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2016
CaroTimm

Main Gallery

Drawing with gunpowder ink: Interview with Carlos Latuff
Practitioner:
Ana Barata (interviewer), Carlos Latuff (interviewed activist artist)
Date:
Oct 10 2012
In the context of the PhD research “Consciousness-raising: Activism in Digital Art” (by Ana Barata, Faculdade de Ciências Sociais e Humanas da UNL, Lisbon, Portugal) Carlos Latuff was interviewed concerning his political graphical work that focuses on present conflicts and issues.
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Drawing For Peace
Practitioner:
Aaron Hughes
Date:
Oct 1 2006
Aaron Hughes, an artist-activist and Iraq War veteran walked into the middle of a busy intersection in Champaign, Il. where he was then going to college, and propped up a signboard that read: “I am an Iraq War Veteran. I am guilty. I am alone. I am drawing for peace.”
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Girls at Dhabas: challenging issues of safety, or ‘respectability’ in urban Pakistan?
Practitioner:
Girls at Dhabas
Date:
Apr 1 2018
We are sitting at a dhaba – a roadside tea-shop in Pakistan often frequented by lower-to-middle income men. At our table: four women and camera crew. The reporter from ‘one of the most globally viewed’ [read: western], mainstream British outlets looks me in the eye: “So, how safe do you feel at the moment? We were just surrounded by a group of little boys [because of the cameras], do you think the situation can ever turn on you?"
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Visions from the Inside
Practitioner:
CultureStrike, Mariposas Sin Fronteras and End Family Detention
Date:
Aug 19 2015
Visions from the Inside is a project enlisting 15 artists from across the country to create a piece of art based off letters from women in detention. The initiative, a collaboration between CultureStrike, Mariposas Sin Fronteras and End Family Detention, illuminates the horrific realities of life inside some for-profit detention facilities in the U.S., as well as the resilient spirit that keeps the inmates going.
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Diagram of the "Brookes" Slave Ship
Practitioner:
18th century abolitionists
Date:
Jan 1 1787
This diagram of the 'Brookes' slave ship is probably the most widely copied and powerful image used by the abolitionist campaigners. It depicts the ship loaded to its full capacity - 454 people crammed into the hold.The 'Brookes' sailed the passage from Liverpool via the Gold Coast in Africa to Jamaica in the West Indies.
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Zhang Huan, To Raise the Water Level in a Fishpond
Practitioner:
Zhuang Huan, some laborers, fishermen, construction workers
Date:
Sep 1 1997
Zhuang Huan invited more than 40 men - laborers, fishermen, construction workers––who had recently migrated to Beijing from other areas of China to participate. Zhang Huan said, “In order to find these workers, I visited many of the shacks where they live.”
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At War With São Paulo’s Establishment, Black Paint in Hand
Practitioner:
pichação
Date:
Jan 1 2012
New York Times January 28, 2012 By SIMON ROMERO SÃO PAULO, Brazil — This mega-city’s authorities have waged war for years against what they call “visual pollution,” banning billboard advertising, demolishing abandoned skyscrapers and planning to raze concrete eyesores like the elevated highway known as the Big Worm.
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Hundreds of ‘honey bears’ posted all over SoMa in street art protest
Practitioner:
fnnch
Date:
Jan 29 2018
Local artist fnnch wants San Francisco to decriminalize certain types of art. You’re not seeing things: A whopping 450 “honey bears”—variations on the immediately recognizable and widely imitated bear-shaped honey bottles sold in seemingly every store in America--appeared all over SoMa late Sunday night, from the Embarcadero to Fifth Street.
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Courage Score
Practitioner:
Courage Campaign
Date:
Feb 1 2018
Courage Scores grade California state legislators on their political courage, revealing how well they stand up for their constituents over corporations or interest groups that exploit Californians, particularly the poor, disadvantaged, or communities of color.
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I've Got Nothing To Say
Practitioner:
Anonymous Girl in China
Date:
Feb 23 2024
Feb 23 2024, on the streets in Henan, China, a girl holds a big sign with the black text "I've got nothing to say" on a white background, walking around in city center and malls. She live-streamed her walk and her account was banned after a few hours.
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Coco Fusco and Paula Heredia’s The Couple in the Cage: Guatinaui Odyssey
Practitioner:
Coco Fusco and MoMA
Date:
Jan 1 1993
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
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Is A Barbie Body Possible?
Practitioner:
Rehabs.com
Date:
Apr 18 2013
With her long slender limbs, small waist and 'flawless complexion' (at least when she has makeup on), it is no surprise that many young girls dream of being just like Barbie. However, it turns out that attaining Barbie’s dream bod is almost close to impossible—as highlighted in an infographic by Rehabs.com.
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Operación Lola Flores
Practitioner:
Gila Grupo de Intervención
Date:
Nov 14 2012
"Si una peseta diera cada español, pero no a mí, sino a donde tienen que que darla, quizás saldría de la deuda" (Lola Flores)
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#NoKidsInCages Artists Install 20 Cages With Models of Children Inside Across NYC
Practitioner:
Badger & Winters, Refugee and Immigrant Center for Education and Legal Services (RAICES)
Date:
Jun 12 2019
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
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Liberation Lab
Practitioner:
NYU/Free University
Date:
Apr 30 2016
On April 30th NYU in conjunction with Free University held liberation lab in Washington Square Park from 11 30 Am until roughly 5 or 6pm. The day was very festive and full of amazing talks, performances, installations and discussions. I even got to participate in this day via our final project in the creative activist course.
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“Untitled” (Portrait of Ross in L.A.)
Practitioner:
Felix Gonzalez-Torres
Date:
Jan 24 1991
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
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Menstruation Terrorism
Practitioner:
Kashafa Khan
Date:
Feb 7 2006
Menstruation Terrorism is the act of frightening folks with the visibility of menstruation.
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Guerilla Projections for Palestine
Practitioner:
Decolonize This Place, Within Our Lifetime
Date:
May 13 2021
As the death toll from Israel’s attacks on the besieged Gaza Strip continues to rise, a guerrilla projection on May 13, 2021 illuminated a building in Brooklyn’s Dumbo neighborhood with messages of solidarity with Palestinians.
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Monopoly Man
Practitioner:
Amanda Werner
Date:
Oct 4 2017
During Wednesday’s Senate hearing on the Equifax data breach, a protester dressed as the “Monopoly Man” from the board game photobombed Equifax CEO Richard Smith’s testimony. While the CEO discussed his company’s breach that affected 145.5 million people, the protester gazed skeptically through a monocle at the back of his head.
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TAXI
Practitioner:
HAHA
Date:
Apr 19 2014
Taxi is a car with a digital advertising sign attached to the roof. Linked to a global positioning system, the message changes relative to the car's location, addressing specific neighbourhoods, addresses, and audiences. The technology can target an area as small as a square block. Haha solicits messages through email list serves and through direct contact with various groups throughout the city.
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