Projects tagged "Revolution"

Tim DeChristopher Thwarts a Land Auction (Bidder 70)
Practitioner:
Tim DeChristopher
Date:
Jul 27 2011
In December 2008, Tim DeChristopher, along with his church group, was protesting outside a Bureau of Land Management oil and gas lease auction of 116 parcels of public land in Utah's red rock country. Tim decided to take his protest inside and disrupt the auction itself. Instead, at the door, he was offered a bidder's paddle — which, after a split second of hesitation, he accepted.
Dismaland
Practitioner:
Banksy
Date:
Aug 20 2015
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why. Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
Las Carpetas
Practitioner:
CHRISTOPHER GREGORY-RIVERA
Date:
Jan 14 2021
"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.
NYC Street Art Map
Practitioner:
Huffington Post
Date:
Jan 26 2014
Huffington Post put together a digital, interactive map of some of the so-called best and brightest street art collections. Street art is important because it allows artists, usually from the community where the street art is taking place, to interact with the community and bring color/brightness to the environment.
Every Month: One Week. One Film. One Global Audience.
Practitioner:
SIMA RAMA
Date:
Mar 16 2017
For the past five years, we’ve screened SIMA juried films in communities and classrooms across six continents and witnessed an increasing demand to use the inspirational force of documentary filmmaking to build a global digital community around today’s most pressing issues.
The Democracy Machine
Practitioner:
Adam J Scarborough
Date:
Jun 27 2015
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
Black History: Billie Holiday’s “Strange Fruit”
Practitioner:
Billie Holiday
Date:
Feb 5 1939
Many may not realize, but legendary jazz singer Billie Holiday was a big part of the Civil Rights Movement. In fact, her 1939 song about lynching, “Strange Fruit,” made her a target of the FBI.
The Wheelbarrow
Practitioner:
The Wheelbarrow Collective
Date:
May 1 2020
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive? The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
Emergency Cinema and the Dignified Image: Cell Phone Activism and Filmmaking in Syria
Practitioner:
Syrian citizens
Date:
Jan 1 2011
One of the most significant aspects of the wave of protests and uprisings that began in Syria in 2011 was the use of the cell phone camera as a tool of documentation, political activism, and creative expression.
The Story of "The President Sang Amazing Grace"
Practitioner:
Zoe Mulford
Date:
Jan 10 2017
"The President Sang Amazing Grace" tells the story of the 2015 attack that claimed nine lives at the Emmanuel AME Church in Charleston, SC. It first appeared on Zoe's 2017 album "Small Brown Birds" and was widely played on independent folk radio shows across the US. Since then, the song has taken on a larger life, inspiring a variety of artists and finding its way to new audiences.
RAISE IT UP, MAKE AN IMPACT!
Practitioner:
IMPACT Repertory Theatre Performance Company
Date:
Jan 12 2018
IMAPCT are youth activists who view the creative arts and leadership training as a way to develop ourselves and change the world in a positive way. They believe that they must be the message that bring through hardwork, focus, discipline, unity and the principles of S.O.S. safe space, outstanding effort and service to their family friends and community.
Women of Allah
Practitioner:
Shrine Neshat
Date:
Apr 7 1993
Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
Zone à Défendre, or “zone to defend” (ZAD)
Practitioner:
local community groups
Date:
Jan 26 2017
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
Unity, Democracy and Courage
Practitioner:
Medu Art Ensemble
Date:
Aug 7 1983
One of the most pressing questions before us in the United States now is how to resolve the tension between our personal visions and needs, on the one hand, and the demands of being a member of a community, on the other.
Czechoslovakia’s two-hour general strike
Practitioner:
Czechoslovaks
Date:
Apr 30 2012
A general strike can be one of the most potent noncooperation methods in the repertoire of nonviolent resistance. It is a widespread cessation of labor in an effort to bring all economic activity to a total standstill. Although it is easy to broadcast the call for a general strike, it is exceedingly difficult to implement for the maximal impact that it potentially exerts. What’s more, a general strike must
Artists mark Trump's inauguration anniversary with day of protest art
Practitioner:
The Federation, a volunteer-run arts organization spearheaded by artist Laurie Anderson and producers Tanya Selvaratnam and Laura Michalchyshyn
Date:
Jan 19 2018
This weekend marks the one-year anniversary of Donald Trump's inauguration. It also marks the one-year anniversary of the Women's March his election inspired, the largest single-day protest in the nation's history.
Iranian Women of Graphic Design
Practitioner:
Iranian Women Of Graphic Design
Date:
Dec 9 2022
Platform ‘Iranian Women of Graphic Design’ share open-access protest posters to amplify #WomenLifeFreedom movement—triggered by the death of Mahsa Amini—in Iran and beyond.
Hundreds of Pro-Palestine Protestors Stage Events at MoMA and Brooklyn Museum
Practitioner:
new yorkers
Date:
Feb 11 2024
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.
When artists go to war: inside the PLO's information department
Practitioner:
Palestine Liberation Organization
Date:
May 12 2014
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
Santiago Sierra will soak British flag in blood of colonised peoples
Practitioner:
Santiago Sierra
Date:
Mar 19 2021
The Spanish artist Santiago Sierra is planning to immerse a British flag in blood donated by indigenous peoples from countries colonised by the British Empire. The resulting artwork, titled Union Flag, is intended to be an “acknowledgement of the pain and destruction colonialism has caused First Nations peoples, devastating entire cultures and civilisations,” the artist said in a statement.
Artist Rufina Bazlova uses embroidery as a form of ‘gentle protest’
Practitioner:
Rufina Bazlova
Date:
Jan 1 2020
Rufina Bazlova is not afraid to surrender her art to activism. Born in Belarus, a former Soviet republic ruled by the authoritarian leader Aleksandr Lukashenko for 29 years now, Bazlova knows all too well that being apolitical is a privilege many Eastern Europeans cannot afford. 2020 was a pivotal year for Belarus, not only because of the COVID-19 pandemic but also the presidential elections, which declared Lukashenko president for the sixth time.
The Second October Revolution
Practitioner:
Dmitry Borshch, Regina Khidekel
Date:
Aug 14 2018
"The Second October Revolution" 105 NY-110, Melville, NY 11747 August 14, 11 am – September 8, 7 pm Tuesday – Saturday, 11 am – 7 pm, free admission Please write to racc.ny@mail.ru or call (347) 662 1456 The artist is available for interviews
Embassy Of Iran in Jerusalem
Practitioner:
Hamabul collective
Date:
Sep 21 2015
There is no embassy of Iran in Jerusalem. We ask why. We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments. The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
Art Therapist for Human Rights
Practitioner:
Art therapists
Date:
Jan 13 2017
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
Books (Please)! In All Branches of Knowledge, 1924
Practitioner:
Alexander Rodchenko
Date:
Jul 8 1924
Seattle Times: In 1921, just four years after the Bolshevik Revolution, American journalist Albert Rhys Williams wrote: “The visitor to Russia is struck by the multitude of posters — in factories and barracks, on walls and railway-cars, on telegraph poles — everywhere.”

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