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Gum Election Gum Election is a guerilla art project which started in New York City in October 2008. It encouraged people to vote during the presidential election in 2008 and also not to spit out their chewing gum carelessly on New York Cities already dirty streets. Now the Gum Election is back and New Yorkers are voting again “who’s sucking the most”.

When President Trump announced the US departure from the Paris Climate Accord on 1 June 2017, his enjoyment at walking over the efforts of national delegations and hundreds of pressure groups across the world who fought for that deal was palpable. I was in Paris in December 2015 during the negotiations, when the possibility of a global agreement was merely that, a fragile potential.

In 2012, Sandra Fluke stood up in front of Democratic members of the House Oversight and Government Reform Committee to advocate for the mandatory inclusion of birth control coverage in health insurance. Republicans on the committee refused to allow her to speak.

Since 2020, university students across China have launched a grassroots initiative to combat menstrual stigma by placing “menstrual pad mutual aid boxes” in campus restrooms. These boxes, often accompanied by signs reading “Take one if you need it, donate if you can,” provide free sanitary pads to anyone caught off guard by their period—offering both practical relief and a symbolic challenge to the cultural silence surrounding menstruation.

Artists Dionne Bonner, Kenya Adams, Gwen Jones, and Charles Taylor planned the creation of the Black Lives Matter mural in solidarity with the Black Lives Matter movement. Additional artists Breyahna Monet and Danielle Jordan joined the project in the second phase and helped complete the mural painting project.

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Utilizing excess construction cement that was being dumped into a creek near Beit Shemesh, Israel, Shai Zakai harnessed the unclaimed cement to create an art installation that brought awareness to the ongoing pollution. The project was entitled, 'Concrete Creek' aimed to bring the community closer to their environment. Zakai installed cement flags and set them among the river.

John Heartfield began to make photomontages as a member of the Berlin branch of international Dada around 1920. Schooled in graphic arts and having worked briefly in animated film, Heartfield (who had anglicized his given name, Helmut Herzfeld, in 1917 as a protest against wartime nationalism) subsequently developed a cinematic effect in montages that he made for book illustration.

Alejandro Ghersi, the Venezuelan-born artist behind Arca, is part of a relatively recent and growing diaspora, and at a time when the political situation back home is at a fever pitch, it feels difficult not to see the ways this album relates to the anguish of that experience.