From Black Power to Migrants’ Power
BY Robin Cembalest POSTED 01/22/13
As ’60s activist art enters museums, a new generation is creating an iconography of protest for today
Established in 2015 in the Tennōzu neighborhood of Tokyo, and attracting industry professionals and art enthusiasts from both Japan and abroad, PIGMENT TOKYO has emerged as an art supply store specializing in the materials and tools used in traditional Japanese painting, such as mineral pigments, washi paper, and brushes. However, it’s more than just a store.
On Tuesday, May 8, in the midst of final exam week, a group of female first-year students performed a public art action at UC Berkeley to call attention to the UC Regents’ privatization of what was once the premier public university in the country.(See photos below)
On Saturday, June 22, a group of friends will meet at one of the more than 4,000 natural gas wells that have been drilled by hydrofracking in Pennsylvania. Instead of picket signs, however, they'll be carrying a picnic basket. For an event they're calling "Picnic on the Gas," they'll strive to show that it is possible to live with creativity and even joy in gas drilling country.
On December 2014 I've been artist in residence at MANY MINI RESIDENCY a short-term residency program organized by Sarrita Hunn and Ryan Thayer and hosted by GYB BYG in Mexico City. During my 12 hour residency I’ve worked on the case of the 43 students from Normal Rural de Ayotzinapa who went missing while in the custody of Iguala’s police force in September 2014.
Established Cape Town based artist Brett Murray returns to Goodman Gallery Johannesburg with Hail to the Thief II. This body of satirical work continues his acerbic attacks on abuses of power, corruption and political dumbness seen in his 2010 Cape Town show Hail to the Thief.
Sara Hendren is an Enabler. Hendren's writing, research, and "knowledge-building" propels conversations of ability and disability in such a way that activates a creative dialogue as well as provides a scholarly basis for cultural critique.
Charged with participating in demonstrations against the Islamic Republic of Iran, Soudabeh Ardavan was held for eight years (1981-1989) in Iran’s notorious Evin Prison. She found sanity and solace through the forbidden activities of drawing and painting, secretly producing paint from flower petals and tea, using brushes made from toothpicks and human hair.
Located within Boston’s historic (brick) core, and using the history of Boston as example, this kinetic, site-specific, public art installation is a humorous commentary on our use and trust of the internet for learning.
Four prominent Australian artists – Aretha Brown, Claire Martin, Kaff-eine and Jane Gillings – will gather in Canberra this Sunday, to discuss their art, activism and ideas, marking the closing weekend of Kambri’s HERE I AM festival.
The Art Activism by Great Women Conference is a day-long event, involving artist talks, Q&A sessions, panel discussions, afternoon tea, wine tasting and networking.
Earlier this year Chinese dissident artist Ai Weiwei recorded a gangnam style video, dancing handcuffed, sending a message to the Chinese authorities who responded by banning the video as soon as it came online. British-Indian artist Anish Kapoor
For the past 20 years, Great Bend school district art teachers have been letting their students collaborate on an art project at the Barton County Historical Society Museum. This year, they will ground their efforts in working together to make a mural. Their teachers are trying to instill the fact that art builds community, as it has here for the past two decades.
In a gallery in Hong Kong’s Chai Wan district last week, during the city’s third annual installment of the international Art Basel fair, the Beijing-based artist Huang Rui introduced a new live work called “Red Black White Grey.” At the start of the performance, four affectless women walked onstage wearing trench coats, then disrobed one by one as Huang, who is sixty-three, slathered their bodies with black and then white paint.
February 29, 2012
The Kansas City Star
By Jessica Blakeborough
The chickens have been granted a stay of execution.
City codes prevent Amber Hansen, a Lawrence artist, from displaying and then butchering chickens for an art project, a city official says.
And that has animal activists rejoicing.
Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.
The first solo exhibition in a New York museum by the globally renowned contemporary artist El Anatsui, this show will feature over 30 works in metal and wood that transform appropriated objects into site-specific sculptures.
Twelve sheep and a sheepdog walk into the Louvre.
If it sounds like the beginning of a joke, it’s not. In Paris Friday, French farmers protesting European Union agricultural policy herded a flock of sheep down the steps of the Louvre’s famous glass pyramid entrance and then into the museum itself. The protesters were from the Peasants’ Confederation and were fighting against subsidy cuts the EU is proposing that could hurt small farms.
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
The aim is to create an on line community that seeks to find new ways to articulate what it means to be an international women in relation to art and sexuality.
International visual artists who are making cutting edge fine art, with an erotic edge, please upload your work onto the web site for free. (see link) Also a competition has been launched, giving you a chance to win £300.
On 27th January 2013, the participatory project titled 175 hectares has run through the streets of the city of Trento (Italy). All the community has traced a line of white chalk that measures 6.3 km and the area included was 175 hectares: the exact surface area of the extermination camp of Birkenau (Auschwitz II, Poland).
“Teilchenbeschleuniger” ist ein investigatives Kunstprojekt des Künstlerduos 431art, welches Atomenergie kritisch reflektiert. Der “Teilchenbeschleuniger” verteilt Teilchen namens “Jülicher Törtchen”, “Brokdorfer Mürbchen” oder “Muffins Fukushima” an die Bevölkerung.
The Resistance Arts Trust Political Action Committee is a Super PAC with the mission of challenging great Artists to create public works of political art meant to inform communities, start conversations and drive media coverage on progressive issues, and empowering artists and the arts to a greater role in American political discourse.
"The mandate for great and difficult achievement is manifest in the message coming from the science of sustainability and climate change. Yet information alone will not take us where we need to go; science needs the arts to compel a response. It is the synergy of these two great human enterprises that creates both intellectual and emotional clarity.
Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.