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2016
CaroTimm

Main Gallery

Climate-Noah's Ark
Practitioner:
Gad Weil
Date:
Sep 19 2015
On September 19,2015 in Paris, 140 animals sailed up the River Seine to bring awareness to climate change, ahead of the COP21 UN meeting in December. French artist Gad Weil created this pop art piece from fully recyclable acrylic sheets, and installed the animals on top of a barge in front of the Eiffel Tower.
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Las Vulpes: Me gusta ser una zorra (I like being a whore)
Practitioner:
Las Vulpes
Date:
Apr 16 1983
Las Vulpes was the first spanish punk rock band formed only by women. It was founded in Baracaldo (Vizcaya, Basque Country) in the summer of 1982, as a result of the guitarist´s desire on creating an all women punk band. After a few changes, the final formation consisted on: Loles Vázquez (guitar), Mamen Rodrigo (voice), Begoña Astigarraga (bass) and Lupe Vázquez (drums), all between 17 and 22 years of age.
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Faces of the Movement
Practitioner:
Faces of the Movement
Date:
Feb 12 2015
Faces of the Movement is a daily-release photo project that highlights the stories of everyday people who have joined together to fight for justice against police brutality in the United States.
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Bed Stuy Aquarium
Practitioner:
Brenda Starr, Jequan Irving
Date:
Aug 1 2024
The Bed-Stuy “aquarium” is back. The neighborhood’s beloved sidewalk fish pond was resurrected this week — in an act of defiance that comes just five days after the city cemented over the original and left the neighborhood’s goldfish to die.
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Imagined Realms
Practitioner:
Julie Dillong
Date:
Jun 29 2015
Julie Dillon is a critically acclaimed illustrator, having been nominated and won multiple awards, including two Hugos and a Chesley. Her work often deals with science fiction and fantasy stories, and her work in the field has made her aware of the lack of diversity in this optimistic speculative fiction.
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Fenced-In Nativity Scene
Practitioner:
Rev. Chris Moore
Date:
Dec 25 2018
The nativity scene at Fellowship Congregational Church in Tulsa, Okla., looks a little different this year: There is a chain-link fence surrounding Mary, Joseph and the baby Jesus. The display has been up since the beginning of December, but it drew news coverage this week after the church changed the message on its marquee to read, “The holy family was a migrant family,” and posted photos of the nativity on Facebook.
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Ice Watch
Practitioner:
Olafur Eliasson and Minik Rosing
Date:
Dec 14 2018
Does it vex you, the environmental impact of Olafur Eliasson’s Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal evidence, this seems a popular response.
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Street Art Projects
Practitioner:
Gary Palmer
Date:
Aug 2 2013
Street Art Projects brings talented visual artists to public events, community groups, and schools, to offer a window into the creative process. Our workshops and projects combine chalk art with story telling, encouraging a deeper understanding between different cultures through the creation of collaborative public artworks. The work is not just about public art, its about making a public places as a focal point for education.
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Asian and black communities square off over cop prosecution
Practitioner:
Chinese activists, Asian-American protesters
Date:
Feb 20 2016
Nearly 15,000 mostly Asian-American protesters rallied in Brooklyn Saturday for former NYPD Officer Peter Liang, claiming that the rookie cop was a “pawn” of anti-police politics and was wrongly prosecuted for a tragic accident.The crowd filled Cadman Plaza Park, with many carrying signs with slogans like, “One tragedy, two victims” and, “Scapegoating won’t bring peace.” Many placards bore Martin Luther King Jr.’s photo and quote, “Injustice anywhere is
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The Peoples Bank of Govanhill
Practitioner:
Ailie Rutherford, Katherine MacKinnon, Carmen Sawers
Date:
Sep 21 2019
The People’s Bank of Govanhill uses social and activist art practices to involve people in re-imagining the local economy, looking at how we can put feminist economics into practice in the local community.
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Paint, Poems and Protest Anthems: Myanmar’s Coup Inspires the Art of Defiance
Practitioner:
Artists of Myanmar
Date:
Jan 17 2021
Most nights since a coup returned Myanmar to military rule on Feb. 1, a spectral symbol of protest has glowed on a mildewed side of a building. Where the next illumination will appear in Yangon, the country’s biggest city, is a mystery. But, suddenly, a projected image appears in the dark. Three fingers raised in a rebellious pose. A dove of peace. The smiling face of Daw Aung San Suu Kyi, whose government was ousted in the army putsch.
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The Georgian artists at the forefront of anti-government protests
Practitioner:
Georgian Artists
Date:
Mar 1 2023
The Georgian government’s attempt in March to impose a repressive Russian-style “foreign agent” law has galvanised the cultural community in the country. Museum workers and artists have been at the forefront of dramatic protests during which police fired water cannons at crowds waving European Union flags, and say they plan to continue the battle despite the government backing down from the legislation.
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Farmer's Haat (Market)
Practitioner:
Shweta Bhattad
Date:
Mar 1 2015
Farmer's Haat
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iPod's Dirty Secrete
Practitioner:
The Neistat Brothers
Date:
Apr 24 2003
The Neistat Brothers first attracted public attention in 2003 with their blatantly critical work, iPod’s Dirty Secret. After being refused a replacement battery for an 18-month old iPod, [they] took to the streets of Manhattan on their bikes to sabotage iPod’s omnipresent advertising.
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Her/She Senses: Imag(in)ed Malady
Practitioner:
Angela Ellsworth and Tina Takemoto
Date:
Dec 1 1993
Tina Takemoto is an artist and associate professor of visual studies at California College of the Arts in San Francisco. Her work examines issues of race, queer identity, memory, and grief. Her current project explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated by the US government during World War II.
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There’s So Much I Want to Say to You
Practitioner:
Sharon Hayes
Date:
Jun 27 2012
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
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The Disasters of War
Practitioner:
Francisco Goya
Date:
May 12 1815
Francisco Goya created “The Disasters of War” from 1810-1820. These 80 etchings and aquatints show scenes from the Spanish struggle against the French army under Napolean Bonaparte, who invaded Spain in 1808. When Napolean tried to install his brother Joseph Bonaparte, as King of Spain, the Spanish fought back, eventually aided by the British and the Portugese.
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Tibetan Activists Project Messages of Hope while the Empire State Building is Lit in Chinese Colors
Practitioner:
Students for Free Tibet
Date:
Oct 1 2009
On the eve of the 60th anniversary of the communist takeover of China, Tibet activists projected messages of support for human rights and freedom from inside and outside of the Empire State Building, countering China’s public relations stunt to bathe the building in red and yellow light. “NY [Hearts] Human Rights” was projected from inside the ESB onto a nearby building.
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The Milk Truck
Practitioner:
Jill Miller
Date:
Sep 17 2011
The Milk Truck is a combination of guerrilla theatre, activism and slapstick humour. When a woman finds herself in a situation where she is discouraged, harassed, or unwelcome to breastfeed her baby in public, she contacts The Milk Truck. The truck summons social media supporters and arrives to the location of the woman in need, providing her with a shelter for feeding her baby.
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People as Meat
Practitioner:
PETA
Date:
Aug 3 2011
Naked members of the animal rights group PETA (People for the Ethical Treatment of Animals) impersonated cellophane-wrapped meat packages in a pro-vegan demonstration demonizing the way the meat industry treats animals in front of a Vancouver slaughterhouse.
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