Projects tagged "Music & Sound"

School of Echoes
Practitioner:
Ultra-Red
Date:
Apr 18 2001
Ultra-Red is a collective founded by two AIDS activists in 1994 to explore the intersection of the political and aesthetic through "militant sound investigations".
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Afropunk: Feeling Black Activism’s Joy, and Its Pain
Practitioner:
Afropunk
Date:
Feb 17 2017
As Black History Month commemorations start to wind down, one festival is just gearing up. Afropunk the Takeover — Harlem, running from Tuesday through Feb. 25, will celebrate black culture with music, art, film screenings, discussions and comedy.
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Discwoman
Practitioner:
Discwoman
Date:
Sep 1 2014
Founded by Frankie Hutchinson, Emma Burgess-Olson and Christine Tran, Discwoman is a New York-based platform, collective, and booking agency—representing and showcasing cis women, trans women and genderqueer talent in electronic music. Started as a two-day festival in September 2014 at Bossa Nova Civic Club Discwoman has since produced and curated events in 15+ cities—working with over 150 DJs and producers to-date.
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Music that Propelled the Indigenous Rights Movement
Practitioner:
Buffy Sainte-Marie
Date:
Aug 3 1969
"The Red Power Movement of the 1960s and 70s was a time of profound social change and progress for American Indians in the United States and Canada. In her outspokenness about the injustices facing Indigenous people, Buffy Sainte-Marie also sang for peace, the environment, women and children—believing that art can have impact and make a difference.
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Wirikuta Fest
Practitioner:
Mexican Rock Bands
Date:
May 26 2012
It was a long time coming - but it was worth the wait. Nearly two years ago, more than a dozen of Mexico’s biggest performing artists came together in a mega-event aimed at saving Wirikuta, one of the country’s most sacred sites, from devastation at the hands of Canadian gold and silver mining operations.
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Thus.
Practitioner:
nilankur
Date:
Mar 1 2014
This is an attempt to foster critical thinking and create social capital. www.thuscritique.wordpress.com
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BLOOD. by Kendrick Lamar
Practitioner:
Kendrick Lamar
Date:
Apr 14 2017
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
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Arcadia Earth
Practitioner:
Valentino Vettori
Date:
Sep 10 2019
At ‘Arcadia Earth,’ Dazzle Illuminates Danger Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change. By Laurel Graeber Oct. 23, 2019 The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
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Beyonce's Lemonade
Practitioner:
Beyonce
Date:
Feb 1 2016
In a single hour, Beyoncé's Lemonade re-wrote the textbook definition of what a visual album should look like. The genre-bending music it introduced will define the struggles a generation was enduring in 2016, specifically for black women. The project transcends every definition pop has ever had; blending R&B, contemporary rock, country, reggae, soul and hip-hop in its 12 tracks, occasionally fusing several of these into a single song.
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#BeyChella
Practitioner:
Beyonce
Date:
Apr 14 2018
Beyoncé delivered an intensely, unapologetic celebration of Black and HBCU culture at the Coachella Festival 2 weekends in a row. Not only were her performances some of the best live performances to date but they sent a pretty significant message to the world. Here are some assessments of this beautiful demonstration of Blackness and Black Girl Magic: From BBC News:
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‘Louis Armstrong’s Black & Blues’ Review: In His Own Words
Practitioner:
Louis Armstrong
Date:
Feb 13 2023
In Louis Armstrong’s study in the Queens home he shared with his fourth wife, Lucille, bookshelves were filled with reel-to-reel recordings he made as a sort of audio diary. Those tapes and his letters — read by the rapper Nas — lay the foundation for the director Sacha Jenkins’s documentary “Louis Armstrong’s Black & Blues.”
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Arca
Practitioner:
Alejandro Ghersi
Date:
Apr 7 2017
Alejandro Ghersi, the Venezuelan-born artist behind Arca, is part of a relatively recent and growing diaspora, and at a time when the political situation back home is at a fever pitch, it feels difficult not to see the ways this album relates to the anguish of that experience.
