Established in 2015 in the Tennōzu neighborhood of Tokyo, and attracting industry professionals and art enthusiasts from both Japan and abroad, PIGMENT TOKYO has emerged as an art supply store specializing in the materials and tools used in traditional Japanese painting, such as mineral pigments, washi paper, and brushes. However, it’s more than just a store.
A New York blogger impersonating David Koch successfully prank called Wisconsin Gov. Scott Walker. David Koch is one of the two wealthy brothers who were big donors to his political campaign and GOP efforts generally.
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
In 1996, filmmaker John Akomfrah created the character of the Data Thief as a narrative device to offer an insightful study of Afrofuturism in his film The Last Angel of History, which links Black musicians including George Clinton, Derrick May, and Sun Ra to Akomfrah’s thesis about the role of technological fantasy in Black artistry across genres and mediums.
The rise of rock and roll in the late 1980 was largely associated with the student movements taking place at the same time. Cui Jian, considered by many to be the godfather of Chinese rock, even performed for the students on hunger strike in Tiananmen Square in 1989.
If you're a fan of West Side Story (music by Leonard Bernstein), don't miss this "updated" video. Absolutely first-rate!
http://www.youtube.com/watch?v=2wGZRJG4ZJE
"Occupy West Side Story" takes aim at NYPD Deputy Inspector Edward J. WInski, the white-shirted bully of Occupy Wall Street, who replaced the infamous Tony Baloney.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
Lady Gaga said something interesting about her song “Born This Way” during a March 2011 interview at Google headquarters. “What's so funny [is] when I put that song out, everybody was like, ‘Oh, the lyrics are so literal,’ and I'm like, ‘Yeah,’” she shared, almost with a fuck-you cadence. She wasn't angry—but you could tell how important the track was to her, and how she didn't want its message muddled.
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
In keeping with his activist turn on 2016’s 4 Your Eyez Only, J. Cole’s new album, KOD, is an exploration of addiction. The title has three different meanings that all speak to this aim: Kids On Drugs, King OverDosed, and Kill Our Demons. Each feeds into the next in this narcotic odyssey.
The story of the life and death of Jesus is arguably the most ubiquitous story ever told. Translated to every language, vastly circulated, taught in schools all around the world, conservative groups –except for some exemptions, like Liberation Theology- have held monopoly of this narrative for the longest time. However, like every other narrative, it is not totally closed to resignification and oppositional and negotiated readings.
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine*
For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level.
In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
The Fourth of July is upon us, so it’s time once again to sing what is arguably our most baffling national ditty, “Yankee Doodle Dandy.” Maybe you’ve noticed: Some of the lyrics seem like the work of a prankster on acid. Who else could have conceived a vignette as bizarre as a man riding a pony into town, then sticking a feather in his cap that, for unknown reasons, he insists on calling “macaroni”?
Independent producer and longtime WWNO collaborator Eve Abrams brings us Unprisoned: Stories From The System. From New Orleans and Louisiana, the world’s incarceration capital, we meet those serving time inside and outside the criminal justice system.
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.