"When it comes to the effects of the virus on black lives, the roots run deep.
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This is one of the hardest illustrations I’ve ever done. Not because of the tree - but because of the overwhelming nature of the subject at hand. Seeing headlines like “Blacks are Dying at Higher Rates from Covid-19” SHOOK me!
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The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
In December – as many around the globe were preparing for the holidays – Sama, a former attorney, remained hunkered down in her house in Kabul, Afghanistan, trying to comprehend how her world had changed.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
A disability / textile arts project, challenging assumptions about disabled artists & highlighting shoddy treatment of disabled people by current government:
https://shoddyexhibition.wordpress.com/
Mounica Tata launched Doodleodrama as an online journal to improve representation for her body type in mainstream media. “I’ve always been an overweight person and bullied and shamed for the same. Only fairly recently I’ve learned to make my peace with my body. My own journey with my body inspired/continues to inspire me to talk about it.”
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
Shouting is one of Xu Zhen’s early works questioning the limits of individual expression. First exhibited at the 51st Venice Biennale in 2005, the video shows Xu hiding in crowds and performing a series of loud screams in Shanghai.
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
Iran is a nation with a fine art tradition that stretches back thousands of years; its reputation for contemporary fashion design less so. Writing that from an external, Western perspective may read unduly dismissive, but it’s a statement that holds up even from within the country’s borders, Shiva Vaqar assures us. “Being a designer has never really been considered a serious job here,” she says over the phone from Tehran.
In “Speech/Acts,” a group exhibition organized by Meg Onli at the Institute of Contemporary Art in Philadelphia, Kameelah Janan Rasheed and Tiona Nekkia McClodden stood out as artists who take up voices, histories, and experiences that can help audiences move forward and endure in the future.
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.
Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.
Two climate activists scrawled blue ink across a series of Andy Warhol screen prints at the National Gallery of Australia in Canberra, Australia this week to raise awareness of the country’s fossil fuel subsidies.
Images and video of the protest posted to social media show the two activists also trying to glue their hands to the famous print series titled Campbell’s Soup I, which is framed and under glass.
Our key beliefs and principles are the very pillars that form the backbone of our movement:
‘Taking Up Space’: We believe marginalised voices must take up their rightful space in this world and deserve to have their voices heard, lived experiences believed, and should be visible in a world of constant erasure.
This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography.
The current face of clubhouse will be seeling a NFT of her art at an online marketplace Nifty Gateway, with the proceeds going to the Catalyst Fund for Justice. She is a futirst in her art, using a blend of physical materials and technologies to make pieces. Some range from including virtual realities or creating steel sculptures.
Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
“Spengler and the Decline of Russia”
105 NY-110, Melville, NY 11747
November 6, 11 am – December 1, 7 pm
Tuesday – Saturday, 11 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.
Most cheLA activities are organized around a series of workshops, which may act in combination, are designed as areas of aesthetic, technological and theoretical concentration, and structured to promote their development. Its core activities are research and experimentation residences. As participants in the Parque Patricios neighborhood life, within the Federal Capital, are evident human needs.
The Nahmads have been dealers in Modern art since Giuseppe Nahmad set up in Milan in 1957. But they have been the Warren Buffetts of the business, sticking to the tried and true. Now Joseph Nahmad, one of Giuseppe’s grandsons, is plunging into the shark pool of Contemporary art.
Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.