Projects tagged "Installation"

Park(ing) DAY
Practitioner:
Park(ing) DAY
Date:
Sep 21 2012
Park(ing) day is a community of artists, activist, students and everyday people who, on September 21, every year and across the world, collaborate to transform parking spaces into green and friendly spaces. They invite reflections and discussions on the significance of nature and quality of life in urban areas. Park(ing) day encourages people to take over public spaces, reclaim their space, and imagine how sustainable and green cities can be.
There’s So Much I Want to Say to You
Practitioner:
Sharon Hayes
Date:
Jun 27 2012
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
Real Pictures
Practitioner:
Colombia College Chicago: Museum of Contemporary Photography
Date:
Jan 1 1995
Text taken from website:
Artbus
Practitioner:
Artbus
Date:
Apr 8 2005
"Artbus is a non-profit organization devoted to the promotion and dissemination of contemporary art. Supported by contributions from individuals, foundations and corporations Artbus facilitates public access to current artistic expressions and fosters creativity and production by living artists.
In/on The Way: Story Time
Practitioner:
SKART
Date:
Oct 12 2017
"Story Time" emphasizes the significance of knowing the cultural histories of various nations and milieus, for it is precisely this knowledge that represents the first common point on the way towards understanding other cultures arriving in Europe with migratory flows. The invited artists will reinterpret cultural histories and cultural contexts from both European and Arabic worlds.
Anti-Capitalism Art on the Louvre's Glass Pyramid
Practitioner:
Michelangelo Pistoletto
Date:
Apr 24 2013
For the first time since its controversial installation in 1989, the I.M. Pei-designed Louvre Pyramid has been decorated in a museum-sanctioned act of anti-capitalist activism.
Lament of the Images
Practitioner:
Alfredo Jaar
Date:
Jan 1 2002
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
Making Fun
Practitioner:
Jennifer Holcomb
Date:
Apr 1 2018
Oh, the lack of humanity!
Controversy in the Wild Kingdom of Couture
Practitioner:
Kylie Jenner
Date:
Jan 25 2023
PARIS — Ten a.m. on a frigid Monday morning, the first day of the couture shows, and Kylie Jenner was strutting through the marble halls of the Petit Palais trying to find her seat for Schiaparelli, shoehorned into spiky stilettos and a black velvet one-arm gown, a full-size tawny lion’s head jutting from the side. It was as if Aslan had taken a break from Narnia and stuck his muzzle through a time-space continuum under her armpit.
50 People in 40 Square Meters
Practitioner:
Contemporary Art Center, Skopje
Date:
Feb 6 2016
In a case of voter fraud, an investigation revealed that the party in power had won fifty votes from the residents of a single apartment. A group of activists reproduced the apartment in a downtown square and invited 50 people inside. The action took just one part of the case, literally brought it into three dimensions, and showed the absurdity that this could ever be legitimate.
Inside the house that Theaster built
Practitioner:
Theaster Gates
Date:
Sep 6 2012
Inside the house that Theaster built Rising art star and activist Theaster Gates is transforming his neighbourhood, one building at a time
Tracey Emin’s “My Bed” Ignored Society’s Expectations of Women
Practitioner:
Tracey Emin
Date:
Jan 1 1999
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
Long Branch Library Plaza Installation
Practitioner:
Ronit Eisenbach and John Ruppert and students
Date:
May 1 2013
After researching several potential sites as far afield as Baltimore, Eisenbach and Ruppert “became attracted to the library because the plaza has never been used,” Eisenbach says, citing the fact that the library’s second-level entrance onto the plaza is locked.
All Power to All People
Practitioner:
Hank Willis Thomas
Date:
Sep 1 2017
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
That Time Art and Activism Met in Antarctica
Practitioner:
Lucy + Jorge Orta
Date:
Jan 25 2016
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
Coal Seam Greed - Coal Seam Gas Hoax
Practitioner:
Katso, Nowhereman
Date:
Dec 1 2012
Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
Project Ukko
Practitioner:
Moritz Stefaner, FutureEverything Festival, Barcelona Supercomputing Centre, Euporias
Date:
Mar 30 2016
Alex King describes Project Ukko in detail for Huck Magazine (March 17, 2016): "Moritz Stefaner’s Project Ukko turns climate and wind data into an immersive art installation that allows viewers to explore the future of the planet."
Violence Against Women Art Map
Practitioner:
Lauren Stetz, Ph.D.
Date:
Jul 22 2021
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
FIRST proposed U.S. Anti-Slavery Monument
Practitioner:
U.N. AWARD WINNING ARTIST Peace Walkway
Date:
Jan 5 2017
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer. Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
Leftover Women
Practitioner:
SK-II
Date:
Apr 6 2016
They are disparaged as “free-willed” women, “stubborn,” “picky,” “incomplete.” But a video by an East Asian beauty brand that went viral over the past week has upended the conversation on China’s sheng nu, which translates literally into “leftover women” — those who happen to be over 27 and unmarried. “People think that in Chinese society an unmarried woman is incomplete. You feel like an outsider,” says one young woman.
GLOBAL PEACE WALKWAY VR PEACE MUSEUM PROJECT
Practitioner:
PAUL=FELIX MONTEZ
Date:
Aug 15 2015
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
“Herstory” is the first comprehensive New York museum survey of work by Judy Chicago
Practitioner:
Judy Chicago
Date:
Oct 12 2023
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
No Home Gallery
Practitioner:
Victoria Manganiello, Anastasia Voron
Date:
Aug 1 2014
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
Aqua Line
Practitioner:
Heavy Trash
Date:
Jan 1 2000
Creative Time, Social Practice Archive: In 2000 Heavy Trash, an anonymous arts organization of designers, architects, and urban planners, implemented its Aqua Line project throughout various parts of Los Angeles. The project involved the installation of false "Future Station Location" signs in the downtown area, notifying passersby of the impending construction of a subway that would connect the downtown to the Westside.
Looking For Love Again
Practitioner:
Candy Chang
Date:
May 1 2011
Abandoned buildings have become such a common sight that they often slip quietly into the backdrop of our cities like an accepted part of our landscape. Looking for Love Again is a participatory public installation that renews attention to an abandoned high-rise in downtown Fairbanks, Alaska to celebrate its past and future.

Pages