In 2008, my work as an artist took me to a gigantic landfill outside Rio de Janeiro called Jardim Gramacho. After operating for more than 30 years, the sanitary facility, once one of the largest in the world, had reached its maximum capacity and was on the eve of closing permanently.
The Bed-Stuy Aquarium (also known as the Hancock Street Bed-Stuy Aquarium) is a makeshift goldfish pond located on a sidewalk in the Bedford-Stuyvesant, Brooklyn neighborhood of New York City. The pond, originally formed by a puddle from a leaky fire hydrant, garnered attention from locals and the press beginning at the time of its creation in August 2024.
Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.
Keith Haring was an American artist and activist in 1980s New York, whose artwork raised awareness on social issues at the time. One the main awareness campaigns Haring participated on was AIDS awareness and activism.
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
On September 2nd 2015, a die-in protest to advocate against gender violence was carried out by a group called Women in Black (Olmedilla, 2015). This form of protest was likely inspired by other die-in protests in Spain and represented Spanish women who have died due to domestic violence (DV). A group of women dressed in black clothing gathered on the streets of Madrid. One by one they fell to the ground and lay there, acting dead.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
The 15M movement in Spain grew out of a desire for liberation and greater access to social and political rights for marginalized groups. At its core the activists of 15M were visionaries and used voting for a utopian society as a creative act to reimagine the world they created. Reality is socially construed by the forces that determine individual agency.
Through their podcast, The Dance Union, Melanie Greene and J. Bouey have been confronting racism in the dance world, and highlighting the experiences of Black artists, since 2018. Their episodes cover a variety of topics and issues, ranging from mental health and sexual harassment to advocating for fair pay.
Los Angeles is at a critical moment when it comes to art. Not because it's "underappreciated as a world art center" as The New York Times informed us in 2011. Or because it's a "burgeoning art capital" as The New York Times revised in 2014. No, it's because L.A. has actually moved past the "up-and-coming" stage into a fully integrated part of the art world.
Last June, Harris Reed became a member of the “Class of 2020” -- the crop of young fashion talent who graduated into an industry on rocky ground due to the pandemic. Over the eight months that have passed since earning his cap and gown at Central Saint Martins, Harris seems to have done a good job of finding his feet.
The scraps of paper swirled through the Guggenheim Museum in New York on Saturday night like confetti, thrown from an upper walkway into the central rotunda before floating to the ground.
Watch Chadwick Boseman's Black Panther in Captain America: Civil War, and you'll see a charismatic character who fills a void in the conflicted do-gooder group. This T'Challa is accessible, awe-inspiring and perhaps most importantly, human. "I think the question that I'm trying to ask and answer in Black Panther is, 'What does truly mean to be African?'" the filmmaker recently told Rolling Stone.
A young Black boy, wearing deep red livery with gold trimming, a gold earring, and red-and-white turban secured with a jeweled brooch, stares out at the viewer. Standing before a ship at sea, he hands a letter, addressed to “Monsieur le chevalier de Rohan, captain of the King’s ships at Rochefort,” to an older white man, dressed in regal-looking steel armor.
A television report written, directed and produced by Enmedio members Leónidas Martín and Xavier Artigas. Collective projects that see art as a kind of social relationship. Artistic interventions that target consumption, media guerrilla tactics, creative mobilisations and protest, critical projects brimming with humour and disobedience, new narratives capable of changing the existing symbols and codes.
A project as expansive as the Guerrilla Girls Twin Cities Takeover is a first for them. Kicking off on January 21, the festival will comprise a series of events by 30 different groups, which will take place until March 6 at more than 20 arts and cultural organizations in and around Minneapolis/St. Paul. A network of local art activists will be mobilized, and the Guerrilla Girls have been working in tandem with the area’s youth groups to prepare.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
In this space, Teaching Artist contributors from around the U.S. and the world bring you stories of their work at the crossroads of art and learning. The stories that our bloggers bring to ALT/space are born inside the practice of teaching and art making in all artistic and expressive mediums: visual arts, dance, traditional arts, outsider art, music, theater, storytelling, writing and…?
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
Converse Rubber Tracks is a global community of professional recording studios, which provides free studio time to emerging artists. Bands and artists record without any fee whatsoever and maintain all the rights to their music.
How would you describe Mixer?
Anis Bennaceur: It’s a professional network for creatives—people working in arts, fashion, film and media, and music. You can showcase your work, past projects to everyone else on the platform, and you can search, discover, connect, and collaborate with a lot of other incredible and talented people working in those industries. Also, every member is vetted by our team, so we ensure the quality of the userbase.
The Bruce High Quality Foundation University (BHQFU) is an unaccredited, free collaborative school founded by the eponymous artist collective and presented by Creative Time.