Jessica Williams talks about women's experiences with street harassment in New York with a satirical approach on how to avoid this unwanted attention.
http://www.cc.com/video-clips/5ndnit/the-daily-show-with-jon-stewart-jes...
Decades of institutional corruption, elitist exploitation, and social abuses have been sewn into the political fabric of Iran’s dictatorial Islamic republic and have moulded Kermanshah-born fine art painter Nicky Nodoumi’s satirical motifs.
Two reflective stickers in a bathroom stall. When you sit down you can see your face in the bottom one. When you stand you can see your face in the top one, your groin in the bottom one. The top one says "Public", the bottom one says "Private". Or maybe the top one says "Private", and the bottom one says "Public". Which one is correct?
An intervention created by the April 25 2015 Queer Crisis Collective organized by the Helix Queer Performance Network (HQPN), and part of an ongoing queer resistance project mentored by Avram Finkelstein. Over a period of 2 weekends, 8 artists met at the Hemispheric Institute of Performance & Politics to design a creative intervention during Pride month in NYC.
Since Christmas Eve, some lights along the streets and in the houses of Bushwick have spelled out a number of messages quite different from the festive wishes one usually finds during the holiday season. “GENTRIFICATION IS THE NEW COLONIALISM,” “NOT 4 SALE,” and “NO EVICTION ZONE,” some read.
In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th's Cafe Society in New York City to sing her final song of the night. Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face.
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
The Survivaball made its first appearance in 2006, when "Halliburton representatives" attended a conference on catastrophic climate change and demonstrated the functionality of the large inflatable suits ("a gated community for one"), which keep corporate managers safe from global warming. Not long afterward, in Berlin, the Yes Men learned they also work as disruptive, arrest-resistant tools.