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2016
CaroTimm

Projects tagged "Latin America & Caribbean"

MESOAMÉRICA RESISTE
Practitioner:
Beehive Collective
Date:
Jul 16 2019
The Beehive Design Collective is a wildly motivated, all-volunteer, activist arts collective dedicated to “cross-pollinating the grassroots” by creating collaborative, anti-copyright images for use as educational and organizing tools. We work as word-to-image translators of complex global stories, shared with us through conversations with affected communities.
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Rolezinho
Practitioner:
Brazilian Youths
Date:
Dec 9 2013
This description is taken from an article posted on dissidentvoice.org (link below):
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Articulo 6 (Action 1)
Practitioner:
Lucia Cuba
Date:
Apr 20 2012
Fashion designer and social scientist, Lucia Cuba, has taken up the task of using fashion as a vehicle to bring attention and awareness around Articulo 6, an article in the Peruvian constitution that declared a law of forced sterilization of women in the country. Cuba has taken the testimonies of the victims of this article and integrated them into the very fabric of her designs.
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Creative Sustainable Development Methods in Curitiba, Brazil
Practitioner:
Jaime Lerner
Date:
Mar 3 1972
In the 1970s, Jaime Lerner, the former mayor of Curitiba, Brazil, transformed six blocks of the main downtown shopping street into a pedestrian zone in 1972, despite fierce objections from the merchants. He quickly accomplished this change in just three days by installing paving, lighting, planters, and furniture. The once-resistant merchants were impressed by the increase in their business and soon demanded an expansion of the traffic-free district.
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Secret Anti-Abuse Message That Only Kids Can See
Practitioner:
Aid to Children and Adolescents at Risk Foundation, or ANAR
Date:
May 4 2013
Spanish organization the ANAR Foundation (Aid to Children and Adolescents at Risk) releases a campaign that takes advantage of the process of lenticular printing to send an offer of help to abused children without alerting their abusers, even if they’re walking together. Lenticular printing is a process that allows for different photos to be seen depending on the angle the image is viewed from.
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Papel Machete Fights for Liberation
Practitioner:
Papel Machete
Date:
May 1 2006
The work of a radical theater and puppetry collective, known as Papel Machete, produces and performs throughout Puerto Rico and the United States. Papel Machete was established on May 1, 2006 during protests responding to the government shutdown and political and economic crisis prompted by Puerto Rico’s status as a United States colony.
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Marxism will give health to the sick
Practitioner:
Frida Kahlo
Date:
Apr 13 1954
To mark the 200th anniversary of Karl Marx, PL Henderson offers an appreciation of one of Frida Kahlo’s greatest paintings, which was heavily influenced by Marx's creative thinking.
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Bogota smiles: canned Sardines
Practitioner:
Daniel Sanchez
Date:
May 4 2013
A Colombian college student created this idea to improve Bogotas citizens experience when using the public transportation. According to one scientific study, the worst problem Bogota citizens had to deal within the public space was public transportation; this problem represented the principal cause of high percentages of stress and anger among citizens.
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LUSH Launches Massive Campaign to End Shark Slaughter on World Oceans Day
Practitioner:
LUSH Fresh Handmade Cosmetics
Date:
Jun 6 2019
Vegan-friendly cosmetics brand LUSH is launching the “Shark Attack” campaign to save sharks from slaughter on World Oceans Day (June 8). Starting today, LUSH will re-launch its popular vegan Shark Fin Soap online (available in-store starting June 8) and donate 100 percent of the $5.95 sales price to The Rob Stewart Sharkwater Foundation, an organization created to continue the work of late ocean conservationist and filmmaker Rob Stewart.
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The Project Filoctetes
Practitioner:
Emilio García Wehbi
Date:
Nov 15 2002
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
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Social change through music
Practitioner:
Jose Antonio Abreu
Date:
Jan 1 1975
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
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I'm Not A Joke
Practitioner:
Daniel Arzola
Date:
Aug 1 2015
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
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Guantanamo Bay Museum of Art and History
Practitioner:
Ian Alan Paul
Date:
Aug 1 2012
When the last detention facility in Guantanamo Bay was officially decommissioned in 2010, an international team of artists, curators and architects began planning and designing a museum that would take the place of the detention facility - a little less than two years later, their work became reality.
