Grangeon's long-running traveling exhibit, Pandas on Tour, features 1600 papier-mâché pandas. That's approximately one for as many as there are left in the world (recent estimates actually place the number slightly below that, at 1596).
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011.
Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.
Women to the Front: Perspectives on Equality, Gender, and Activism is an exhibit that showcases 15 female artists with ties to Utah who infuse their art with activism. The exhibit commemorates the centennial of the 19th Amendment and the 150th anniversary of the first vote cast by a woman in Utah.
On the 6th February 2013, 40 activists across 6 states plastered 110 ANZ ATMs with 'Out of Order' notices, sharing them on social media the following day. The objective was to use a hoax style action to exploit mainstream media sensitivity around ANZ Bank's unethical funding of fossil fuel projects that had been generated by Jonathan Moylan's Whitehaven Hoax a week earlier.
Student loan debt in the US today totals over 1.7 trillion dollars and is collectively borne by more than 44 million Americans, including artist kelli rae adams. With her installation Forever in Your Debt, adams converts this abstract burden into a tangible volume. She has crafted hundreds of wheel-thrown vessels, sized to collectively hold the average individual student debt —$37,000—in the form of coins.
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
Park(ing) day is a community of artists, activist, students and everyday people who, on September 21, every year and across the world, collaborate to transform parking spaces into green and friendly spaces. They invite reflections and discussions on the significance of nature and quality of life in urban areas. Park(ing) day encourages people to take over public spaces, reclaim their space, and imagine how sustainable and green cities can be.
It took 17 high schoolers, eight mentors from Kansas City and a 1967 Volkswagen Karmann Ghia to create the first ever social media powered car.
The concept was to bring MINDDRIVE to life with tweets, posts, shares and likes which were monitored by an Arduino device. This open-source, single-board microcontroller triggered the vehicle’s motor based on the number of tweets and posts about the project.
Non-profit organizations and a multitude of Guatemalan girls protested together demanding justice and security from the government. Guatemala's insecurity and cases of girls' disappearances have increased over the years. The protest started outside the Government Ministery (Ministerio de Gobernación) early in the morning, where protestors gathered riding their bikes.
Donald Trump has been accused of personally causing the deaths of 40,000 Americans through his “reckless” handling of the Covid-19 pandemic, in a new website launched on Wednesday under the provocative title Trump Death Clock.
Waterpod™ was a floating, sculptural, eco-habitat designed for the rising tides. It launched in the summer of 2009, navigate down the East River, explore the waters of New York Harbor, and docked at several Manhattan piers on the Hudson River before continuing onward. The Waterpod™ demonstrated future pathways for water -based innovations.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
The following description is taken from the website of Aljazeera America (find link below):
In early December, Ju Hyun-u, a student at South Korea’s elite Korea University, taped up two white sheets filled with his handwriting on a campus bulletin board. His message began with a question, “Are you doing all right?”.
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
Thousands of empty shoes replace marchers at cancelled climate protest in Paris
After French authorities cancelled two climate protests in the wake of the Paris attacks, thousands of would-be marchers kept empty shoes in their place.
The moving installation coincides with the COP21, a climate summit of 195 UN nations in the French capital.
The protest was called by Avaaz
French street artist Roti installed a 4-ton marble sculpture in Independence Square in Kiev Ukraine, as an expression of solidarity with government resistors and protestors. The sculpture depicts a woman's body emerging from water.
The elimination of Net Neutrality is a much bigger issue than most people would like to admit. This issue stems far from just an issue dealing with an open internet, free from biased control of the internet service providers, whom which we rely on.
During the public vacation of May Day, also called International Workers’ Day, “For People, Food is the First Necessity: Qiu Zhijie’s Writing in a Market” was launched at the crowded Sanyuanli market in Beijing.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.
Brandalism, an organization out of the UK that aims to reclaim public spaces from advertisers, used Black Friday to protest "partner" brands to the COP21 Climate Conference.
Anonymous artists contributed subvertisements that criticized these brand for their hypocrisy in saying they are advocates for the environment when more often than not they are the worst contributors to the problem.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.