Projects tagged "Latin America & Caribbean"

Ossario: Reverse Graffiti
Practitioner:
Alexandre Orion
Date:
Aug 22 2006
Visual artist Alexandre Orion removes soot in an artful manner to produce skulls in the tunnels of the polluted city of Sao Paulo. Orion does so in an attempt to create intervention, raise awarenes, and decrease pollution. "From the ocular cavities of so many dead, his work looks out on the living and interrogates people passing by; it quietly criticizes our omission, our comfortable acceptance of pollution." ( Jose De Souza Martins)
Sao Paulo goes completely ad-free with Clean City Law
Practitioner:
Mayor Gilberto Kassab
Date:
Sep 1 2006
Mayor Gilberto Kassab passed a Clean City Law that banned all public advertising in Sao Paulo, one of the world's most populous cities. The mayor gained the support of the city's elites in pressing the law as an anti-pollution measure targeting "visual pollution". The city was quickly stripped of its ubiquitous billboards, signs, graffiti and other public ads.
Blurring Boundaries Between Art and Activism in Cuba
Practitioner:
Tania Bruguera
Date:
Jan 23 2015
MEXICO CITY — Of the half-dozen pieces that form Tania Bruguera’s series “Tatlin’s Whisper,” the one that the Cuban government silenced may have resounded most.
Ausencias
Practitioner:
Gustavo Germano
Date:
May 18 2014
"On 17 December 1976, 18-year-old Eduardo Raúl Germano was abducted in Rosario, Argentina. Following the commemoration of the 30th anniversary of the 1976 coup d’état, Gustavo Germano, Eduardo’s brother, began working on the photography exhibition "Ausencias" (Absences). Born in 1964 in the Argentinean Province of Entre Río, Gustavo Germano started taking photographs of the journeys he made across Latin America in 1987.
Brief History of US Interventions in Latin America Since 1946
Practitioner:
Carlos Motta
Date:
Jan 1 2004
Brief History is part of a series produced by Carlos Motta between 2005 and 2009 that presents two chronologies of events in Latin America: one of U.S. interventions in the region since 1946, and one of the area’s leftist guerrilla movements. One side of the print outlines the interventions’ interconnected narratives in text; the other depicts two bloody handprints and the symbol of the Mano Blanco death squads from 1980s El Salvador.
Powerful Anti-Drug Ads Are Consumed By Live Mealworms Over Time
Practitioner:
Talent Ad Agency
Date:
May 24 2013
To show the harmful effects of cocaine on a drug addict, Brazilian advertising agency Talent created ‘living’ poster ads that are consumed by live mealworms over time. Printed on dough, the ads initially show the faces of drug addicts. However, as time passes, the mealworms slowly eat away at the posters, causing holes to form on the printed faces—highlighting the harmful effects of the drug.
This artist takes the spirit of protest from the streets to the gallery
Practitioner:
Mundano
Date:
Jul 24 2018
"Brazilian artist Mundano is used to spending his time on the road and in the streets, making art as an act of protest. Known for leaving his colorful works of graffiti on walls around the world, Mundano is especially dedicated to issues of environmental and social justice and spotlighting the overlooked work of Brazil’s trash collectors through his Pimp My Carroça campaign.
South American Traffic Mimes
Practitioner:
Venezuelan Government
Date:
Oct 7 2011
"Mimes gesture as they stand in a crosswalk in Caracas, Venezuela, Friday Oct. 7, 2011. The mayor of the city's eastern district of Sucre has launched a unique program aimed to encourage civility among reckless drivers and careless pedestrians, putting 120 mimes at intersections to politely and silently scold violators"
The Artists Representing Puerto Rico After Hurricane Maria
Practitioner:
Focus on Puerto Rico residency
Date:
Jan 18 2018
Six months before Hurricane Maria wreaked havoc in the Caribbean, a group of Puerto Rican artists were invited to participate in a residency program in Miami by local art organizations. The artists were offered abandoned storefronts-turned-studios at a historic downtown mall, where they’d exhibit their work during Miami Art Week in December to engage an art world that often overlooks the island territory.
USAID's Cuba hip-hop project
Practitioner:
USAID
Date:
Dec 11 2014
HAVANA (AP) — A U.S. agency's secret infiltration of Cuba's underground hip-hop scene to spark a youth movement against the government was "reckless" and "stupid," Sen. Patrick Leahy said Thursday after The Associated Press revealed the operation.
