With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
Over 150 Riot Games Employees walked out of the League of Legends office in Los Angeles in order to protest against Riot Games stance on forced arbitration. They stood out in front of the company's parking lot holding picket signs and gave speeches. The employees asked for forced arbitration to be ended for all past, current, and future Riot employees which includes contractors and in current litigation.
Bernie Sanders supporters know how to bring the party! And they did it big time for the Democratic Debate in New York this week, with help from The Illuminator & the NYC Light Brigade. They installed an interactive video game featuring Bernie jumping over obstacles and WINNING!
Identity/Identidad was included in The Disappeared exhibition at the El Museo Del Barrio from February 23rd to June 17th 2007. However, this project was exhibited over a long period of time at numerous different locations.
As a result of the social stigma of homosexuality, lesbian feminists were rejected and silenced as a radical minority within the mainstream Movimiento Feminista (MF). Lesbianas Sin Duda (LSD) is a queer activist group based in Madrid that arose in the early 1990s as a response to this erasure.
"The Uni Project aims to do one thing and do it well: temporarily
transform almost any available urban space into a public reading room
and venue for learning. We start with the conviction that books and
learning should be prominent, accessible, and part of what we expect at
street-level in our cities." (From site.)
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
In the early 1980s Keith Haring created hundreds of drawings in the New York subway system. He used chalk to paint on unused advertising space, which was covered with black sheets of paper. Haring was caught and fined numerous times.
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
After a first illegal exhibition on the walls of the Cité des Bosquets, JR settles in the heart of this neighborhood and the neighboring projects of La Forestière, in Clichy-sous-Bois, where the 2005 riots started in the French suburbs.
The first portraits are displayed on the walls of the last popular neighborhoods of the capital, in Eastern Paris.
Food transcends language—it brings people together, bridges cultures, and tells stories words cannot. In early March, the Razom Advocacy team, alongside renowned Ukrainian chef Olia Hercules, embarked on a journey through Louisiana—visiting Shreveport and New Orleans—to foster connections, celebrate Ukrainian culture, express gratitude to local first responders, and advocate for Ukraine.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
In May 2010, as oil from the Deepwater Horizon disaster continued to spread in the Gulf of Mexico, growing outrage from residents in New Orleans at the response by government agents and corporate executives, opened up new horizons of political possibility.
From Public Delivery:
"The art piece, which was showcased at the Flashpoint Gallery in Washington D.C. from February 1 to 17, 2019, allowed visitors to interact with it. The audience had a pile of crumbs placed right in front of the three-walled setup, which they would through and watch as ‘Ivanka’ vacuumed them all up.
Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
A watermelon filter on TikTok is allowing users to raise funds to support civilians in Gaza, where more than 11,000 people have been killed since Israel began an offensive military attack on the Gaza Strip in October, after a Hamas attack killed 1,400 people in Israel and saw roughly 200 civilians taken hostage.
Aaron Hughes, an artist-activist and Iraq War veteran walked into the middle of a busy intersection in Champaign, Il. where he was then going to college, and propped up a signboard that read:
“I am an Iraq War Veteran.
I am guilty. I am alone.
I am drawing for peace.”
In May of 1977, artist Suzanne Lacy mapped every reported rape in LA for a period of three weeks. This project, aptly named "Three Weeks in May", was part of an extended performance which Lacy utilized as a means to expose LA's problem of violence against women. As a centerpiece for this project, Lacy used a large map where she recorded every reported rape in the area with the word RAPE.
"Jenna has designed an efficient, sub-irrigated system for growing
energy-packed plants (microgreens) in small, urban spaces. Her aim: to
provide healthy greens to extraordinary people with ordinary incomes.
As an urban agricultural design project, she envisions a way to
grow food in an anthropogenic landscape for all strata of citizens, but
as an art project, she hopes to facilitate conversations about