In Drumpf Files #3, Presidential-elect cousin Davey Drumpf tackles fracking, the EPA, and immigrants. They all get away. Maybe he's too busy rewriting John Lennon and rooting for Bernie for President of Denmark? Check it out, then kick its starter! https://youtu.be/LW2zLzgnf9o
Horror stories about treacherous boat journeys from Africa to the Mediterranean far too often make headline news. The men, women and children fleeing their homes to start a new life in Europe become faceless numbers in the media, and are ‘othered’ by conservative politicians for their own agenda.
Shift Change Dress is a community fashion & art project that utilizes a shift dress sewing pattern as a medium for communication and action. Participants are encouraged to use the pattern as a blank canvas for their art or message and to share their work with the community.
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
Thousands of ethnic Mongolians have protested across northern China in opposition to Beijing plans to replace the Mongolian language with Chinese in some school subjects.
Forensic Architecture's Cloud Studies is a project that investigates the impact of toxic clouds on colonised and oppressed communities. The clouds, originating from sources like tear gas, industrial emissions, chemical weapons, and forest fires, often go unaddressed due to doubt and denialism.
Hair Nah (https://hairnah.com/) is a game created by Momo Pixel, a Black woman who wanted to represent how it feels for people to touch her hair without consent. The game is fun but also impactful, especially with the mechanic of "getting tired" of smacking away hands.
The 1975’s ‘Love It If We Made It’ is a dystopian love story that feels appropriate for the last 18 months. Even though it was written before the pandemic, its relevancy has only increased tenfold since its release in 2018.
The public bathrooms at Penn Station in New York City are a dirty, depressing place. But now, there’s a bright spot: a poster that encourages women to donate menstrual products, like pads or tampon, to help the many homeless women who frequent the bathroom.
tattoo on someone's thigh which reads "FEAR IS THE MOST ELEGANT WEAPON. YOUR HANDS ARE NEVER MESSY. THREATENING HARM IS CRUEL. WORK INSTEAD ON MINDS AND BELIEFS. PLAY INSECURITIES LIKE A PIANO. BE CREATIVE IN APPROACH. FORCE ANXIETY TO EXCRUCIATING LEVELS OR GENTLY UNDERMINE THE PUBLIC CONFIDENCE. PANIC DRIVES HUMAN HERDS OVER CLIFFS; AN ALTERNATIVE IS TERROR-INDUCED IMMOBILIZATION. FEAR FEEDS ON FEAR. PUT THIS EFFICIENT PROCESS IN MOTION.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
Fridays for Future strikers around the world shared their demands for bold climate action online Friday as many youth activists heeded public health experts' recommendations in the face of the coronavirus pandemic by eschewing public protests in favor of digital demonstrations.
The online displays followed the call earlier this week from school strike for climate pioneer Greta Thunberg to #ClimateStrikeOnline.
Savages are an all-female post-punk band that attempt to motivate people to be informed and take part in politics. They "try to give people a platform to express their own ideas" as Fay Milton of the band explains.
The following is the manifesto Savages wrote for their 2016 album, Adore Life:
Fashion designers from L.A. to Milan are picking up their shears in solidarity to do their part to prevent the spread of COVID-19 to at-risk patients and primary care providers.
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
The Brat Summer movement can be directly traced back to the release of Charli XCX's album "Brat" in 2024. Known for her boundary-pushing pop sound and fierce persona, Charli XCX used "Brat" as a platform to explore themes of defiance, self-empowerment and the rejection of societal expectations.
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
A CUBAN artist's controversial photographs of children being hung from crosses has landed him in hot water.
Erik Ravelo took a series of photos of children hung like Jesus from a cross, but in the place of the cross were soldiers, surgeons, priests and Ronald McDonald.
Resonate, Reverberate, Roar (Re-Re-Roar) is a growing archive of original sounds that express an experimental, independent, and socially progressive spirit. The sounds on Re-Re-Roar include field recordings, interviews, songs, speeches, experimental music, and more. Re-Re-Roar is a site for research and activ[ist] listening, with the purpose of distributing sounds of resistance to eager ears around the globe.
The purpose of this project was the permeate stock images with more depictions of Black people. Stock images are usually easily found and utilized, showcasing people doing everyday activities or scenes. To boost representation of Black people in this particular image field, were left out, so the artist chose to recreate popular stock images with Black models to showcase representation and shed light on the lack of diversity in these photos.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.