Yumi Ishikawa, a Japanese actress, freelance writer, and part-time funeral parlor worker, started the #KuToo Movement because she feels it’s unfair she has to wear heels at work. She also feels that being required to wear heels is rooted in a cultural problem, one much deeper than physical discomfort.
Late last month, Chinese citizens took up a creative means of protest over the nation’s strict “zero-COVID” policy. In a place with little tolerance for large public demonstrations, protesters have been holding up blank pieces of paper. Their ingenuity inspired a local artist Yolanda He Yang to stage a public art demonstration to subtly communicate their dissent.
Leilei Zhang was harassed on a public bus when a man gripped her hand, glared at her and refused to let go. With the determination to raise public awareness, Leilei began a crowd-funding campaign to raise money for what could have been China's first public anti-sexual harassment advertisement. She approached the authorities of her home city, Guangzhou, but it did not want to take on the advertising for fear it would panic the public.
In the four years since launching his eponymous label, Kozaburo Akasaka has established himself as a leader of New York’s new guard of fashion designers. In 2017, just months after graduating from Parsons’ prestigious Fashion MFA programme, his tailored silhouettes -- knife-sharp and steeped in retrofuturistic grunge -- earned him the LVMH Special Prize.
In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History.
The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.
“I performed at Tiananmen Square in 1989, 15 days before the crackdown. I sang A Piece of Red Cloth (一块红布), a tune about alienation. I covered my eyes with a red cloth to symbolize my feelings. The students were heroes. They needed me, and I needed them. After Tiananmen, however, authorities banned concerts. We performed instead at “parties,” unofficial shows in hotels and restaurants”.
Through the use of mythical and archetypal iconography, Bourgeois translated her encounters into a very individualized symbolic imagery, employing things such as swirls, arachnids, cages, surgical equipment, and sewed appendages to represent the feminine mind, beauty, and mental agony.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
A street photography exhibition located in Beijing’s most crowded tourist attractions, Dongsi Hutong, to get a voice the Chinese government’s censorship of art works in public space. To hedge the city’s regulation , the human body photography were displayed in the street stores of Dongsi Hutong.
Nanjing, a picturesque city lying by the Yangtze River, owes its fame to its favorable geographic position, galaxy of talents and profound historical background. Having served as the capital of ten dynasties in ancient China, its splendour has remained and even enlarged with an extended population up to 600,000 when the government of the Republic of China set up its capital there in 1927.
Female staff members at a new shop in Osaka, Japan are being encouraged to wear badges to indicate when they’re on their period to tackle the stigma surrounding menstruation in the country.
Women working at the Michi Kake store, which sells an array of female sexual and menstrual health products, do not have to take part in the scheme, but those that do will pin one of the “period badges” next to their regular name tags.
Liao Guohe’s solo exhibition ----“Satisfaction Guaranteed”, the first-time all-round summary of his paintings in last 10 years, is held from November 14, 2014 to March 14, 2015 at Sifang Art Museum in Nanjing, China.
A unique piece captured significant attention at the Central Academy of Fine Arts undergraduate graduation exhibition in June. The work featured an "anime-style" girl's skull linked to a human skeleton and internal organs, all encased within a thin film. As visitors entered the exhibit area, her breathing and gaze would alter accordingly.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
In early January, constructions workers in Wuhan, China staged a Gangnam Style protest in front of their employer's building. Using the Gangnam Style dance, the men sought to bring media attention to their mounting unpaid wages.
Xiao has organized and participated in a series of activities that combine performance art with a strong social message. Despite a well-known Chinese maxim expounding that women "hold up half the sky," feminism has largely been an underground movement in the country. Xiao and her cohorts' mission is to change that by taking up the cause in public, even if it means going to extreme and controversial lengths.
By a pond inside one of the entrances to Beijing’s Chaoyang Park lies a cluster of one and two storey red pyramid-shaped buildings. Sculptures of Gandhi and Lincoln and other famous figures sit in the quiet woods nearby. This is Yuan Xikun’s Jin Tai Art Museum.
Chen Boer's first heroine film, which she co-wrote and directed, was "Daughter of China," about female soldiers in the Northeast Anti-Japanese United Army. They didn't have much filmed material at the time, but as a feminist, Chen Boer clearly wanted to record the sacrifices and contributions of Chinese women in the War of Resistance against Japanese Aggression.
The face of Hong Kong’s chief executive Carrie Lam is falling apart: an eyeball has fallen out of its socket and the flesh of her left chin has been ripped off. Black-clad protesters in yellow hard hats are standing on top of her head, hanging a banner with ‘Hong Kong add oil’ on her forehead and shouting into her ear with a megaphone.
The following description is taken from the website of Aljazeera America (find link below):
In early December, Ju Hyun-u, a student at South Korea’s elite Korea University, taped up two white sheets filled with his handwriting on a campus bulletin board. His message began with a question, “Are you doing all right?”.
A dilapidated wooden fishing boat laden down with animals who are just skin and bone, a sort of dystopian Noah’s ark trying to escape the end of the earth and an empty city devoid of human life that has been overtaken by nature.
The dramatic demonstration of people power on the streets, called the “Candlelight Revolution,” was sparked off by President Park’s abuse of power and corruption. She had shared classified information on state affairs with her close confidantes, including Ms.
In June 2011, the Beijing Local Taxation Bureau demanded a total of over 12 million yuan (US$1.85 million) from Beijing Fake Cultural Development Ltd in unpaid taxes and fines, and accorded three days to appeal the demand in writing. According to Ai's wife, Beijing Fake Cultural Development Ltd has hired two Beijing lawyers as defense attorneys.