Buenos Aires in Argentina is the only city in the world where streets named Palestine and Israel intersect on the city grid. Taking advantage of this situation, The Errorist Movement decided to protest against the conflict in Gaza in that location in Buenos Aires.
The Search for Identity in a Country of ‘Disappeared’
By Marcela Valente
‘Theatre for Identity’ is the theme of a novel undertaking in the Argentine capital, where 41 plays are being put on every Monday in 14 theatres.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
The smuggling of illicit cargo and people has played a significant role in shaping the culture as well as the economy of the southernmost american city of Key West since its foundation in 1821.
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.
In the 1970s, Jaime Lerner, the former mayor of Curitiba, Brazil, transformed six blocks of the main downtown shopping street into a pedestrian zone in 1972, despite fierce objections from the merchants. He quickly accomplished this change in just three days by installing paving, lighting, planters, and furniture. The once-resistant merchants were impressed by the increase in their business and soon demanded an expansion of the traffic-free district.
It was a long time coming - but it was worth the wait.
Nearly two years ago, more than a dozen of Mexico’s biggest performing artists came together in a mega-event aimed at saving Wirikuta, one of the country’s most sacred sites, from devastation at the hands of Canadian gold and silver mining operations.
Right before the presidential elections in Mexico, planned for July of 2012, a local software enterprise has developed a smart-phone game that shows how to commit fraud at the elections.
Benito Antonio Martínez Ocasio, better known to the world as Bad Bunny, has once again proven that his artistry goes far beyond reggaeton and trap. On January 5, 2025 — the eve of Puerto Rico’s cherished Three Kings Day — the Puerto Rican superstar released DeBÍ TiRAR MáS FOToS, an album that both celebrates his homeland and delivers a sobering message about its uncertain future.
From a distance they look like supermarket promotion ads, but up close, the text says the reverse: it details the skyrocketing food prices.
This is the proposal of the action “Bolsocaro”, which spread posters (those known as lambe-lambes) by walls in different regions of the São Paulo capital accompanied by phrases such as “It’s very expensive”, “It’s in Bolsonaro’s account” and “This account it is not ours.
"A week-long party characterizes Brazil’s Carnival, the Mardi Gras of the southern hemisphere. Celebrations and parades are held throughout the country, most notably in the city of Rio de Janeiro and the Brazilian states of Bahia and Pernambuco. Carnival celebrations vary in length and content, depending on the area.
New York Times
January 28, 2012
By SIMON ROMERO
SÃO PAULO, Brazil — This mega-city’s authorities have waged war for years against what they call “visual pollution,” banning billboard advertising, demolishing abandoned skyscrapers and planning to raze concrete eyesores like the elevated highway known as the Big Worm.
From a Universe of Trash, Recycling Art and Hope
By STEPHEN HOLDEN
“We are not pickers of garbage; we are pickers of recyclable materials,” Tião, an impoverished Brazilian catadore, or trash picker, declares to a talk-show host in Lucy Walker’s inspiring documentary “Waste Land.”
A troupe of approximately thirty women and men of various ages, sizes, ethnicities and performance backgrounds marched through the performance art space of SESC-Vila Mariana in Sao Paulo and then through the streets of downtown Sao Paulo, silent, blind folded, dressed in business attire, and covered completely with a gray mud. The performances walked slowly in unison at turtle's pace.
If you're a bibliophile you'll get a kick out of the car-turned-library that can be found in Buenos Aires, Argentina. Artist Raul Lemesoff took an old 1979 Ford Falcon, a popular mode of transport amongst the military forces of its time, and transformed it into a mobile library shaped like a tank.
FloodNet was a conceptual artwork and a tool for online collective action.
Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.
From 1995 to 1997, Colombian families reunited in front of the TV to watch Quac: El Noticero, a comedy newletter performed by the comedian Jaime Garzon and the actor Diego Leon Hoyos.
It has been the only space in which the Colombian society was allowed to see a well made newsletter about the reality of the country and their politicians from a comedy perspective.
order Crossers comprise a series of lightweight robotic sculptures that poetically explore the notion of borders and boundary conditions. The inflatable sculptures rise up to several stories high and extend across a given threshold. Their choreographed performance, originating on both sides of the border, would stage a symbolic connection.
Puerto Rico doesn’t know what’s going on here, and if they do, they’re ignoring us.” So opens Gabriel Miranda’s documentary Vietnam, Puerto Rico. Focused on the coastal community of Vietnam, which is located in the Guaynabo, the doc tells the story of a disenfranchised population being displaced over the past two decades to make room for a glitzy new waterfront development.
After the economic crisis of December 20, 2001 in Argentina, there was a growth in the participation in all types of protests and claims of the different sectors affected by the crisis (against banks by savers, roadblocks and mobilizations of picket movements, state employees in municipalities and government houses, neighborhood assemblies, etc). The situation that was experienced led the protesters to seek new and varied reporting strategies.
Caleidoscópica Violeta, is a creative space for reflection, dialogue, critique, and praxis of pop contemporary feminism. It is also an initiative that seeks to reflect on the role of women in the history of modern art. Historically, the role of women in art has been stolen by the patriarchy. Recognizing this as a feminist artist, I propose this festival as a way to open new spaces for women protagonists in the arts.