Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
"Project Black Mask HK (PBMHK) was founded by a (then) 18-year-old, Joyce Ho, who is an American-born Hong Konger. On May 28, 2020, during a peak of the Coronavirus Pandemic, many people expressed frustration with their inability to protest on the streets (of the United States) in support of the freedom and democracy for Hong Kong. PBMHK became a space where people could do exactly that.
Nadya Tolokonnikova is a Siberian artist and a creator of the feminist protest art collective Pussy Riot. Tolokonnikova’s political actions and wide-ranging performance interventions have established her as a leading voice in the fight against authoritarian power. During her residency, she will compose performances that demonstrate her multifaceted approach to resisting systems of oppression and dehumanization.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
One of the most pressing questions before us in the United States now is how to resolve the tension between our personal visions and needs, on the one hand, and the demands of being a member of a community, on the other.
Celeste Caeiro, who on April 25, 1974, handed out red carnations to soldiers on their way to ending a 40-year right-wing dictatorship in Portugal, a spontaneous patriotic act that gave a largely bloodless coup its name, the Carnation Revolution, and her an enduring appellation, “the Lady of the Carnations,” died on Friday in Lisbon. She was 91.
The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.
Huffington Post put together a digital, interactive map of some of the so-called best and brightest street art collections. Street art is important because it allows artists, usually from the community where the street art is taking place, to interact with the community and bring color/brightness to the environment.