Rooted in Native American and indigenous practices,[11] restorative justice is a set of principles and practices that aims to help communities heal from conflict and harm by developing a common understanding of the root causes and effects.[12] Restorative justice can occur in a variety of different contexts: in the workplace, at schools and within, or instead of, the criminal justice system.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
Play Smart a series of yearly events where photographers and designers are gathered and designed cards to trade. It has lasted from 2010 to this year. Play Smart 2010 is the first in the series. In 2010, Play Smart featured photographers Aaron Cobbett, inkedKenny, Greg Mitchell and Slava Mogutin and was designed by John Chaich.
Spread over three institutions — the Bronx Museum of the Arts; El Museo del Barrio in East Harlem; and Loisaida Inc., a cultural center in the East Village — this show departs from straight political history by presenting the Young Lords as a cultural phenomenon as well as an ideological one, with a highly developed instinct for visual self-projection, right down to having an official party photographer, the gifted Hiram Maristany.
(NEWS 8) — A day after pulling double-duty as both the host and musical guest on "Saturday Night Live," actor-writer-comedian-musician Donald Glover was garnering attention on Sunday for another reason.
Social media blew up this weekend with reactions to Glover's new music video for "This is America," released under the name of his musical alter ego, Childish Gambino.
Marina Abramović is the synonym for performance art. Throughout their career, she has constantly pushed her way through endurance art and further pushed the boundaries of the artist's role in the audience. One of the most compelling and exciting works is "The Artist Is Present," which she presented at the Museum of Modern Art in New York.
Anthony Papa was arrested for a drug crime and with no prior offenses was sentenced to 15 years to life in prison for violating New York's harsh drug laws. While in prison, Papa began to document his inner struggles via painting and ultimately earned a pardon from New York governor and has gone on to actively fight the drug war in his years since release.
Featuring photographs that represent a unique collaboration between men held in supermax prisons and the photographers who fulfilled their requests.
Curated by Laurie Jo Reynolds, Tamms Year Ten, Jeanine Oleson, Parsons The New School for Design, and Jean Casella, Solitary Watch.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."
Project IMPACT is an 8-week leadership-through-storytelling workshop for teen survivors of commercial sexual exploitation. The goal of Project IMPACT is to introduce survivors to the idea that sharing their stories is a powerful advocacy tool that can impact the legislative process and work to combat sex trafficking and commercial sexual exploitation.
The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.
Climate activists took to the iconic “Charging Bull” sculpture in Manhattan’s Financial District on Earth Day today, April 22, to call out Wall Street’s “bullshit” in the face of a worsening environmental crisis — quite literally, by installing a display of fabric feces descending onto a rendering of planet Earth at the rear end of the 11-foot-tall bronze bull.
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.
Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work. At the heart of her approach is her ongoing exploration of the boundaries of painting and drawing, as in Up to and Including Her Limits.
The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
The US artist Nan Goldin has staged her first public protest since she launched her activist group PAIN (Prescription Addiction Intervention Now), shaming members of the Sackler family who have profited from the sale of Oxycontin and institutions that have accepted their philanthropy.
It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed the results of an iPad-based artwork that was meant to record real-time visitor responses.
In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th's Cafe Society in New York City to sing her final song of the night. Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face.
This afternoon, in the Sackler Wing of the Metropolitan Museum of Art in New York, a mother and daughter threw coins into its reflecting pool while a couple posed for engagement photos in front of the Temple of Dendur, the man in red pants and a gray blazer, the woman in a black jumpsuit. A long line snaked out of the temple. It was tranquil, most people speaking in a whisper. That grand space has such an effect on people.
Brooklyn deli re-brands as artisanal emporium to protest rent hike
The owners of an imperiled Boerum Hill deli have staged an “artisanal takeover” of their 25-year-old corner store, re-branding products with yuppified names and jacking up prices to illustrate the kind of shop that could afford the 250-percent rent hike they say the store’s landlord is demanding.
"The Surveillance Camera Players (SCP) is a small, informal group of people who are unconditionally opposed to the installation and use of video surveillance cameras in public places.
Holzer's Truisms have become part of the public domain, displayed in storefronts, on outdoor walls and billboards, and in digital displays in museums, galleries, and other public places, such as Times Square in New York. Multitudes of people have seen them, read them, laughed at them, and been provoked by them. That is precisely the artist's goal.