The flashmob ‘’I will dance despite everything’’ was organized in Tunis's old medina on December 2012 by “Art Solution", a Tunisian group aiming to promote street art as a form of resistance.
One of the most pressing questions before us in the United States now is how to resolve the tension between our personal visions and needs, on the one hand, and the demands of being a member of a community, on the other.
The Stanford Daily:
There is no word short of “spectacular” that better describes the experience of examining “Pan American Unity,” Diego Rivera’s 1940 mural, housed since 2021 at the San Francisco Museum of Modern Art (SFMOMA). The piece is the crux of SFMOMA’s soon-closing exhibition, “Diego Rivera’s America,” curated by James Oles and Maria Castro.
The Spanish artist Santiago Sierra is planning to immerse a British flag in blood donated by indigenous peoples from countries colonised by the British Empire.
The resulting artwork, titled Union Flag, is intended to be an “acknowledgement of the pain and destruction colonialism has caused First Nations peoples, devastating entire cultures and civilisations,” the artist said in a statement.
By Maha ElNabawi
It was a landmark day when prominent women’s rights activist Doria Shafiq bravely led a march of 1,500 women to storm the gates of Parliament on 19 February 1951. After several hours of unrelenting protest, Shafiq was finally received inside the office, where the council agreed to consider the demands of Egyptian women.
The work of a radical theater and puppetry collective, known as Papel Machete, produces and performs throughout Puerto Rico and the United States. Papel Machete was established on May 1, 2006 during protests responding to the government shutdown and political and economic crisis prompted by Puerto Rico’s status as a United States colony.
The Eye that Cries (El Ojo que Llora, in Spanish) is a memorial that was born as a private initiative designed to honor the thousands of victims as a result of terrorism in Peru, to strengthen the collective memory of all Peruvians and to promote peace and reconciliation in the country.
In 1930, the Indian National Congress adopted satyagraha (essentially, nonviolent protest) as their main tactic in their campaign for independence. Mahatma Gandhi was appointed to develop a plan of action; he proposed marching to the sea to make salt in defiance of the Salt Act of 1882.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
"Project Black Mask HK (PBMHK) was founded by a (then) 18-year-old, Joyce Ho, who is an American-born Hong Konger. On May 28, 2020, during a peak of the Coronavirus Pandemic, many people expressed frustration with their inability to protest on the streets (of the United States) in support of the freedom and democracy for Hong Kong. PBMHK became a space where people could do exactly that.
Presaged by shimmering spin-off hits “Dreams” and “Linger,” The Cranberries’ landmark debut album, Everybody Else Is Doing It, So Why Can’t We?, suggested its creators had taken up the baton handed down by jangly indie-pop classicists The Smiths and The Sundays.
“He describes it as a “family theme park unsuitable for small children” – and with the Grim Reaper whooping it up on the dodgems and Cinderella horribly mangled in a pumpkin carriage crash, it is easy to see why.
Banksy’s new show, Dismaland, which opened on Thursday on the Weston-super-Mare seafront, is sometimes hilarious, sometimes eye-opening and occasionally breathtakingly shocking.
Dan Perjovschi is one of Romania’s foremost artistic voices. Although known as a talented multi-disciplinary artist in his home country, particularly for his early performance work, he is most widely known internationally for his massive drawing installations.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
from ahramonlineby Sara ElkamelAn indelible link has materialised between artistic expression and
revolution. Maybe it is the features they share: freedom, deviance and
fluidity, which bring them so close together.
In any case, Egypt’s January 25 Revolution undeniably led to a
surge of creativity across the country; a rebel’s passion merges with an
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
In the context of the PhD research “Consciousness-raising: Activism in Digital Art” (by Ana Barata, Faculdade de Ciências Sociais e Humanas da UNL, Lisbon, Portugal) Carlos Latuff was interviewed concerning his political graphical work that focuses on present conflicts and issues.
Seattle Times:
In 1921, just four years after the Bolshevik Revolution, American journalist Albert Rhys Williams wrote: “The visitor to Russia is struck by the multitude of posters — in factories and barracks, on walls and railway-cars, on telegraph poles — everywhere.”
Rufina Bazlova is not afraid to surrender her art to activism. Born in Belarus, a former Soviet republic ruled by the authoritarian leader Aleksandr Lukashenko for 29 years now, Bazlova knows all too well that being apolitical is a privilege many Eastern Europeans cannot afford. 2020 was a pivotal year for Belarus, not only because of the COVID-19 pandemic but also the presidential elections, which declared Lukashenko president for the sixth time.
The pink "pussy hats" in The Women's March were created by a group of activists and knitters, including Krista Suh and Jayna Zweiman. The hats were designed as a form of protest and a symbol of resistance to the new administration and its policies.