With World Comics India, the organization he started, Sharad has pioneered a cheap and easy medium for poor people to communicate meaningfully on issues that are neglected by the conventional media. While the urban elite dominates public media, the grinding day-to-day concerns of millions are rarely heard. Layers of discrimination and abuse heaped on huge numbers of people keep their problems out of sight and out of mind.
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
Green Map UAE is a place to pin, share, and quite literally, map out locations or events that are unique ecologically, culturally and considered civic resources near home or while traveling within the UAE. This portal, apart of a larger mapmaking community across more than 63 countries, uses the same tools and mapping widgets as the major Green Maps projects in the United States and Europe.
The humorously critical project offered people an opportunity to compare themselves to the supermodel silhouette: face to face in the imaginary impression of a mirror, or at real physical scale.
The idea was born out of a serious concern with the publicized woman's body - our social obsession with thin ideals - that falls nowhere close to average or, for the majority of the population, healthy.
"On 17 December 1976, 18-year-old Eduardo Raúl Germano was abducted in Rosario, Argentina. Following the commemoration of the 30th anniversary of the 1976 coup d’état, Gustavo Germano, Eduardo’s brother, began working on the photography exhibition "Ausencias" (Absences). Born in 1964 in the Argentinean Province of Entre Río, Gustavo Germano started taking photographs of the journeys he made across Latin America in 1987.
On December 2014 I've been artist in residence at MANY MINI RESIDENCY a short-term residency program organized by Sarrita Hunn and Ryan Thayer and hosted by GYB BYG in Mexico City. During my 12 hour residency I’ve worked on the case of the 43 students from Normal Rural de Ayotzinapa who went missing while in the custody of Iguala’s police force in September 2014.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
ParaSITE: Custom built inflatable shelters designed for homeless people that attach to the exterior outtake vents of a building’s Heating, Ventilation, and Air Conditioning (HVAC) system. The warm air leaving the building simultaneously inflates and heats the double membrane structure.
Twelve sheep and a sheepdog walk into the Louvre.
If it sounds like the beginning of a joke, it’s not. In Paris Friday, French farmers protesting European Union agricultural policy herded a flock of sheep down the steps of the Louvre’s famous glass pyramid entrance and then into the museum itself. The protesters were from the Peasants’ Confederation and were fighting against subsidy cuts the EU is proposing that could hurt small farms.
Project Catalyst specializes in designing culturally rich entertainment experiences that re-imagine the empowering possibilities of cinema and media from a multicultural perspective. Project Catalyst exemplifies the efficacy and essential value of art and cinema at the intersections of social justice and the modern technologies of everyday life.
Sara Hendren is an Enabler. Hendren's writing, research, and "knowledge-building" propels conversations of ability and disability in such a way that activates a creative dialogue as well as provides a scholarly basis for cultural critique.
Last night, over 40 protesters staged an intervention inside the Guggenheim Museum in Manhattan during Saturday night’s pay-what-you-wish admission hours.
Four prominent Australian artists – Aretha Brown, Claire Martin, Kaff-eine and Jane Gillings – will gather in Canberra this Sunday, to discuss their art, activism and ideas, marking the closing weekend of Kambri’s HERE I AM festival.
The Art Activism by Great Women Conference is a day-long event, involving artist talks, Q&A sessions, panel discussions, afternoon tea, wine tasting and networking.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
A video collaboration betweenHayley Silverman and Emily Shinada. Using clips from a Japanese pornography film, the video highlights fears of interpersonal connection and explores the objectification of women. It was on view at Alogon Gallery for theWomen Get Fucked exhibition.
In this space, Teaching Artist contributors from around the U.S. and the world bring you stories of their work at the crossroads of art and learning. The stories that our bloggers bring to ALT/space are born inside the practice of teaching and art making in all artistic and expressive mediums: visual arts, dance, traditional arts, outsider art, music, theater, storytelling, writing and…?
“Even if you are a minority of one, the truth is the truth.” Mahatma Gandhi
#FUEELESTADO is a project about the lack of social justice and the gross human rights violations in Mexico. It examines the conflict between state power and personal autonomy and responsibility, a conflict that, in Mexico, involves missing persons and unidentified bodies and that can’t be silenced anymore.
For the past 20 years, Great Bend school district art teachers have been letting their students collaborate on an art project at the Barton County Historical Society Museum. This year, they will ground their efforts in working together to make a mural. Their teachers are trying to instill the fact that art builds community, as it has here for the past two decades.
Hello and thanks for viewing.
This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
A beauty contest for landmine victims challenges normal concepts of beauty. The search for beauty takes many forms. The traditional beauty pageant might be thought to be one of the less acceptable, concentrating as it does on conventional ideas of female perfection. Miss Landmine is a challenge to normal concepts of beauty. It is a beauty pageant held in Angola, a country ravaged by war and its aftermath, for women who have lost limbs from landmines.
Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.
What happens to explicitly political art when it’s placed inside of the White Cube? Paint the Protest, a group show curated by Nancy Spector at Off Paradise self-consciously poses this question, and further aims to reveal the place and purpose of activist art in general.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
El albañil anarquista Lucio Urtubia falsificó miles de cheques del First National City Bank, en la segunda mitad de los años setenta, hasta prácticamente llevar el banco a la ruina. Urtubia donó el dinero así generado a diversos movimientos de guerrilla europeos y latinoamericanos.