of a community center and an AM radio frequency, Marco Jhastin Anchec and Cledy del Aguila Mozombite single-handedly ran "Pamparadio" as a celebration of potable water, how to make it, and how to take care of it.
Walking the rows of shoes—favorite slippers, old Army boots, gold stilettos—it’s the baby shoes that stop you cold. Shoes began to fill a plaza opposite Puerto Rico’s Capitol building, and by Sunday morning, there were more than 3,000 pairs, a growing memorial to the roughly 4,645 people estimated to have died in the aftermath of Hurricane Maria.
Bit Rosie showcases female music producers in high quality performance videos and short documentaries. Our videos and digital archive project with the New York University library document the work of women using music technology to make sounds across genres and locales.
Bit Rosie is directed and produced by Adele Fournet.
http://www.adelefournet.com/
Samuel Ruiz and The Zapatistas
The Catholic Church has traditionally been linked to the right and the conservative politics, especially in Latin America. However, there are a few examples in which this apparently conceptual bond has been challenged.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.