Afrika ARTS Kollective is a group of artists that decided to face Uganda's demographic growth and the garbage problem of the capital, Kamala, with art. 30,000 tons of residues come out of this monthly and the Administration is being working on healthy and good environmental behaviors among citizens.
Have you ever wanted to see current or potential innovations for poverty or the environment without having to do a lot of researching or reading? Have you ever thought of an idea and wanted to tell the world about it and get feedback? Howitcouldbedifferent.org was founded for these purposes - to enable people to easily see, share, and suggest ideas in different categories.
In the country formerly known as Burma, these free thinkers are a force in the struggle for democracy.
By Joshua Hammer
Photographs by Adam Dean
Smithsonian Magazine, March 2011
The Women Are Heroes project has various steps in Africa, in Kenya, Sierra Leone, Liberia and Sudan.
In January 2009, 2000 square meters of rooftops are covered with photos of the eyes and faces of the women of Kibera, in Kenya. Most of the women have their own photos on their own rooftop and for the first time the material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season.
Most cheLA activities are organized around a series of workshops, which may act in combination, are designed as areas of aesthetic, technological and theoretical concentration, and structured to promote their development. Its core activities are research and experimentation residences. As participants in the Parque Patricios neighborhood life, within the Federal Capital, are evident human needs.
The performance, “Lambrakis LivZ”, concerns the re-enactment of the political speech of Grigoris Lambrakis given in Athens in 1962. Grigoris Lambrakis was a peace-activist, assassinated by a paramilitary plot on June 1963 at Thessaloniki, Greece.
The Uganda National Contemporary Ballet (UNCB) presented a new powerful and moving production advocating for the child soldiers all over the world at the National Theatre in Kampala.
Contra-Tiempo’s first Miami dance performance will bring Ana Maria Alvarez back to her roots. Her father’s family settled in Miami after leaving Cuba in the early ’60s. Most of them, including his four siblings and their spouses and children, still live here, and Alvarez expects much of the clan to attend her show.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
Established Cape Town based artist Brett Murray returns to Goodman Gallery Johannesburg with Hail to the Thief II. This body of satirical work continues his acerbic attacks on abuses of power, corruption and political dumbness seen in his 2010 Cape Town show Hail to the Thief.
El albañil anarquista Lucio Urtubia falsificó miles de cheques del First National City Bank, en la segunda mitad de los años setenta, hasta prácticamente llevar el banco a la ruina. Urtubia donó el dinero así generado a diversos movimientos de guerrilla europeos y latinoamericanos.
"I wish for you to stand up for what you care about by participating in a global art project, and together we'll turn the world...INSIDE OUT."
– JR, TED2011
Twelve sheep and a sheepdog walk into the Louvre.
If it sounds like the beginning of a joke, it’s not. In Paris Friday, French farmers protesting European Union agricultural policy herded a flock of sheep down the steps of the Louvre’s famous glass pyramid entrance and then into the museum itself. The protesters were from the Peasants’ Confederation and were fighting against subsidy cuts the EU is proposing that could hurt small farms.
The humorously critical project offered people an opportunity to compare themselves to the supermodel silhouette: face to face in the imaginary impression of a mirror, or at real physical scale.
The idea was born out of a serious concern with the publicized woman's body - our social obsession with thin ideals - that falls nowhere close to average or, for the majority of the population, healthy.