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Unland
Practitioner:
Doris Salcedo
Date:
Mar 19 1998
Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
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Grandmas resignifying public space
Practitioner:
Corpovisionarios por Colombia, Health Ministry of Colombia, OIM
Date:
May 6 2014
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
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Bogota Performance Piece - No Name
Practitioner:
Tania Bruguera
Date:
Nov 5 2009
Renowned Cuban artist Tania Bruguera surprised a Bogota audience in September when she lined up three people directly involved in the Colombian conflict for a chat. The real performance however, started when a waitress emerged with a tray of neatly organised lines of cocaine, and began offering them to members of the audience.
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Rolezinho Movement
Practitioner:
Brazilian Youths
Date:
Jan 10 2014
This description is taken from an article posted on dissidentvoice.org (link below):
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La Colifata
Practitioner:
Borda Mental Health Institution
Date:
Feb 4 1990
More than 20 years ago, a psychology student doing his training at one of Argentina's oldest psychiatric wards kept being asked by his family and friends what it was like to work in there. So he came up with an idea: to let the patients explain in their own words. The first radio station to broadcast from inside a mental hospital was born.
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Las hijas de Violencia
Practitioner:
Las hijas de Violencia
Date:
Jan 1 2016
Born as a side project Las hijas de Violencia approaches the subject of street harassment and gender based violence through performance art, punk and video that is addressing socially legitimized male violence. "As actresses and as women we feel directly affected and consider it urgent to address the real cause of the problem: its ideological nature.
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Chile's protest street art
Practitioner:
Mr Owl
Date:
Mar 1 2020
"The walls of the streets of downtown Santiago are covered with stickers, art, words and posters. The messages are varied and range from "Feminist power" to "All cops are bastards". They have taken over the walls of Zona Cero (Ground Zero), the name given to the area around Plaza de la Dignidad, where anti-government protests have been held - and at times brutally repressed by police - since 18 October.
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Anibal Lopez-- One Ton of Books Dumped on Reforma Avenue
Practitioner:
Aníbal López
Date:
Jan 3 2003
Aníbal López, also known by his government identification number A-153167, is a pioneer of performance art in Central America. ArtBus describes his work as, "Generally aimed at immersing viewers into the region’s social and political tensions, his works combine the dry language of 1960/1970s conceptual art with the revolutionary ethos of a Latin American guerrillero.
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No Soy Tu Chiste. I Am Not A Joke.
Practitioner:
Daniel Arzola
Date:
Oct 1 2013
Daniel Arzola, a digital artist and activist originally from Maracay, Venezuela, began his series, 'No Soy Tu Chiste' ('I Am Not A Joke') in 2013 intent on combating the stereotypes and cruelty so often facing LGBT identifiers; youth in particular. The project went viral in 2014, around the same time it teamed up with the It Gets Better Project based in the United States.
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Pamparadio
Practitioner:
Pamparadio
Date:
May 13 2015
As part of USAID's "My Comunidad-Mi Agua" program in Peru, "Pamparadio" was a radio show run by two adolescents from the community of Iquitos, a jungle province. Armed with a gigantic speaker on the top of a community center and an AM radio frequency, Marco Jhastin Anchec and Cledy del Aguila Mozombite single-handedly ran "Pamparadio" as a celebration of potable water, how to make it, and how to take care of it.
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FOKAL
Practitioner:
UNESCO, the French Institute, Fondation Culture Création, and Africamérica
Date:
Apr 1 1995
ARTS/CULTURE FOKAL is the hub in Haiti where locals and international visitors from all walks of life -- artists, writers, citizens, activists-- come together to discuss the most pressing nation- and community-building issues, enjoy cutting edge artistic expressions, and share their ideas.
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GuggenSITO
Practitioner:
Antimuseo
Date:
Apr 8 2011
El Antimuseo es un proyecto curatorial que questiona los mecanismos de legitimación del arte. El grupo considera su trabajo " el proceso social donde se produce el valor simbólico y económico de la obra de arte, así como en el análisis de la estructura y límites de la institución." En las palabras de ANTIMUSEO:
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