Hundreds of artists, cultural workers and activists gathered on the steps of the Metropolitan Museum of Art on Fifth Avenue in New York on Sunday (24 March), demanding that the most visited museum in the US publicly call for a ceasefire in the war in Gaza and commit to preserving Palestinian cultural heritage.
The project involved creating portraits of garbage pickers from the Jardim Gramacho landfill near Rio de Janeiro, Brazil, using materials found in the landfill itself.
Muniz worked with the garbage pickers to create the portraits, which were then photographed and exhibited in galleries around the world. The project aimed to raise awareness of the plight of the garbage pickers and the environmental issues associated with landfill waste.
Our Action: We set up “I’m every Woman” as a 3D street installation. It took place on the Boardwalk, Cork City on the weekend of International Women’s week.
Our aims were to promote gender-equality. As a group we identified women as locally and globally dehumanized. We challenged this by honouring women and interacting with people we encountered to celebrate women, both locally and globally.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
The project (created in 2009-2010) consists of painted plats and posters depicted with drawings of police torture scenes. Images also include snippets of email exchanges. The plates have been exhibited in numerous galleries in Ukraine, and posters were hung in public spaces.
"A week-long party characterizes Brazil’s Carnival, the Mardi Gras of the southern hemisphere. Celebrations and parades are held throughout the country, most notably in the city of Rio de Janeiro and the Brazilian states of Bahia and Pernambuco. Carnival celebrations vary in length and content, depending on the area.
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery.
With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
February 24, 2023 will mark one year since the Russian invasion and occupation of Ukraine began. Russia is attempting to take over Ukrainian territory and destroy its rich, vibrant culture. Ukrainians are fighting for their country and right to exist as free, independent people. For months, Ukrainians have endured relentless bombardment, destruction, and hardship.
Two pairs of dusty, pastel-orange roller skates. A ram's skull. Several meters of tangled, bright red rope. They aren't the sort of items you'd find in the great fashion houses of Europe or on North American catwalks.
But, for unconventional Chinese designer and performance artist Wan Yunfeng, they are perfect.
From his small apartment in eastern Beijing, Wan makes fashion that only he wears.
In response to Spain's increasingly restrictive legislation limiting access to abortion in the country, a group of art activists known for their bold, disruptive flair are taking action.
When President Trump announced the US departure from the Paris Climate Accord on 1 June 2017, his enjoyment at walking over the efforts of national delegations and hundreds of pressure groups across the world who fought for that deal was palpable. I was in Paris in December 2015 during the negotiations, when the possibility of a global agreement was merely that, a fragile potential.
"Denial of Family Values, Gay and Anti-gay Propaganda in Russia"
105 NY-110, Melville, NY 11747
June 3, 11 am – June 28, 7 pm
Monday – Friday, 11 am – 7 pm, free admission
Artist talk – June 28, 2 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
This project served as an educational tool to demystify the female body and bring awareness to the issues of reproductive rights and the ignorance that sometimes plagues common misconceptions about the reproductive system. I think this campaign is very successful in its approach. It exhibits paintings and displays of uterus and the female form in a non-sexual way.
The New York-based artist has created a free-to-download poster in support of the ESEA community. Produced in response to the Covid-related surge in anti-Asian hate crimes, it can be used in a variety of ways to raise awareness and support the cause.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
RACC Satellite Space in Garden City
1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530
June 26, 10 am – July 28, 7 pm
Monday – Friday, 10 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Collective Creativity in the Beginning
Project Row Houses (PRH) is, and has always been, a unique experiment in activating the intersections between art, cultural and historic preservation, affordable and innovative housing, community engagement and development, neighborhood revitalization, and human empowerment.
Urban Landscape as Canvas
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
Last November, when you Googled the phrase “ugly Black woman,” Vanessa Rochelle Lewis’s photograph was the second to come up.
“Which I’m offended by,” says Lewis, a Bay Area–based artist and writer, “since I’m an Aries and I like to be number one in everything.”
The Mission of CAMP is to support and produce socially engaged and aesthetically diverse public art as a grassroots community-based, artist-run organization based in San Francisco.
Clarion Alley Mural Project is a fiscally sponsored project of Independent Arts & Media.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
Renowned French artist JR and Oscar-nominated American filmmaker Darren Aronofsky have collaborated on The Standing March, a major public artwork exhibited in Paris during the UN’s COP21 climate conference. The video projection will remind leaders that the world is watching as they gather to negotiate a deal aimed at keeping global warming below 2°C.