Malteros are the porters who transport luggage and goods between the border of the US and Mexico. Working with a group of maleteros in 2005, artist Mark Bradford collaborated on a system of maps and signs that placed the marginalized work of the unofficial maleteros alongside that of the sanctioned labor of policemen and taxi drivers.
The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
Almost all of Rivera's art told a story, many of which depicted Mexican society, the Mexican Revolution, or reflected his own personal social and political beliefs, and In the Arsenal is no different. The woman on the right side of this painting in Tina Modotti, an Italian photographer and revolutionary political activist, who is holding ammunition for Julio Antonio Mella, a founder of the internationalized Cuban communist party.
El Sistema, also known as The National System of Youth and Children’s Orchestra and Choir, was established in Venezuela in 1975 by José Antonio Abreu, a Venezuelan educator, musician and activist. The music education program operates within the voluntary sector and is funded publicly.
Better Cotton Initiative (BCI) was registered in 2009 and headquartered in Geneva, Switzerland. It is a non-profit international membership organization with representative offices in China, India, Pakistan, and London. It has more than 400 member organizations around the world, mainly including cotton growers, cotton textile enterprises, and retail brands. The group aims to promote what it calls "Better Cotton" around the world.
At noon today, a group of artists and activists including members of the Gulf Ultra Luxury Faction (known as G.U.L.F.) unfurled a large parachute in the atrium of the Guggenheim Museum, demanding to meet with a member of the institution’s board of trustees to discuss the labor conditions at its Abu Dhabi site.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
From Public Delivery:
"The art piece, which was showcased at the Flashpoint Gallery in Washington D.C. from February 1 to 17, 2019, allowed visitors to interact with it. The audience had a pile of crumbs placed right in front of the three-walled setup, which they would through and watch as ‘Ivanka’ vacuumed them all up.
NEW YORK, Ny., Nov 19, 2018 - Two artists, Actress/Creator/Native New Yorker Maia Lorian and collaborator veteran NYC Street Artist Abe Lincoln Jr. bring to you “A Presidential Parody.” In a nation that seems to place higher value on the American dollar over the American life, the artists felt it was time to release an ad campaign that reflects Trump’s “all American” values.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
With the intention of recognizing the work of the Latin American carreteros (garbage pickers) that collect recyclable materials in wheel carts, and increase environmental consciousness, artist Mundano created “Pimp My Carroça"
On April 24, 2013, more than 1,000 lives were taken in the Rana Plaza Collapse. While history remembers this tragic event as the deadliest garment factory accident, activist and photographer Taslima Akhter reveals a story of dreams crushed by structural murder. Dedicating her career to the lives and struggles of garment workers in Bangladesh, she has continued to foster a community rallying together for safer working conditions.
Zhuang Huan invited more than 40 men - laborers, fishermen, construction workers––who had recently migrated to Beijing from other areas of China to participate. Zhang Huan said, “In order to find these workers, I visited many of the shacks where they live.”
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
After winning the TED Prize on March 2, 2011, the French-artist JR launched the Inside Out Project, in his first TED Talk. Using his own artistic practice as inspiration, this participatory platform helps individuals and communities to make a statement by displaying large-scale black and white portraits in public spaces. Through their “Actions,” communities around the world have sparked collaborations and conversations.
Visions from the Inside is a project enlisting 15 artists from across the country to create a piece of art based off letters from women in detention. The initiative, a collaboration between CultureStrike, Mariposas Sin Fronteras and End Family Detention, illuminates the horrific realities of life inside some for-profit detention facilities in the U.S., as well as the resilient spirit that keeps the inmates going.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
Born on June 30, 1902, in Mexico City, Leopoldo Méndez would become one of Mexico’s most significant and beloved graphic artists of the twentieth century. Méndez was one of eight children in a poor household. At a young age, Méndez used art as a means to bring joy to the Mexican community and attended the Academy of San Carlos located in Mexico City.
Working in a grocery store has earned me and my co-workers a temporary status. After years of being overlooked, we suddenly feel a sense of responsibility, solidarity, and pride. On a private Facebook group page for my company, Trader Joe’s, one employee from Washington State posted a picture of a company-issued work shirt hanging from the ceiling of the store. A sign attached to the shirt read not all heroes wear scrubs.
Whose Utopia? is a color film which is 19 minutes 58 seconds long. It was originally commissioned by the Siemens Arts Program back in 2005. The projector-style video is based on the work and social lives of assembly line workers at OSRAM’s light bulb factory in the Pearl River Delta in China. This area has received huge numbers of immigrants from inland provinces seeking work and better lives in the wake of Beijing’s booming economy.
Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
Shackles. Cotton. The Big House.
Americans tend to think of slavery in terms of chattel slavery. Plantation Slavery. Slavery where human beings are bought, sold, and owned. The kind outlawed in the United States by the Emancipation Proclamation in 1863.
Slavery as a relic of the 19th Century.
“Six of us lived, worked, slept in a 10-by-10 (foot) room without a bed, bathroom, or clean water,” Nasreen Sheikh remembers.