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Fifty-six-year-old Dan Witz — who originally hails from Chicago but lives in Brooklyn — has been producing street art in New York since the seventies. And not just any street art. Wondrous works that trick the eye and often elude passersby altogether. Oh, but when one realizes what he or she is seeing, it’s pure revelation.

The Kiss of Love campaign in India is a non violent protest against moral policing. It started out as a Facebook page but gained momentum across India when a mob of conservative, right-wing party members attacked and demolished a coffee shop in Kozhikode, Kerala. Their grounds to do so was public display of affection by couples inside the coffee shop, which they saw as immoral activity.

To raise awareness among the general public about the global clean water crisis, the artist Belo created an image composed of 66,000 cups of colored rainwater simulating levels of impurities found in water all over the planet. This major work of 3,600 square feet, representing a fetus in the maternal womb, emphasizes the necessity of water, even before birth, for each living person.

Following last week's powerful death-penalty spot with the melting wax figures, Amnesty International in France moves on to Russian dolls to symbolize the hidden political repression and social terror in that country. "We must not let Russia's charm hide its atrocities" is the tagline from ad agency La Chose.

In a private Tokyo dinner party artist Mao Sugiyama served his genitals to five of the events guests. Several months prior to the event he chose to have his genitals surgically removed. He released invitations to the event on social media, 70 paid attendees were present for the event. Self-identifed as asexual, Sugiyama stated that he intended to raise awareness for "sexual minorities, x-gender, asexual people."

"Sixteen year-old Mariem Chourak is a devout Muslim who considers wearing a hijab an expression of her devotion to the Prophet Mohammad, but a proposal by French senators might soon deny her the freedom to do so in public spaces.

When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.

Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.

From the Australian, 27 September 1992.