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This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).

LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.

The rap duo Macklemore and Ryan Lewis has broken records with their hits “Thrift Shop” and “Can’t Hold Us.” And now, with their pro-marriage equality hit “Same Love,” which features out lesbian Mary Lambert, they’re shattering stereotypes.

A major exhibition by Ai Weiwei this autumn features a new series of monumental sculptural works in iron, cast from giant tree roots sourced in Brazil during research and production for last year’s survey exhibition, ‘Raiz’, at the Oscar Niemeyer-designed OCA Pavilion in Ibirapuera Park, São Paulo.

The Wuming Painting Collective, formed in Beijing during the Cultural Revolution (1966–1976), was a clandestine group of artists who defied the authoritarian control over art and expression. In a time when all art was harnessed as propaganda to glorify the state and Chairman Mao, Wuming artists turned their gaze toward everyday life, painting still lifes, street scenes, human figures, and most iconically, serene landscapes.

When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.

Grandmas diving for seafood while immigrants wrestle with identity. Scrambling for self-worth in the face of suicide. Rock music in the face of fear. A noir murder mystery. Musings on death.

Bea Camacho is a visual and performance artist from the Philippines, the provocation of whose work is described as exciting and strikingly into identity, intimacy, and isolation. Her art is known to delve into the human complex of experiences and offer a layered narrative within its visual and performance medium.

Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.