Featuring photographs that represent a unique collaboration between men held in supermax prisons and the photographers who fulfilled their requests.
Curated by Laurie Jo Reynolds, Tamms Year Ten, Jeanine Oleson, Parsons The New School for Design, and Jean Casella, Solitary Watch.
Charged with participating in demonstrations against the Islamic Republic of Iran, Soudabeh Ardavan was held for eight years (1981-1989) in Iran’s notorious Evin Prison. She found sanity and solace through the forbidden activities of drawing and painting, secretly producing paint from flower petals and tea, using brushes made from toothpicks and human hair.
The Bed-Stuy “aquarium” is back.
The neighborhood’s beloved sidewalk fish pond was resurrected this week — in an act of defiance that comes just five days after the city cemented over the original and left the neighborhood’s goldfish to die.
Immersing in the art is what they are known for. As they slowly reopen, so is their annual public art and performance festival. Their mission statement says:“AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.” The title of NORMAL is to push the boundary of what is.
The Resistance Arts Trust Political Action Committee is a Super PAC with the mission of challenging great Artists to create public works of political art meant to inform communities, start conversations and drive media coverage on progressive issues, and empowering artists and the arts to a greater role in American political discourse.
Artist Michael Landy catalogued, inventoried, and systemically destroyed all of his possessions for the 2001 public installation Break Down, commissioned by British arts organization Artangel. It took him three years just to itemize the 7,227 objects included in the project.
The Women Are Heroes project has various steps in Africa, in Kenya, Sierra Leone, Liberia and Sudan.
In January 2009, 2000 square meters of rooftops are covered with photos of the eyes and faces of the women of Kibera, in Kenya. Most of the women have their own photos on their own rooftop and for the first time the material used is water resistant so that the photo itself will protect the fragile houses in the heavy rain season.
A video collaboration betweenHayley Silverman and Emily Shinada. Using clips from a Japanese pornography film, the video highlights fears of interpersonal connection and explores the objectification of women. It was on view at Alogon Gallery for theWomen Get Fucked exhibition.
The Uganda National Contemporary Ballet (UNCB) presented a new powerful and moving production advocating for the child soldiers all over the world at the National Theatre in Kampala.
Cut and Paint is a website with free access to a wide variety of visual designs that can be printed out, cut, and used as graffiti stencils anywhere. Access to a variety of resolutions of each design is free for all, and there is a standing invitation for artist-activists to contribute their own designs for others to use.
Wallhunter's Slumlord Project is an innovative project in Baltimore, Maryland that will use street art to expose and publicize vacant and dilapidated housing and the responsible parties for those conditions. The project will use different street art forms to display art that will attract community interest and support community identity.
Contra-Tiempo’s first Miami dance performance will bring Ana Maria Alvarez back to her roots. Her father’s family settled in Miami after leaving Cuba in the early ’60s. Most of them, including his four siblings and their spouses and children, still live here, and Alvarez expects much of the clan to attend her show.
The slogan of 2015 is "Art changes Perceptions, Perceptions change people, People change the world". The organization has created an online community where anyone can post digital images of poverty existing in the Arab world. The action was created in response to the 2000 United Nations Millennium Summit declaration to eradicate extreme poverty throughout the world by 2015.
ArtistsActivists is a youth empowerment and advocacy organization started in 2011 by graduate students at Yale University. Through the various ArtistsActivists programs, artists and designers share their skills with young people around the world. Since more people are joining our team bringing with them certain skills and project ideas, the Artists Activists mission is constantly evolving.
El albañil anarquista Lucio Urtubia falsificó miles de cheques del First National City Bank, en la segunda mitad de los años setenta, hasta prácticamente llevar el banco a la ruina. Urtubia donó el dinero así generado a diversos movimientos de guerrilla europeos y latinoamericanos.
The humorously critical project offered people an opportunity to compare themselves to the supermodel silhouette: face to face in the imaginary impression of a mirror, or at real physical scale.
The idea was born out of a serious concern with the publicized woman's body - our social obsession with thin ideals - that falls nowhere close to average or, for the majority of the population, healthy.
Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.
On December 2014 I've been artist in residence at MANY MINI RESIDENCY a short-term residency program organized by Sarrita Hunn and Ryan Thayer and hosted by GYB BYG in Mexico City. During my 12 hour residency I’ve worked on the case of the 43 students from Normal Rural de Ayotzinapa who went missing while in the custody of Iguala’s police force in September 2014.
Kwentong Bayan: Labour of Love is a community based comic book project, created by Toronto-based artists Althea Balmes (Illustrator) and Jo SiMalaya Alcampo (Writer) in close collaboration with caregivers and supporters, about the real life stories of Filipina migrant workers in the Live-in Caregiver Program.
From Black Power to Migrants’ Power
BY Robin Cembalest POSTED 01/22/13
As ’60s activist art enters museums, a new generation is creating an iconography of protest for today
On Tuesday, May 8, in the midst of final exam week, a group of female first-year students performed a public art action at UC Berkeley to call attention to the UC Regents’ privatization of what was once the premier public university in the country.(See photos below)
"A new photographic work created by Ayyam Gallery artist Tammam Azzam has captured the imaginations of the world, going viral and being shared across social media as a symbol of the power of love and human spirit in times of war. The Syrian artist has superimposed Gustav Klimt’s iconic work, The Kiss (1907 – 1908), over the walls of a war-torn building in his native country in a powerful juxtaposition of beauty and devastation.
On Tuesday evening, at the end of an action staged by Occupy Museums at the Metropolitan Museum of Art to protest the unveiling of the David H. Koch Plaza, three members of The Illuminator were arrested. Earlier in the evening, police had moved protestors to a cordoned area on the opposite side of the street from the museum; a substantial police presence remained throughout the evening, but no other arrests took place.
Decolonize Me features six contemporary Aboriginal artists whose works challenge, interrogate and reveal Canada’s long history of colonization in daring and innovative ways.