Many girls in China may have seen the advertisements of egg donation as a surrogate, in hospitals, schools, public toilets, shared bikes, ATMs...... They are everywhere and the number of this kind of advertisements is large. Though there are lots of girls who have never seen such advertisements or would never believe in them, there would still be some girls who would dial the numbers on the advertisements.
What would it be like if we switched positions with whales in captivity?
Nothing like this – but at least prankster Rémi Gaillard had some fun trying to recreate the scenario.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
In 2007, Andrew Danziger had an architecture class assignment at the University of Texas at Austin to propose an urban intervention in Austin. The goal was to think about public art in unexpected ways. One classmate dreamed up a blank traffic sign; another suggested putting a bench at a bus stop that lacked one. Danziger hit on the idea of installing swings in surprising places, and then he went beyond the assignment by actually doing it.
"He's been running all his life, running for freedom, running for peace.It started when he ran away from home at the age of eight. Later he ran away from his homeland, Iran, and spent seven years on a bicycle, pedaling 49,700 miles across 55 countries. In 2002, he reached America. He now lives in a tent in Death Valley. It's been nearly 10 years since Reza Baluchi escaped from Iran.
A This flash mob was designed to deliver a message to raise awareness and deepen understanding about the immediacy of the climate change problem. By subverting the lyrics of the Rattlin’ Bog, we appealed through music to the hearts of participants.
The Irish song, the Rattlin’ Bog, is a well-loved traditional cumulative song, with a short chorus, and is easily learned. The word Rattlin’ means ‘splendid’.
Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
"The Last American Indian on Earth", a performance art piece by Gregg Deal,a member of the Pyramid Lake Paiute Tribe originally based in northwestern Nevada.The project documents what happens when an unsuspecting public is confronted with the flesh-and-blood version of a stereotype, one that for most is the only authentic expression of what it means to be an Indigenous person of the American continent.
Oakland-based artist-activists Melanie Cervantes and Jesus Barraza teamed up to form Dignidad Rebelde, a graphic arts collaboration working for social change. They believe that art can be an empowering reflection of
community struggles, dreams and visions, and following principles of
Xicanisma and Zapatismo, create work that translates people’s stories
When award-winning architect David Rockwell started spending time in playgrounds with his young children, he was disturbed by the lack of imagination and variation in the way kids interact with standardized playground equipment. He spent five years developing the Imagination Playground, seeking private-public partnerships to see it realized.
From a distance they look like supermarket promotion ads, but up close, the text says the reverse: it details the skyrocketing food prices.
This is the proposal of the action “Bolsocaro”, which spread posters (those known as lambe-lambes) by walls in different regions of the São Paulo capital accompanied by phrases such as “It’s very expensive”, “It’s in Bolsonaro’s account” and “This account it is not ours.
In the broad context of the modern world of art, the work of Beili Liu has always seemed extraordinary in visual terms and deeply profound in thematic development. Born in China and living in the United States, much of her work usually circles themes tightly interwoven with notions of identity, culture, and time.
A performance art piece by a student who sat in a cage to protest a draconian lockdown of the Beijing Film Academy (BFA) recently went viral, and was censored just as quickly. Like many other Chinese citizens, university students have been living under strict lockdowns, and are beginning to chafe at the restrictions—and at administrators’ lack of responsiveness to students’ concerns.
Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.
"In preparation for tomorrow's election, members of artist-activist project Luminous Intervention beamed ballot-question themed slogans onto a bridge over Route 83 during rush hour traffic this evening. Today's action followed on the heels of an equality-themed luminous alteration of The Natty Boh/Utz Girl proposal billboard in Station North on Friday.
A group of Syrian artists in Damascus has created the world's biggest mural made of recycled materials, a rare work aimed at brightening public space in a city sapped by war and sanctions.
The brightly coloured, 720-sq metre work was constructed from aluminum cans, broken mirrors, bicycle wheels and other scrap objects and displayed on a street outside a primary school in the centre of the Syrian capital.
It all started a few months ago, when the Minneapolis Institute of Art got a phone call from Valerie Castile.
Castile is the mother of Philando Castile, the 32-year-old black man who was shot and killed by a police officer in 2016. Valerie Castile has since founded the Philando Castile Relief Foundation, which helps victims of gun violence.
A site specific intervention аs part of the group exhibition Sculptural, organized and partly financed by the Museum of Contemporary Art, Skopje. The text INVEST IN FUTURISM is a quotation of a gaffe uttered by the Macedonian PM on public TV stating his plans to incorporate contemporary art in their right wing populist programme and the infamous project Skopje 2014.