In May 2020, a team of artists, activists, folklorists, and people who lost loved ones to Covid-19 came together to make monthly memorial sites in New York City to remember victims of the Covid-19 pandemic. They continued installing memorials around New York City every month during the summer of 2020.
DAVEY DRUMPF, The Donald's long-lost third cousin twice removed, makes a family-sized guess on President Shoot-Someone-on-5th-Avenue's chances of Bringing Back Jobs and Making America White Again.
Fridays for Future strikers around the world shared their demands for bold climate action online Friday as many youth activists heeded public health experts' recommendations in the face of the coronavirus pandemic by eschewing public protests in favor of digital demonstrations.
The online displays followed the call earlier this week from school strike for climate pioneer Greta Thunberg to #ClimateStrikeOnline.
It can be important to reflect on the artistic recounts of activists experiences under state imprisonment. In a revealing interview with Artspace, Chinese artist and dissident Ai Weiwei reflects on his 81-day secret detention in 2011 and the psychological strategies used to dismantle identity and autonomy.
Shift Change Dress is a community fashion & art project that utilizes a shift dress sewing pattern as a medium for communication and action. Participants are encouraged to use the pattern as a blank canvas for their art or message and to share their work with the community.
“Thank you!”
That’s how comedian Michelle Wolf answered Sean Spicer’s declaration that her headlining stand-up set at the the White House Correspondents’ Association dinner was “a disgrace.” Her response is instructive: To Wolf, an insult from Spicer is an accolade – and accolades, surely, would be an insult. She’s right.
Chanel Miller is a Palo Alto–born artist and writer. She first came into the public eye as “Emily Doe,” the victim of a 2015 Stanford University sexual assault whose impact statement presented in court went viral. Miller relinquished her anonymity in 2019, when she published the acclaimed memoir, “Know My Name.” "I was, I am, I will be" is Miller’s first commissioned artwork for a museum and is on view through February 2022.
After J.Cole posted a song that implies that Noname can get her message across to a wider audience if she changes her tone, she releases another song in response. However, instead of explicitly responding to his critique, she uses the controversy to shed light on the death of Black female activist Oluwatoyin Salau, who was killed by her assaulter.
“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
The 1975’s ‘Love It If We Made It’ is a dystopian love story that feels appropriate for the last 18 months. Even though it was written before the pandemic, its relevancy has only increased tenfold since its release in 2018.
The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
Holzer's Truisms have become part of the public domain, displayed in storefronts, on outdoor walls and billboards, and in digital displays in museums, galleries, and other public places, such as Times Square in New York. Multitudes of people have seen them, read them, laughed at them, and been provoked by them. That is precisely the artist's goal.
China's underground hiphop became an art movement since early 2000s. With characteristics of self-expression, localization and social criticism, Chinese hip hop music quickly gained popularity among students and working-class Chinese. Some notable music groups from Beijing include Yin Ts'ang (隐藏) and In3er (阴三儿).
In Drumpf Files #3, Presidential-elect cousin Davey Drumpf tackles fracking, the EPA, and immigrants. They all get away. Maybe he's too busy rewriting John Lennon and rooting for Bernie for President of Denmark? Check it out, then kick its starter! https://youtu.be/LW2zLzgnf9o
Kids Helping Kids is a youth hip-hop program run by two NGOs, Hip Hip Saves Lives and Negusworld. Together, these organizations work with middle school and high school students to make conscious hip hop influenced by activist work happening worldwide.
This weekend marks the one-year anniversary of Donald Trump's inauguration. It also marks the one-year anniversary of the Women's March his election inspired, the largest single-day protest in the nation's history.
I have several theories about why song rewrites work well. Theory aside, people know the tunes and can learn the words. Scholars differ on whether you should make it as simple as possible or let the crowd be the artist by recognizing their ability to learn and perform something a bit tricky. Either way, it's great when songs are repurposed and people get to shout and sing instead of just chanting or listening to speeches.
Thousands of ethnic Mongolians have protested across northern China in opposition to Beijing plans to replace the Mongolian language with Chinese in some school subjects.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
Our NGO “Voices from the Conflict” seeks to open a conversation about the Israel-Palestine conflict through the lens of activist art. The history of the conflict dates back to the UN partition plan in 1947, followed by Israel’s independence in 1948. Since then, there have been several armed engagements between the two actors- causing massive civilian casualties and terrorism.