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Pamparadio
Practitioner:
Pamparadio
Date:
May 13 2015
As part of USAID's "My Comunidad-Mi Agua" program in Peru, "Pamparadio" was a radio show run by two adolescents from the community of Iquitos, a jungle province. Armed with a gigantic speaker on the top of a community center and an AM radio frequency, Marco Jhastin Anchec and Cledy del Aguila Mozombite single-handedly ran "Pamparadio" as a celebration of potable water, how to make it, and how to take care of it.
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Corporations Ain't People
Practitioner:
Backbone Campaign
Date:
Sep 14 2010
Corporations Ain’t People: A Musical Protest 
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Calle 13 brings its urban Latin sound and fiery politics to L.A.
Practitioner:
Calle 13
Date:
May 12 2012
By Juan Carlos Pérez-Duthie, Special to the Los Angeles Times 
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Liberation Lab
Practitioner:
NYU/Free University
Date:
Apr 30 2016
On April 30th NYU in conjunction with Free University held liberation lab in Washington Square Park from 11 30 Am until roughly 5 or 6pm. The day was very festive and full of amazing talks, performances, installations and discussions. I even got to participate in this day via our final project in the creative activist course.
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Resonate, Reverberate, Roar,
Practitioner:
Elana Mann
Date:
Oct 17 2013
Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.
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‘Zombie’: The Story Behind The Cranberries’ Deathless Classic
Practitioner:
The Cranberries
Date:
Sep 19 1994
Presaged by shimmering spin-off hits “Dreams” and “Linger,” The Cranberries’ landmark debut album, Everybody Else Is Doing It, So Why Can’t We?, suggested its creators had taken up the baton handed down by jangly indie-pop classicists The Smiths and The Sundays.
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10 Rappers Turned Social Activists-Vince Staples
Practitioner:
Vince Staples
Date:
Jul 11 2016
Vince Staples mentioned Long Beach's Ramona Park approximately 80 times on his debut album Summertime '06 and even allotted the park two of its own tracks: "Ramona Park Legend Pt. 1" and "Ramona Park Legend Pt. 2." "The sun come down and guns come out, you know Ramona Park."
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Who Are You?
Practitioner:
DAM
Date:
Mar 26 2015
“I am the dishes, the ironing, I am everything, I am nothing. But remind me: Who are you?” So plays the hook of a new feminist anthem released by the Palestinian rappers, DAM. The video for “Who You Are” plays on sexist attitudes by having men and women switch domestic roles typical in the Middle East, but also familiar across most cultures.
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2020 Was the Year of Protest Music
Practitioner:
Ambrose Akinmusire
Date:
Apr 1 2020
2020 was the year of when protest music blared everywhere. For a long period, Black people struggled against police brutality and in the uproar of George Floyd's murder, BLM protests instantly swept over the country. Of the many protest music that was released that year, trumpeter Ambrose Akinmusire wrote a song that would spearhead raging sentiments towards racial injustice beyond just jazz.
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Glory to Hong Kong - Protesters Create National Anthem
Practitioner:
Hong Kong Protesters
Date:
Aug 30 2019
“Glory to Hong Kong,” created less than three weeks ago, has rapidly been adopted as a symbol of the pro-democracy movement. via NYTimes:
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Sing for the Climate
Practitioner:
Nic Balthazar, 11.11.11, The Belgian Climate Coalition
Date:
Sep 22 2012
Sing for the Climate is a big singing manifestation that first took place on September 22 and 23 2012 in Belgium.
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The Rage Against the Machine Performance That Got Them Banned From 'SNL'
Practitioner:
Rage Against the Machine
Date:
Apr 13 1996
Rage Against the Machine have always been rabble rousers, but the political statement that got them banned from Saturday Night Live sounds positively prosaic compared to other acts of protest they committed in their heyday, like shutting down the New York Stock Exchange or sporting a "Free Mumia Abu-Jamal" shirt on live television.
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Why the Music of Protest Is Still Worth Defending
Practitioner:
Dar Williams
Date:
Mar 7 2014
It's become fashionable to say that political music is either dead or irrelevant.
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