Cegos | Ciegos | Blind
Practitioner:
Marcelo Denny, Marcos Bulhoes, Desvio Coletivo
Date:
Jan 12 2013
A troupe of approximately thirty women and men of various ages, sizes, ethnicities and performance backgrounds marched through the performance art space of SESC-Vila Mariana in Sao Paulo and then through the streets of downtown Sao Paulo, silent, blind folded, dressed in business attire, and covered completely with a gray mud. The performances walked slowly in unison at turtle's pace.
Fotokonbit (Putting Cameras in Haitian Hands) - ONGOING working organization
Practitioner:
fotokonbit
Date:
Jun 10 2011
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
I'm Not A Joke
Practitioner:
Daniel Arzola
Date:
Aug 1 2015
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
La Casa Negra
Practitioner:
La Casa Negra
Date:
Apr 21 2016
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.
Secret Anti-Abuse Message That Only Kids Can See
Practitioner:
Aid to Children and Adolescents at Risk Foundation, or ANAR
Date:
May 4 2013
Spanish organization the ANAR Foundation (Aid to Children and Adolescents at Risk) releases a campaign that takes advantage of the process of lenticular printing to send an offer of help to abused children without alerting their abusers, even if they’re walking together. Lenticular printing is a process that allows for different photos to be seen depending on the angle the image is viewed from.
Security-1998 Hacked CANTV database
Practitioner:
Yucef Mehri
Date:
Aug 17 1999
In 1998 Hacker-Poet-Artist Yucef Mehri breached the security of CANTV at the time the largest telecommunications company in Venezuela. He was able to access the personal data kept by the company which contained the names, addresses, phone numbers, working places, and even checking accounts, credit cards, and expiration dates of it's customers.
The City: Pedestrian and Cyclist Cemetery
Practitioner:
Bicicleta Blanca Guadalajara
Date:
Jan 8 2009
The City: Pedestrian and Cyclist Cemetery 
Mamas de la Esquina
Practitioner:
AMMAR/Ogilvy & Mather
Date:
Jun 13 2013
Argentina's Sex Workers Get Creative
Movimento Vem Pra Rua (Come to the Streets)
Practitioner:
Rogério Chequer / People in Brazil
Date:
Dec 1 2014
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
MESOAMÉRICA RESISTE
Practitioner:
Beehive Collective
Date:
Jul 16 2019
The Beehive Design Collective is a wildly motivated, all-volunteer, activist arts collective dedicated to “cross-pollinating the grassroots” by creating collaborative, anti-copyright images for use as educational and organizing tools. We work as word-to-image translators of complex global stories, shared with us through conversations with affected communities.
Claudia Andujar’s Remarkable Art and Activism in the Amazon
Practitioner:
Claudia Andujar
Date:
Feb 13 2023
A new exhibition at The Shed in New York is a colour-soaked, eye-opening look into Yanomami life – an Indigenous culture in the heart of the Amazon rainforest FEBRUARY 13, 2023 TEXT: Violet Conroy
Weapons Of Mass Instruction
Practitioner:
Raul Lemesoff
Date:
Apr 9 2012
If you're a bibliophile you'll get a kick out of the car-turned-library that can be found in Buenos Aires, Argentina. Artist Raul Lemesoff took an old 1979 Ford Falcon, a popular mode of transport amongst the military forces of its time, and transformed it into a mobile library shaped like a tank.
Immortal Fans
Practitioner:
Sport Club Recife
Date:
Jan 1 2014
From this article: https://www.bbc.com/news/magazine-27632527 A campaign by one of Brazil's biggest football clubs to encourage fans to become organ donors has led to a massive rise in the number of life-changing transplants and reduced waiting lists for organs in the area almost to zero.
Witness to the ruins/Testigo de las ruinas
Practitioner:
Mapa Teatro
Date:
Dec 15 2002
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.
Anibal Lopez-- One Ton of Books Dumped on Reforma Avenue
Practitioner:
Aníbal López
Date:
Jan 3 2003
Aníbal López, also known by his government identification number A-153167, is a pioneer of performance art in Central America. ArtBus describes his work as, "Generally aimed at immersing viewers into the region’s social and political tensions, his works combine the dry language of 1960/1970s conceptual art with the revolutionary ethos of a Latin American guerrillero.

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