Women took to the streets of Beirut wearing blood-stained wedding dresses with signs that said "A white dress does not cover up rape. Undress 522," referring to the number of the penal article in question. The demonstration was an act by the Beirut-based Resource Center for Gender Equality (ABAAD) association on December 6.
In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
With people in Turkey and Syria still reeling from Monday’s devastating 7.8 magnitude earthquake, many in the art world have united in support of the relief efforts for the disaster. The death toll has now surpassed 22,000, with close to one million people now in need of food amid freezing temperatures.
Say hello to ArtActivistBarbie (AAB), whose modus operandi is small signs, big questions and a fabulous wardrobe. With her inviting call to arms, “Refuse to be the muse!” this fierce new incarnation of Barbie is helping to challenge art galleries and museums worldwide about their woeful lack of women and other minorities in their collections, and reluctance to consider the female gaze.
HEFEI, China (AP) — Hundreds, possibly thousands, of people gathered Thursday near a state funeral home in Beijing as China’s former second-ranking leader, Li Keqiang, was put to rest, while a steady stream of mourners showed their respects at the ex-premier’s childhood home in central China.
Li, who was China’s top economic official for a decade, died last Friday of a heart attack at age 68.
At the press preview for Sharon Hayes’s new full-floor exhibition “There’s So Much I Want to Say to You” at the Whitney Museum there was a podium and a microphone set up in the center of the gallery that would eventually be used by director Adam Weinberg and curator Chrissie Iles to introduce the artist and her restless work.
In 1996, filmmaker John Akomfrah created the character of the Data Thief as a narrative device to offer an insightful study of Afrofuturism in his film The Last Angel of History, which links Black musicians including George Clinton, Derrick May, and Sun Ra to Akomfrah’s thesis about the role of technological fantasy in Black artistry across genres and mediums.
It seems a lot of powerful people hate Benetton's new 'Unhate' Campaign ads. The recently unveiled images show world leaders like the Pope and U.S. President Barack Obama kissing their perceived enemies.
On Thursday, the White House issued a statement condemning Benetton for its provocative campaign.
Kwentong Bayan: Labour of Love is a community based comic book project, created by Toronto-based artists Althea Balmes (Illustrator) and Jo SiMalaya Alcampo (Writer) in close collaboration with caregivers and supporters, about the real life stories of Filipina migrant workers in the Live-in Caregiver Program.
Our project aims to show people that joy can be an act of resistance and resilience in the face of global justice issues when harnessed in the right way. The sharing of joy can also act as a connector in a society that continues to grow more polarised through the division of social media and mainstream media.
Brother Gao are two China artists. Their works are aims at reflecting the reality of Chinese society in an artistic and critical view. In 2003, the brothers held an event to invite many strangers for a dinner.
The 9,000 bottles of water on display at an art gallery in Beijing last month appeared identical to those of Nongfu Spring, one of China’s most popular spring water brands, with one jarring difference. Inside each bottle was brown, murky groundwater collected from a Chinese village.
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.