"As a public service, H.D.O. invents a hypothetical future for each selected structure. Unlike a traditional, reality-based developer, however, our organization is not bound by rules relating to commercial potential, practical materials, or physics. In our view, plausibility is a creative dead end. That is to say: We are not trying to fool anybody."
I Shop Therefore I Am (1987) is the work of Barbara Kruger . It became an iconic artwork, being reproduced on items such as shopping bags and other consumer products such as t-shirts. Kruger has often derived images from the mass media and pasted the words over them, particularly in Futura Bold . She then uses advertising to design her works.
Intro
The Social ID Bureau is handing-out personal identification cards for a limited number of Facebook Social Network citizens, interested in alpha testing.
Be the first among your friends to pick-up your social identification card and explore the future.
What happend?
At Souvenir Stands, Selling Tourists on Ending Stop-and-Search
By COREY KILGANNON
New York Times, City Blog, August 27, 2012
Last week, a 37-year-old artist from Oakland, Calif., named Aaron Gach joined the crowds of tourists swarming the sidewalk souvenir stands set up around the perimeter of Battery Park in Lower Manhattan.
On November 13, 2012, Joey Skaggs dressed up as Santa Claus and rode a three-wheeler to the United Nations in New York, NY. Skaggs’ bike was equipped with a fake mobile rocket launcher and a sign that read “ Peace on earth, or else!” A group of elves also accompanied Santa to the UN, and they alternated between handing out green toy soldiers to bystanders and singing their altered version of Jingle Bells, as seen below:
Spanish street artist El Rey de la Ruina uses murals and installations to critique inequality and government policies. His works, especially during the pandemic, voiced concerns over healthcare, housing, and public resources in Madrid’s urban spaces.
In the UK, the secretary of state Theresa May is attempting to pass a new investigatory draft bill that would essentially rid all British citizens of the right to privacy and security on the internet. Internet providers will be required to maintain user's browser history for 12 months amongst other things. In light of these revelations, it seems privacy will no longer be a basic human right, but an add-on option to our internet services.
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
What would a chemical attack on NYC look like? How would poisonous gases spread, through the lines of the subway and above ground? These are some of the questions the NYPD and a team of researchers hope to answer this July, when they’ll disperse colorless, odorless, and apparently harmless gases called perflourocarbons around the city and track their movement.
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
The Guerrilla Girls tactic was well thought-out and was effective in creating a spectacle to draw attention to the issue at hand, which is the lack of female representation in the museum. Where I think the campaign has some drawbacks is in the actual message on the billboard. The rhetorical and ironic message is subtle and really only reaches those who are privy to the art world and/ or the museum.
By going viral for the fashionable and aesthetically appeasing art for Trans lives, she has developed a new way to advocate for this cause while simultaneously growing her business. By starting by documenting their journey to living their most authentic life on youtube, they have gravitated to TikTok where they have found particular success in spreading awareness through their art and apparel.
If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There's Melissa C., of small-time "See Something, Say Something" fame, with her gold hoops and salmon-pink hoodie. She's smiling next to the familiar MTA logo, but her message isn't just about reporting a suspicious bag on the platform and feeling heroic.
Street artist, graphic designer, and activist Shepard Fairey created this visionary portrait of then Senator Barack Obama in 2008 as a form of grassroots activism to support Obama’s first presidential campaign. Fairey based the work on an Associated Press photograph by Mannie Garcia, which he transformed with his signature high-contrast stencil technique, inspired by the political message and bold graphics of Soviet Socialist Realism.
The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.
This diagram of the 'Brookes' slave ship is probably the most widely copied and powerful image used by the abolitionist campaigners. It depicts the ship loaded to its full capacity - 454 people crammed into the hold.The 'Brookes' sailed the passage from Liverpool via the Gold Coast in Africa to Jamaica in the West Indies.
Hostile architecture—urban design features like ground spikes that deter the homeless from lying down or slanted benches that prevent lingering—inscribes exclusion into our streets. In response, a Chinese artist will launch the Free Butt Plug Catalogue, an art-activism project that documents fifteen such spikes and anti–loitering benches across London and pairs each with a commercially available butt plug of the same shape.
A giant leak of more than 11.5 million financial and legal records exposes a system that enables crime, corruption and wrongdoing, hidden by secretive offshore companies.
SAY NO TO AI
Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.
Malteros are the porters who transport luggage and goods between the border of the US and Mexico. Working with a group of maleteros in 2005, artist Mark Bradford collaborated on a system of maps and signs that placed the marginalized work of the unofficial maleteros alongside that of the sanctioned labor of policemen and taxi drivers.
Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members, all artists - but action, not art, was the aim of the collective. Gran Fury member Loring McAlpin described the collective's mass-market ambition to “...fight for attention as hard as Coca-Cola fights for attention.”
To show the harmful effects of cocaine on a drug addict, Brazilian advertising agency Talent created ‘living’ poster ads that are consumed by live mealworms over time.
Printed on dough, the ads initially show the faces of drug addicts.
However, as time passes, the mealworms slowly eat away at the posters, causing holes to form on the printed faces—highlighting the harmful effects of the drug.