Power Call is a nomadic, interactive energy commons in San Francisco to the Bay Area. Using low-tech systems, Power Call harnesses, stores and dispenses energy for recharging a variety of cell phones. Anyone can contribute to the energy commons by spending a few minutes pumping the machine, creating a charge for yourself or a future person in need.
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
When the activist group Allt åt Alla wanted to highlight the growing inequality in Sweden they decided to hit the road.
A Over Class Safari (Överklassafari) was announced and ticket were sold. The bus ride covered both a working area (Fisksätra) and it's close high-brow neighbourhood Solsidan in Saltsjöbaden. Bus travelers were told to bring cameras and also invited to hear speeches about the Swedish class society and it's history.
KASHGAR, China — They come for the camel rides, the chance to dress up like a conquering Qing dynasty soldier or to take selfies in front of one of the most historic Islamic shrines in Xinjiang, the sprawling region in China’s far northwest.
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
Artist Nathaniel Ruleaux leads a community project called “To See If I Could Go Home: A True History Paste-Up” at the Union for Contemporary Art in Omaha on Thursday. His son, Luca, 3, walks away after handing Ruleaux a print to use to demonstrate the project. A member of the Oglala Lakota Nation, Ruleaux often uses his art to bring attention and activism to Native stories.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
Many of the banks originally situated on Bank Street in Sharjah have left for more lucrative locations, so we have imagined a new, non-monetary banking model for the street.
What if we were to regard the sum total of memories and stories of the people in this area as the real capital of the street?
And what if this new currency could be invested in the new Bank Street and converted into physical objects?
An artist who sparked significant awareness regarding the issues of climate change was Olafur Eliasson. Eliasson’s main objective has been to catch people’s attention and make them feel emotions and care about climate change because many people do not connect to the effects of climate issues as they do with other controversial impacts solely because the effects are not played out directly in front of them.
Taxi is a car with a digital advertising sign attached to the roof. Linked to a global positioning system, the message changes relative to the car's location, addressing specific neighbourhoods, addresses, and audiences. The technology can target an area as small as a square block. Haha solicits messages through email list serves and through direct contact with various groups throughout the city.
Jorge Rodríguez-Gerarda is a cuban Artist that was born in 1966. One of his projects was naed Expectations in which he did with sand and grave a massive image of Barack Obama, as a way to reflect all what this presidential candidate representated in terms of change.
"The Uni Project aims to do one thing and do it well: temporarily
transform almost any available urban space into a public reading room
and venue for learning. We start with the conviction that books and
learning should be prominent, accessible, and part of what we expect at
street-level in our cities." (From site.)
Typical mediums of street art include spray paint, stickers and stencils. But mobilized digital media projection has become the latest tool in some activist's artilleries. Vanguards of this innovative technique include members of The Illuminator project. Created in March 2012, The Illuminator is a cargo van equipped with audio and video projection capabilities.
On Tuesday evening, at the end of an action staged by Occupy Museums at the Metropolitan Museum of Art to protest the unveiling of the David H. Koch Plaza, three members of The Illuminator were arrested. Earlier in the evening, police had moved protestors to a cordoned area on the opposite side of the street from the museum; a substantial police presence remained throughout the evening, but no other arrests took place.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
A set of interactive experiences at the Sziget festival in Budapest, aimed at social change to improve every day life of trans and gender-nonconforming persons.
It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
We were ‘Superheroes’ and had fun, colourful, engaging activities which had a high visual impact with a purpose to engage the head, hand and heart. We believe that everyone has superpowers within and they just need to be released but that all superheroes need a rest in order be at their best for themselves and others.
“Discovering Columbus,” by the Japanese artist Tatzu Nishi.
Nishi built a living room around the sculpture in Columbus Circle in New York City. The living room is mounted on scaffolding and turns the sculpture into a domestic center-piece.
This urban action was consisted from mapping of over 50 locations of illegal garbage disposing sights and signing of 16 places across Macedonia where people dispose large amounts of heavy garbage and constructive waste.