At 12:00 noon (New York time) on November 19, 2016, Chinese artist Ning Kong, wearing a wedding dress with hundred dove, appeared at the 911 site in New York. Even though the theme of performance art is calling for peace, the police banned it and showed the handcuffs because doing performance art was not allowed at the 9/11 site. So Kong Ning turned to Times Square, New York, successfully completing her performance art.
This year marks the 50th anniversary of one of this country’s most beloved theater companies. Founded in New York City in 1963, the Bread and Puppet Theater’s first productions ranged from puppet shows for children to pieces opposing poor housing conditions. The group’s processions, involving monstrous puppets, some about 20 feet high, became a fixture of protests against the Vietnam War. "We don’t have playwrights in the theater.
"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows:
Heroin sold in the northeast, specifically in New York, Pennsylvania, and New Jersey tends to come in little glassine baggies. The art comes from the individual and unique "stamp" on said baggie sold to a user.
In the 2012 presidential election, did you know that one of the underdog anti-party runners was Gumby?!
In the attached video, you will hear Gumby offer transportation alternatives (Pokey and friends), challenges of not believing in vice presidents, and the importance of people and clay-people working together.
Two reflective stickers in a bathroom stall. When you sit down you can see your face in the bottom one. When you stand you can see your face in the top one, your groin in the bottom one. The top one says "Public", the bottom one says "Private". Or maybe the top one says "Private", and the bottom one says "Public". Which one is correct?
Featuring photographs that represent a unique collaboration between men held in supermax prisons and the photographers who fulfilled their requests.
Curated by Laurie Jo Reynolds, Tamms Year Ten, Jeanine Oleson, Parsons The New School for Design, and Jean Casella, Solitary Watch.
The Bruce High Quality Foundation University (BHQFU) is an unaccredited, free collaborative school founded by the eponymous artist collective and presented by Creative Time.
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
Thrive Collective mobilizes students, parents, artists, and community stakeholders to partner with public schools for transformational change. They function both as a matchmaker and direct service provider of arts and mentoring programs that cultivate the character and competencies necessary for students to thrive in today’s world.
Anti-opioid activists unfurled banners and scattered pill bottles on Saturday inside the Sackler Wing of the Metropolitan Museum of Art in New York, which is named for a family connected to the powerful painkilling drug OxyContin.
The protest, which was organized by a group started by the celebrated photographer Nan Goldin, started just after 4 p.m., when several dozen people converged at the Temple of Dendur inside the wing.
Marking the six month anniversary of September 11th, a poster designed by artist Hans Haacke appeared on scaffolding and media walls throughout New York City. The poster itself was blank and white, consisting only of die-cut silhouettes of the World Trade Center towers. The posters effectively reminded the pubic that September 11th created a ubiquitous filter through which everyday realities have become measured or seen.
The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed the results of an iPad-based artwork that was meant to record real-time visitor responses.
Spread over three institutions — the Bronx Museum of the Arts; El Museo del Barrio in East Harlem; and Loisaida Inc., a cultural center in the East Village — this show departs from straight political history by presenting the Young Lords as a cultural phenomenon as well as an ideological one, with a highly developed instinct for visual self-projection, right down to having an official party photographer, the gifted Hiram Maristany.
Stream of Conscience is a site-specific, literary sculpture made out of torn pieces of cover-weight paper upon which people of all ages write their thoughts, feelings, and reflections about water. Prior to writing, participants engage in a dialogue about local water issues within a global context. The conversation is further distilled to include our personal relationship to water. Thousands of people have participated in this traveling exhibition.
DISAPPEARED IN AMERICA is an ongoing project by Visible Collective/Naeem Mohaiemen that uses films, installations, and lectures to trace migration impulses, hyphenated identities, and the post-9/11 security panic. Excerpts of the project have been shown at various venues, including the 2006 Whitney Biennial.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
Project IMPACT is an 8-week leadership-through-storytelling workshop for teen survivors of commercial sexual exploitation. The goal of Project IMPACT is to introduce survivors to the idea that sharing their stories is a powerful advocacy tool that can impact the legislative process and work to combat sex trafficking and commercial sexual exploitation.
In 1932, Rivera was commissioned by Abby Aldrich Rockefeller and her husband John D. Rockefeller Jr. to paint a mural for the lobby of Rockefeller Center. Rivera kept the original, approved plan for the two outer sides of the mural but changed the inner panel to include a critique capitalism. This inner panel ultimately included: Lenin, prostitutes, and the upper class drinking alcohol and covered in signs of venereal disease.
The US artist Nan Goldin has staged her first public protest since she launched her activist group PAIN (Prescription Addiction Intervention Now), shaming members of the Sackler family who have profited from the sale of Oxycontin and institutions that have accepted their philanthropy.
The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.