In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
Petr Pavlensky, a Russian performance artist, sent a nail through his scrotum to the cobblestones of Red Square in Moscow (on a holiday in celebration of law enforcement). He was later charged with hooliganism.
Pavlensky, as quoted in the Guardian: "The performance can be seen as a metaphor for the apathy, political indifference and fatalism of contemporary Russian society."
After a spate of bullying-related suicides of LGBT youth, gay columnist Dan Savage and his partner Terry Miller decided to launch the It Gets Better project to see what they could do about it. They began with a simple YouTube video in which both of them described their experiences with bullying in high school, coming out, their families, and the story of their relationship and the adoption of their sun.
As the female gaze comes to the fore, artists are beginning to examine and explore the possibilities of what exists, what it is to be a woman looking at the world outside of her self. For American artist Dani Lessnau, the gaze opened the door into uncharted realms in search of the things that a camera can capture that the human eye might otherwise miss.
In Cape Town, South Africa the design firms Design Indaba Trust and Thinking have teamed up with artist Faith47 to help raise funds to bring more light to their urban city. Their goal is to raise funds to light up 700 meters of Manwabisi Park, which will ultimately reduce the crime rate in the area through more light. In order to get the community involved in the project, they have combined street art with community engagement.
Throughout the Lodi district of Milan, Italy, artist Biancoshock has transformed abandoned manholes into miniature subterranean rooms. Beneath the pavement, in vacant maintenance vaults, a cupid painting in a gaudy frame hangs in a tiny pink living room; a boxy kitchen is stocked with pots and pans; and a blue-tiled bathroom is complete with shower and towel.
Caleidoscópica Violeta, is a creative space for reflection, dialogue, critique, and praxis of pop contemporary feminism. It is also an initiative that seeks to reflect on the role of women in the history of modern art. Historically, the role of women in art has been stolen by the patriarchy. Recognizing this as a feminist artist, I propose this festival as a way to open new spaces for women protagonists in the arts.
Shu Yong is an artist who has been passionate about environmental protection in recent years. "The Earth Is Bleeding" was created in 1998. The creation was carried out in a studio of more than ten square meters.
Sheep stormed into Paris’ iconic Louvre museum on Friday (March 28) as farmers protested against reforms to the common agricultural policy (CAP).
A dozen sheep ran into the museum’s entrance underneath its famous glass pyramid, baffling tourists and aggravating museum staff.
In the series The History of Korean Women, Cho's suggests that the cost of that gain cannot be paid for by a cultural amnesia masking the pain and suffering of previous generations. Here the semantic emphasis is on the official - the status of women and their contribution to the survival and growth of Korea. Their efforts have gone uncelebrated due to their relegated status within a five hundred year old social system.
Thich Nhat Hanh reads his poem "For Warmth" in Vietnamese, Krista Tippett reads the translation in English, excerpted from the episode "Mindfulness, Suffering, and Engaged Buddhism."
(Taken from Group's Event Statement):
"The big banks have been playing monopoly with our money & our homes. On Saturday July 14th, as part of #J20 Bring the Fight Back to the Banks Week, let's return the favor..."
Reverend Billy and the Stop Shopping Choir is a New York City based radical performance community, with 50 performing members and a congregation in the thousands. We are wild anti-consumerist gospel shouters and Earth loving urban activists who have worked with communities on four continents defending community, life and imagination. Our Devils over the 15 years of our "church" have remained the same: Consumerism and Militarism.
I Shop Therefore I Am (1987) is the work of Barbara Kruger . It became an iconic artwork, being reproduced on items such as shopping bags and other consumer products such as t-shirts. Kruger has often derived images from the mass media and pasted the words over them, particularly in Futura Bold . She then uses advertising to design her works.
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
The Eye that Cries (El Ojo que Llora, in Spanish) is a memorial that was born as a private initiative designed to honor the thousands of victims as a result of terrorism in Peru, to strengthen the collective memory of all Peruvians and to promote peace and reconciliation in the country.
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
South Korean artist Do Ho Suh is internationally known for his ghostly, diaphanous architecture and fabric-made objects, which create imaginary spaces that are physically present yet impossible to inhabit. His large-scale, immersive, but impermanent installations serve as “acts of memorialization,” exploring themes of identity, home, and the tension between personal and public space.
As the New Museum’s 2023–24 Artist-in-Residence, Camilo Godoy will create a performance exploring movement, breathing, and mourning practices. The title of his residency is borrowed from an embroidered work made by the queer Paraguayan artist Feliciano Centurión in 1995, the year before he died of AIDS-related complications.