Miles Greenberg is a performance artist from Canada who specializes in time, endurance, and the human body. His art is often complicated and deep into the human experience, with physical endurance mixed into visual metaphors that create deep, profound statements of the human condition.
It was 1967, and sentiment against the Vietnam War was in the air nationwide. The counterculture was flourishing on the heels of the Summer of Love. Organizers from Mobe — the National Mobilization Committee to End the War in Vietnam — initially called for a massive march on Washington.
Associated Press
BEIJING — The surprising escape of a blind legal activist from house arrest to the presumed custody of U.S. diplomats is buoying China’s embattled dissident community even as the government lashes out, detaining those who helped him and squelching mention of his name on the Internet.
Climate activist Greta Thunberg has teamed up with UK band The 1975 to record a song in she calls for mass civil disobedience to force action on greenhouse gas emissions.
In the track, titled “The 1975,” Thunberg recites an essay over ambient music, urging listeners to join a popular rebellion against climate change.
“Everything needs to change. And it has to start today,” she says in the song, released July 24.
A series of three animations and posters to support the campaign titled: Stop the Coal Monster.
Our demands of Nelson City Council and Tasman District Council:
- Prohibit new resource consents for coal use or mining, effectively immediately.
- End all existing consents for coal use or mining by 2025.
- Ensure adequate monitoring of all current coal users.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.
IT all looked so normal: a dozen diners chatting over coffee and hash browns at an outdoor cafe near the waterfront here on an August morning. The cook flipped eggs, a dog sniffed for scraps, and the young woman in the black sweater suspected nothing of the spies and confederates sprinkled throughout. They’d been studying her life for four months and were finally preparing to pull it through the looking glass they’d constructed.
April 2nd, 2016, organized by members of the Aids Coalition to Unleash Power faction in London, five activists stormed London's Gilead Pharmaceutical offices and frantically disrobed to reveal painted backs spelling out the word 'Greed." About 30 other activists rallied outside the building.
On October 6th, 2007, we beat a new world record. Thousands of people in cities all across Spain simultaneously shouted: “You won’t own a house IN YOUR WHOLE FUCKING LIFE!” The decibels radiating from this collective cry were registered by an interactive meter, baptized “The Fuck-o-meter” for the occasion.
Demonstrators aligned with the Occupy Wall Street movement sang their way into handcuffs during a Bronx foreclosure auction Monday to protest the housing crisis that continues to plague the borough.
They serenaded a courtroom of real estate investors with the lyrics, "Y'all are speculating off people's pain. With all due respect, you should be ashamed."
Wilson’s intervention was a correction of the museum’s identity in the sense that it made the underlying racism apparent. Using glass cases and neat labeling, Wilson’s installations mimicked the usual methods of museum display but with a twist so that a new voice or persona was created. As he said it himself: “By bringing things out of storage and shifting things already on view, I believe I created a new public persona for the historical society.”
DAVEY DRUMPF, The Donald's long-lost third cousin twice removed, makes a family-sized guess on President Shoot-Someone-on-5th-Avenue's chances of Bringing Back Jobs and Making America White Again.
Miguel Hernández was a spanish shepherd, poet and playwright that dedicated most of his works to dignify the poor peasants of the rural areas of Spain.
Katharina Grosse's public exhibition "Just Two of Us" consists of eight large meteor looking sculptures painted in bright technicolors. The sculptures, which have been placed in the public plaza at Metro Tech Commons, have transformed downtown Brooklyn. Grosse is a German artist based in Berlin, who is known for her use of spray gun techniques to create abstract colorful paintings on unconventional surfaces.
Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.
On the morning of April 24th, 2014, members of NYU's chapter of Students for Justice in Palestine signed into several NYU dorms and slipped eviction notices under all of the doors. The eviction notices were written to raise awareness about the eviction of Palestinians from their homes by the Israeli government and stated very clearly at the bottom of the page that they were not real.
NEW YORK — Hours after police removed an illicit bust of Edward Snowden from its perch in a Brooklyn park on Monday, artists replaced it with a hologram.
The group of artists — who collectively call themselves "The Illuminator" and are not related to the trio behind the original sculpture — used laptops and projection equipment to cast an image of Snowden in a haze of smoke at the spot where the sculpture once stood.
FACELESS was produced under the rules of the 'Manifesto for CCTV Filmmakers'. The manifesto states, amongst other things, that additional cameras are not permitted at filming locations, as the omnipresent existing video surveillance (CCTV) is already in operation.