Alex King describes Project Ukko in detail for Huck Magazine (March 17, 2016):
"Moritz Stefaner’s Project Ukko turns climate and wind data into an immersive art installation that allows viewers to explore the future of the planet."
The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
Chinese artist Ai Weiwei covered a Berlin landmark with thousands of refugee life jackets for his latest installation. The striking display was the activist's attempt to highlight the scale of migrants taking to the seas every day.
In 2005, Rebar, a design studio in San Francisco, transformed a single metered parking space into a temporary public park. The area where this two-hour park took place was one that lacked public open space. This was the first Park(ing) Day project.
Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Since 2020, university students across China have launched a grassroots initiative to combat menstrual stigma by placing “menstrual pad mutual aid boxes” in campus restrooms. These boxes, often accompanied by signs reading “Take one if you need it, donate if you can,” provide free sanitary pads to anyone caught off guard by their period—offering both practical relief and a symbolic challenge to the cultural silence surrounding menstruation.
The Monument Quilt is an on-going collection of stories of survivors of rape and abuse. By stitching our stories together, we are creating and demanding public space to heal. We are building a new culture where survivors are publicly supported rather than publicly shamed. From 2013-2016, more and more stories will be added to The Monument Quilt as participants make their own squares, host workshops, and organize local displays of the quilt.
This urban action was consisted from mapping of over 50 locations of illegal garbage disposing sights and signing of 16 places across Macedonia where people dispose large amounts of heavy garbage and constructive waste.
In the Si 8 Do project, Seville activists convened in a neglected barrio during the Euromediterranean Conference on Sustainable Cities, which was taking place in Seville.
Swedish lesbian, gay, bisexual and transgender (LGBT) rights advocates offered their colorful stance on Russia's controversial anti-gay legislation over the weekend.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power?
Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.
School desks placed by parents, district graduates and activists block a street in front of the Los Angeles Unified School District headquarters in a demonstration against student dropout rates Tuesday, April 8, 2014, in downtown Los Angeles. Protest organizers say the 375 desks are there to represent the 375 students who drop out of the district every week during the school year.
MONUMENT #1 is a series of sculptures by the Bulgarian artist and designer Erka, created in collaboration with Fine Acts. The work seeks to raise awareness about the lack of monuments honoring notable women in Sofia, the capital of Bulgaria - a EU member state.
The brightly-coloured busts were placed at some of the most central locations across Sofia during a covert early-morning action on Wednesday, March 22.
The artist has assembled a set of 300 installations around New York City, based around the concept of fences and borders, to showcase the ‘narrow-minded’ attempts used to ‘create some kind of hatred between people’
In Oakland, artists created murals and installations to honor activist Angela Davis, celebrating her legacy in fighting for racial and gender justice. These public artworks inspire new generations to continue the struggle for social change.
The Milk Truck is a combination of guerrilla theatre, activism and slapstick humour. When a woman finds herself in a situation where she is discouraged, harassed, or unwelcome to breastfeed her baby in public, she contacts The Milk Truck. The truck summons social media supporters and arrives to the location of the woman in need, providing her with a shelter for feeding her baby.
In the 1980s, Holzer and Lady Pink used New York as a backdrop for their artworks: Holzer wheatpasted posters and slogans on walls throughout Manhattan, and Lady Pink spray-painted graffiti on buildings and subway cars. The two also collaborated on a series of paintings on canvas, such as this work, for which Holzer composed phrases and Lady Pink did the painting.
A major exhibition by Ai Weiwei this autumn features a new series of monumental sculptural works in iron, cast from giant tree roots sourced in Brazil during research and production for last year’s survey exhibition, ‘Raiz’, at the Oscar Niemeyer-designed OCA Pavilion in Ibirapuera Park, São Paulo.
For Women’s History Month 2024, Hysterical Collective presented: Hysterical: Radical Creativity – the third instalment of the annual charity art exhibition and cultural programme taking place in March each year. Co-founded and curated by Eliza Hatch of Cheer Up Luv and Bee Illustrates, Hysterical is a queer and feminist-led exhibition and event showcase; centred around community, collaboration, and activism.
An A.I. generated video of Donald Trump sucking Elon Musk's toes was broadcast at the Department of Housing and Development headquarters in DC in February of 2025. As an actual art piece, we can debate if the video itself is art. However, the caption, subject matter of the fake video, and chosen location to broadcast is definitely a strategic work of creative activism.
From the New York Times:
Throughout the Lodi district of Milan, Italy, artist Biancoshock has transformed abandoned manholes into miniature subterranean rooms. Beneath the pavement, in vacant maintenance vaults, a cupid painting in a gaudy frame hangs in a tiny pink living room; a boxy kitchen is stocked with pots and pans; and a blue-tiled bathroom is complete with shower and towel.