Fuck. Damn. Shit. Ass. Everybody curses. Don’t say you don’t. Everyone does it when they’re mad, upset, happy, or excited. It’s human nature. Is it that the words are sinful? Offensive? Violent? Nobody really knows but we as a society do not like them in the slightest. People associate cursing with a stigma of being uneducated, uncultured, and lazy. But boiled down, language is one of the strongest tools and assets that we have. Language is power.
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
“The Washington Post” asked the Guerrilla Girls to create a full page for their section on feminism and art, which was published on April 22, 2007. The Guerrilla Girls’ page contains an image of a fake tabloid, called “NOT OK! The Guerrilla Girls’ Scandal Rag,”. The tabloid’s cover features a sensational headline and some statistics, which highlight the fact that national museums rarely feature female artists and artists of color.
JR called for the creation of a global art project - the Inside Out Project - inspired by his large‐format street “pastings.” The concept of the project is to give everyone the opportunity to share their portrait and a statement of what they stand for, with the world. IOP provides individuals and groups from all corners of the globe with a vehicle to make a statement.
Instagram and Zines have become a tool for activists worldwide, and Vienna Rye (@vrye) has amassed over 126,000 followers by promoting education, mutual aid, and advocacy. They are a self-taught visual artist and revolutionary community organizer, which translates into their artwork. Vienna visualized a better world to build it. To do this, they use her art to confront settler colonialism, racism, and patriarchy.
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
Last June, Harris Reed became a member of the “Class of 2020” -- the crop of young fashion talent who graduated into an industry on rocky ground due to the pandemic. Over the eight months that have passed since earning his cap and gown at Central Saint Martins, Harris seems to have done a good job of finding his feet.
Over the past 2 years, Visualizing Palestine (VP) has harnessed visual storytelling to bring public attention to the daily injustices facing Palestinians, from demolition of homes to mothers forced to give birth at military checkpoints. VP wants to start 2014 by raising global awareness around two key issues.
The current face of clubhouse will be seeling a NFT of her art at an online marketplace Nifty Gateway, with the proceeds going to the Catalyst Fund for Justice. She is a futirst in her art, using a blend of physical materials and technologies to make pieces. Some range from including virtual realities or creating steel sculptures.
Asian Americans standing up for themselves, the Black Lives Matter movement, and their home: New York City
In 2020, as COVID-19 flared through New York City and NYC hospitals saw a spike of nearly 200,000 patients, Asian and Pacific Islanders (APIs) faced an added threat: blame, racism, and xenophobia.
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
I emailed with Choi about her thinking behind the Yellow Fever series.
An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.
Thelma Golden, curator at the Studio Museum in Harlem, talks through three recent shows that explore how art examines and redefines culture. The "post-black" artists she works with are using their art to provoke a new dialogue about race and culture -- and about the meaning of art itself.
On Monday, a grassroots, anti–corporate tax-dodging coalition called Flip the Debt crashed a "Fix the Debt" party at St. Anselm's College in New Hampshire hosted by Honeywell CEO David Cote to tell the gathered deficit hawk disciples that paying their "damn taxes" would be a better solution than crippling the nation with fiscal austerity measures.
SAY NO TO AI
Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members, all artists - but action, not art, was the aim of the collective. Gran Fury member Loring McAlpin described the collective's mass-market ambition to “...fight for attention as hard as Coca-Cola fights for attention.”
It seems a lot of powerful people hate Benetton's new 'Unhate' Campaign ads. The recently unveiled images show world leaders like the Pope and U.S. President Barack Obama kissing their perceived enemies.
On Thursday, the White House issued a statement condemning Benetton for its provocative campaign.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
The young Chinese feminists shaved their heads to protest inequality in higher education and stormed men’s restrooms to highlight the indignities women face in their prolonged waits at public toilets.