On what seems to be just another ordinary day, a man is exposed to sexism and sexual violence in a society ruled by women... Eléonore Pourriat's short film imagines how a man might experience a sexual assault in a matriarchal society.
"In 2006 members from a coalition of environmental groups posed as a government agency—the Oil Enforcement Agency—that should have existed, but didn’t. Complete with SWAT-team-like caps and badges, agents ticketed SUVs, impounded fuel-inefficient vehicles at auto shows, and generally modeled a future in which government takes climate change seriously."
The "no nos vamos, nos echan" campaign speaks to making the invisible visible through pictures, videos and global mass demonstrations. Hopefully the Spanish government and other political players in Spain and Europe will see the faces of the population forced in exile.
Artist and activist Niki Lopez is a survivor. From age 11 to 25, she was trapped in a religious cult in Georgia, where she was separated from the rest of her family. The cult's leader sexually abused her. But in 2000, Lopez escaped and worked with the FBI to put him in prison. She was later given a humanitarian award from the FBI for her help in putting her abuser behind bars.
Shortly after the close of this year’s International Women’s Day, China’s Twitter-like service Sina Weibo shut down Feminist Voices. With 180,000 followers, the group’s social media account was one of the most important advocacy channels for spreading information about women’s issues in China, but in an instant, it was gone. A few hours later, the private messaging app WeChat also shuttered an account for the group.
JR called for the creation of a global art project - the Inside Out Project - inspired by his large‐format street “pastings.” The concept of the project is to give everyone the opportunity to share their portrait and a statement of what they stand for, with the world. IOP provides individuals and groups from all corners of the globe with a vehicle to make a statement.
"Around 30 people gathered on Victoria Island Monday morning to advocate for the return of the endangered American Eel to the Ottawa River.
The event mixed art with activism, with attendees carrying windsocks decorated to look like as eels as they marched to Parliament Hill.
The marquee creation was an 8.2-meter-long replica of an eel, which had to be carried by six walkers."
It’s certainly a long way from Grand Theft Auto. Henry David Thoreau’s classic “Walden” is the inspiration for what Smithsonian Magazine is calling “the world’s most improbable video game”: Walden, a Game.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
Hostile architecture—urban design features like ground spikes that deter the homeless from lying down or slanted benches that prevent lingering—inscribes exclusion into our streets. In response, a Chinese artist will launch the Free Butt Plug Catalogue, an art-activism project that documents fifteen such spikes and anti–loitering benches across London and pairs each with a commercially available butt plug of the same shape.
“It could have been me,” Jean-Michel Basquiat would say at the mere mention of the untimely death of Michael Stewart. Stewart, a 25-year-old artist, was allegedly drawing on the walls of the subway on 15 September 1983 when he was approached by transit cops who then placed him under arrest.
When Agnes Gund, the 77-year-old philanthropist and president emerita of the Museum of Modern Art, got the call, she thought: “That’s odd. What’s that got to do with someone like me?”
When Fran Lebowitz, the 65-year-old author, got the call, she said, “I thought it was a joke.”
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
The scraps of paper swirled through the Guggenheim Museum in New York on Saturday night like confetti, thrown from an upper walkway into the central rotunda before floating to the ground.
Emel Mathlouthi (Arabic: آمال المثلوثي) is a Tunisian singer-songwriter best known for her protest songs "Ya Tounes Ya Meskina" (Poor Tunisia) and "Kelmti Horra" (My Word is Free) which became anthems for the Tunisian revolution and the 2011 Egyptian revolution.
We all learn art in school. Every kid loves to draw at some point. People get fascinated with the details of their new camera, or spend free time writing poems. But eventually, there’s a not a teacher telling you how great your are, or the camera gets put away, or you just plain get busy and stop. Years could go by before you start again, if you ever do at all.
An Israeli member of the Taiji Dolphin Action Group, with a red body painting to evoke blood, is curled up on a sheet depicting the Japanese flag, during a January 30, 2014 protest against the killing of dolphins, notably in the Japanese city of Taiji, held outside the building housing the Japanese Embassy, Tel Aviv. Similar rallies outside Japanese consulates and embassies were expected to take place worldwide.