Join acclaimed director Velcrow Ripper (Scared Sacred, Fierce Light) on a journey deep inside the revolution of the heart that is erupting around the planet, as he asks the question, “How could the crisis we are facing become a love story?”
You get a flat tire. You fail a test. You lose a job. You lose a relationship. It’s so easy to let the struggles of life consume and affect the way we think and react. Broadly, negativity is something that everyone is faced with on a day to day basis. It comes in many forms, and everyone deals with it differently. It seems as though negativity can make it difficult to acknowledge any positive aspect of any situation.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
MOTHER EARTH is broken from incessant decadent wars carelessly perpetuated by mindless ,vicious political imbeciles. Our natural wealth plundered by greedy ,gluttonous economic dare-devils, imbibing crude oil and fresh blood . Warlord-ism set the suns of our freedom, our earth is torn naked . War is ravaging the beauty of African diamond fields ,We are now Wretched Vagabonds . Warlords are frying peace in oil springs of the Gulf.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
A town in northwestern Syria has become the creative center of the revolt against President Bashar al-Assad. Since the beginning of the uprising, the residents of Kafr Anbel have drawn signs that skewer the Assad regime and express outrage that the world has not done more to stop the killing in Syria.
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
In 1930, the Indian National Congress adopted satyagraha (essentially, nonviolent protest) as their main tactic in their campaign for independence. Mahatma Gandhi was appointed to develop a plan of action; he proposed marching to the sea to make salt in defiance of the Salt Act of 1882.
Imagine for a brief moment, that the world’s last five remaining communist countries decided to unite forces and hire the world’s top advertising agencies to re-brand and create a resurgence in the ideologies of Communism?
The Spanish artist Santiago Sierra is planning to immerse a British flag in blood donated by indigenous peoples from countries colonised by the British Empire.
The resulting artwork, titled Union Flag, is intended to be an “acknowledgement of the pain and destruction colonialism has caused First Nations peoples, devastating entire cultures and civilisations,” the artist said in a statement.
from ahramonlineby Sara ElkamelAn indelible link has materialised between artistic expression and
revolution. Maybe it is the features they share: freedom, deviance and
fluidity, which bring them so close together. In any case, Egypt’s January 25 Revolution undeniably led to a
surge of creativity across the country; a rebel’s passion merges with an
The Ginsburg without photoshopped sunglasses and a crown fueled a revolution with lawsuits instead of protests. She believed in incremental progress instead of bold gestures. She was projected to be a conciliator on the court, not its preeminent liberal dissenter.
Now, “everyone wants to take a picture with me.”
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
Beyoncé delivered an intensely, unapologetic celebration of Black and HBCU culture at the Coachella Festival 2 weekends in a row. Not only were her performances some of the best live performances to date but they sent a pretty significant message to the world.
Here are some assessments of this beautiful demonstration of Blackness and Black Girl Magic:
From BBC News:
The Eye that Cries (El Ojo que Llora, in Spanish) is a memorial that was born as a private initiative designed to honor the thousands of victims as a result of terrorism in Peru, to strengthen the collective memory of all Peruvians and to promote peace and reconciliation in the country.
One of the most significant aspects of the wave of protests and uprisings that began in Syria in 2011 was the use of the cell phone camera as a tool of documentation, political activism, and creative expression.
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
Dogs featured in one ruse to ridicule the regime—pictures of dictator Than Shwe were hung around the necks of the stray dogs that roam the streets of Rangoon. The pictures, which rapidly found their way onto the Internet, are the work of an exiled Burmese satirist who goes by the name of Mr Creator. Downloaded copies of his pictures and cartoons are popular items among cyber dissidents.
This work addresses inequalities and disparities experienced specifically by LGTBIQ peoples in Spain. In the heart of this picture are six individuals dressed in queer fashion walking and linking arms. This is a powerful depiction. Usually, especially in a global context, it is unsafe for queer people to brave the streets alone. Here in Pozo’s work this represents pride without fear.
"The Second October Revolution"
105 NY-110, Melville, NY 11747
August 14, 11 am – September 8, 7 pm
Tuesday – Saturday, 11 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Join other families in reimagining sports team mascots and logos that misrepresent Native American communities. Design a campaign for alternative names with the help of artists Sam Durant and Elisa Harkins, taking inspiration from the exhibition Jimmie Durham: At the Center of the World.
Pop-Up Studio
Families explore art and create together in lively workshops led by artists. These drop-in programs are designed for ages 5 and up.