Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Our City is a startup nonprofit based in Oakland and working with cities everywhere. They work with governments, cultural institutions, companies, community organizations, designers, and residents to produce
events, installations, and workshops that use public design to improve cities.
Drake has released an emotional video for "God's Plan" in which he donates the music video budget to people in need.
Shot in Miami and directed by Toronto's Karena Evans and Jordan Oram, the video features a bunch of generous, grand gestures.
Las Vulpes was the first spanish punk rock band formed only by women. It was founded in Baracaldo (Vizcaya, Basque Country) in the summer of 1982, as a result of the guitarist´s desire on creating an all women punk band. After a few changes, the final formation consisted on: Loles Vázquez (guitar), Mamen Rodrigo (voice), Begoña Astigarraga (bass) and Lupe Vázquez (drums), all between 17 and 22 years of age.
On Sunday, April 29, dozens of protesters occupied the Beaux-Arts Court at the Brooklyn Museum as they reiterated demands for a decolonization commission, about which the art institution has remained silent. The calls for the commission come after the criticisms that followed the appointment of two white curators to the museum, including in the field of African art.
A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.
Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
By 2010, the Nigerian film industry, also referred to as “Nollywood,” had become the second-largest film industry in the world. Today, the accessibility of digital video technology continues to enable prolific amateur filmmakers to produce wildly popular low-budget and direct-to-DVD films, which deal with timely issues of religion, poverty, and corruption.
Shift Change Dress is a community fashion & art project that utilizes a shift dress sewing pattern as a medium for communication and action. Participants are encouraged to use the pattern as a blank canvas for their art or message and to share their work with the community.
Simple Wedding Movie is an organization in China that cares about love and marriage and offer marriage service. It made a short video with the theme: experience getting old before getting married. Most people would get married in a young and beautiful age. During that time, they are young and beautiful. Because of that, young couple may more likely to have passion and love for each other.
"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.
On the afternoon of September 11th, nearly a hundred people hugged each other to feel the beauty of the hug on the Paris Square in front of the Brandenburg Gate in Berlin, under the leadership of the Chinese artist Gao Brothers. At the beginning of the event, the Germans have not yet adapted to the behavior of embracing strangers, but encouraged by Gao brothers, people have opened their arms and gave the strangers around them a warm hug.
'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.
female:pressure is an international network of female artists in the fields of electronic music and digital arts founded by Electric Indigo: from musicians, composers and DJs to visual artists, cultural workers and researchers. A worldwide resource of female talent that can be searched after criteria like location, profession, style or name.
"a dinner cooked by six indigenous chefs, members of tribes from around North America, who are meeting together for the first time this week to launch a new indigenous activist group, called the I-Collective. Thursday’s dinner will be at Dimes, on Canal Street, and it will follow a dinner tonight for New York City’s local Native American community at the American Indian Community House, on Eldridge Street.
The Guerrilla Girls tactic was well thought-out and was effective in creating a spectacle to draw attention to the issue at hand, which is the lack of female representation in the museum. Where I think the campaign has some drawbacks is in the actual message on the billboard. The rhetorical and ironic message is subtle and really only reaches those who are privy to the art world and/ or the museum.
AISHA FUKUSHIMA is a Singer, Speaker, Educator, and ‘RAPtivist’ (rap activist). Fukushima founded RAPtivism (Rap Activism), a hip hop project spanning 20 countries and four continents, amplifying universal efforts for freedom and justice.
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
Our key beliefs and principles are the very pillars that form the backbone of our movement:
‘Taking Up Space’: We believe marginalised voices must take up their rightful space in this world and deserve to have their voices heard, lived experiences believed, and should be visible in a world of constant erasure.
The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
To some, the Clandestine Insurgent Rebel Clown Army (CIRCA) might appear to be but a ragged bunch of activists sporting false noses, a smudge of grease paint, camouflage pants and bad wigs. And those people may be right. But it is also a highly disciplined army of professional clowns, a militia of authentic fools, a battalion of true buffoons.
In August 2015, Weston-Super-Mare - a sleepy seaside town in Somerset, England - suddenly became the top destination for the metropolitan elite, welcoming celebrity guests like Brad Pitt, Jack Black and Mark Ronson. Overnight this quaint town, just 18 miles from Bristol, was transformed by anonymous street artist Banksy when he opened his very own dystopian Disneyland style theme park called ‘Dismaland’.
The Nahmads have been dealers in Modern art since Giuseppe Nahmad set up in Milan in 1957. But they have been the Warren Buffetts of the business, sticking to the tried and true. Now Joseph Nahmad, one of Giuseppe’s grandsons, is plunging into the shark pool of Contemporary art.