Since Christmas Eve, some lights along the streets and in the houses of Bushwick have spelled out a number of messages quite different from the festive wishes one usually finds during the holiday season. “GENTRIFICATION IS THE NEW COLONIALISM,” “NOT 4 SALE,” and “NO EVICTION ZONE,” some read.
Heroin sold in the northeast, specifically in New York, Pennsylvania, and New Jersey tends to come in little glassine baggies. The art comes from the individual and unique "stamp" on said baggie sold to a user.
It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.
The Guerilla Girls are masked art activists who seek to bring attention to women in the art world and expose the unfair dominance of white males in the field. Their research into the racial and gender inequality in the art world is exposed through ironically worded public posters and billboards.
Gum Election
Gum Election is a guerilla art project which started in New York City in October 2008. It encouraged people to vote during the presidential election in 2008 and also not to spit out their chewing gum carelessly on New York Cities already dirty streets. Now the Gum Election is back and New Yorkers are voting again “who’s sucking the most”.
The idea was born in an instant.
A curator attending an opening at the Baltimore Museum of Art was immediately captivated by a painting from an artist she had barely heard of, Mary Lovelace O’Neal.
Digital art platform Kinfolk has launched its New York City-wide participatory exhibition Signature Series, the initiative’s largest public endeavour to date. The project places newly created augmented reality (AR) monuments by four New York artists—Pamela Council, Derrick Adams, Tourmaline and Hank Willis Thomas—into designated public spaces across the city.
"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows:
The Trials of Spring is a major documentary event that chronicles the stories of nine women who played central roles in the Arab Spring uprisings and their aftermaths in Egypt, Tunisia, Libya, Syria, Bahrain and Yemen. It includes a feature-length documentary, six short films, articles by award-winning journalists, and a robust social media conversation about women and their unwavering quest for social justice and freedom.
In March 1939, a 23-year-old Billie Holiday walked up to the mic at West 4th's Cafe Society in New York City to sing her final song of the night. Per her request, the waiters stopped serving and the room went completely black, save for a spotlight on her face.
The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed the results of an iPad-based artwork that was meant to record real-time visitor responses.
“ARTICULO 6: narratives of gender, strength and politics” is an activist design project that aims to raise awareness about the case of forced sterilizations implemented during the government of Alberto Fujimori in Peru.
WITH HER 2003 PROJECT UNTITLED, Andrea Fraser throws us an archetype of sexual and cultural identity. More than in her other performances, Fraser here works without the protection of a research-based script, a surrogate actor, or the remove that often characterizes analytical thinking. The central action in Untitled has Fraser and a male client of her US gallery meet for a session of sex and video recording in a New York hotel room.
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.
Students at the NYC iSchool, a high school in Manhattan, worked for 9 weeks to create works of activist art with art teacher Gretel Smith. We were lucky enough to have Stephen Duncomb and Steve Lambert from the Center for Artistic Activism come to our class to teach a lesson inspiring students to think like activists; they came back later to critique students’ works-in-progress.
In September 1971, after years of mistreatment and months of simmering tensions, more than 1,200 of the 2,200 inmates at the Attica Correctional Facility in upstate New York took control of the prison in protest of its substandard conditions and openly racist corrections officers.
Play Smart a series of yearly events where photographers and designers are gathered and designed cards to trade. It has lasted from 2010 to this year. Play Smart 2010 is the first in the series. In 2010, Play Smart featured photographers Aaron Cobbett, inkedKenny, Greg Mitchell and Slava Mogutin and was designed by John Chaich.
Holzer's Truisms have become part of the public domain, displayed in storefronts, on outdoor walls and billboards, and in digital displays in museums, galleries, and other public places, such as Times Square in New York. Multitudes of people have seen them, read them, laughed at them, and been provoked by them. That is precisely the artist's goal.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
Four days before the U.S. presidential election, three Ukrainian activists gathered at a stranded fence in New York City’s East Village to hang an expansive information poster. “19546+ Ukrainian Children Abducted by Russia,” reads its headline in bold. From a black canvas, white letters jump out at the passersby, a haunting reminder of the toll the Russian invasion continues to inflict on Ukrainian families.
#makeamericagreatagain is a group exhibition of diverse media that ran during February and coincided with the initial Democratic and Republican primaries. The exhibition’s title is culled verbatim from Donald Trump’s campaign slogan.
Art in Odd Places (AiOP) presents visual and performance art in unexpected public spaces. AiOP also produces an annual festival along 14th Street in Manhattan, NYC from Avenue C to the Hudson River each October.
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."